Art 1900-1909
1900 the third time of the waltz
2017 sold for € 1.46m including premium
From her childhood Camille Claudel is passionate about creating shapes by kneading clay. In 1882, aged 18, she opens a studio and meets Rodin. As an assistant, practitioner and model of the master, she understands that her emotions can generate another more feminine style, even more explicit in the expression of the attraction between man and woman.
She designs her group Les Valseurs from 1889. They are closely entwined and completely nude, occupied by the rapid movement of the dance and by their erotic desire. In 1892, happy with her achievement, she tries to obtain official orders according to the practice of that time.
The artwork is too bold and the expression of naked love by a woman is ahead of its time. Camille accepted the judgment of the first inspector and surrounded the woman with a whirling veil. She also changed the title : La Valse is better suited to attract the viewer's attention to the expression of movement through sculpture rather than to the ardor of the sexual desire.
Only one bronze was made on this very first version of La Valse. Cast in 1893 by Siot-Decauville, 96 cm high, it was sold for £ 5.1M including premium by Sotheby's on June 19, 2013.
The government is still not convinced and Siot-Decauville does not make promotional efforts for this young woman with sulphurous themes. Camille, who had yielded her rights for La Valse to Siot-Decauville, multiplies the variants in her plasters and sandstones and has some unauthorized bronzes made by other founders. The woman's veil is lightened, releasing the upper body, and the elongated train brings a significant increase in the effect of movement.
One of these bronzes 47 cm high in a sand cast without hollow was sold or presented around 1900 to a friend of Rodin. The heirs, maddened by its immodesty, put the sculpture in a closet more than one hundred years ago. It has just resurfaced and will be sold on June 11 by Rouillac in the annual garden-party sale at the château d'Artigny, lot 170 estimated € 500K. Here is the link to the essay published by the auction house (English version).
La Valse finally found its sponsor after 1902 when Blot bought the first bronze and the rights to Siot-Decauville. Blot published La Valse from 1905 in two sizes : 24 copies of a 46 cm high bronze and 4 copies for the smaller version.
Please watch the video shared by Culturebox including an interview of the auctioneer Aymeric Rouillac.
She designs her group Les Valseurs from 1889. They are closely entwined and completely nude, occupied by the rapid movement of the dance and by their erotic desire. In 1892, happy with her achievement, she tries to obtain official orders according to the practice of that time.
The artwork is too bold and the expression of naked love by a woman is ahead of its time. Camille accepted the judgment of the first inspector and surrounded the woman with a whirling veil. She also changed the title : La Valse is better suited to attract the viewer's attention to the expression of movement through sculpture rather than to the ardor of the sexual desire.
Only one bronze was made on this very first version of La Valse. Cast in 1893 by Siot-Decauville, 96 cm high, it was sold for £ 5.1M including premium by Sotheby's on June 19, 2013.
The government is still not convinced and Siot-Decauville does not make promotional efforts for this young woman with sulphurous themes. Camille, who had yielded her rights for La Valse to Siot-Decauville, multiplies the variants in her plasters and sandstones and has some unauthorized bronzes made by other founders. The woman's veil is lightened, releasing the upper body, and the elongated train brings a significant increase in the effect of movement.
One of these bronzes 47 cm high in a sand cast without hollow was sold or presented around 1900 to a friend of Rodin. The heirs, maddened by its immodesty, put the sculpture in a closet more than one hundred years ago. It has just resurfaced and will be sold on June 11 by Rouillac in the annual garden-party sale at the château d'Artigny, lot 170 estimated € 500K. Here is the link to the essay published by the auction house (English version).
La Valse finally found its sponsor after 1902 when Blot bought the first bronze and the rights to Siot-Decauville. Blot published La Valse from 1905 in two sizes : 24 copies of a 46 cm high bronze and 4 copies for the smaller version.
Please watch the video shared by Culturebox including an interview of the auctioneer Aymeric Rouillac.
#AuxEnchères: Cette épreuve en bronze de Camille Claudel devrait faire valser les enchères ! https://t.co/QX4GLPDkSv pic.twitter.com/3ha7139zja
— Interencheres (@interencheres) June 2, 2017
1900 The Baraka
2019 SOLD for MAD 13M (worth € 1.2M) including premium
A pupil of Bouguereau, Etienne Dinet discovers the oasis of Bou Saada in 1885 during an entomological expedition. He will devote his entire career to the rural life and beliefs in the south of Algeria, on the edge of the Sahara.
Erudite, illustrator of ancient tales, he moves permanently to Bou Saada in 1905 while retaining a workshop in Paris. He retroactively announces in 1908 to his European friends that he is converted to Islam and he chooses in 1913 his Muslim surname, Nasr ed-Din. However, he practices the figurative representation prohibited by Islam, including the girls naked in the purity of the wadi.
On December 30 in Marrakech, Artcurial sells Le Fils d'un saint M'rabeth, oil on canvas 72 x 80 cm painted in 1900, lot 50 estimated 8.8M dirhams worth € 800K. The image is shared by Wikimedia.
In the main square of a town, perhaps Biskra, the scene stages a tumult of collective faith. A young boy is seated on the shoulders of a man, presumably to reach a sanctuary. The composition is dominated by the child's head amidst the crowd, like Christ above the other characters in Christian iconography.
The boy has the power to transmit the baraka, or divine blessing, and he knows it. The extremely dense crowd surrounds him with varied attitudes of devout passion. In the midst of the enthusiasm which he generates, he is proud and a little worried. His bearer manages with fierce energy to make their way through the faithful.
In a book published in 1928, the artist expressed the passion emanating from this scene : "Qu'il est beau, cet Aiglon, il est la clef de nos coeurs !" (How handsome he is, this Aiglon, he is the key to our hearts).
Erudite, illustrator of ancient tales, he moves permanently to Bou Saada in 1905 while retaining a workshop in Paris. He retroactively announces in 1908 to his European friends that he is converted to Islam and he chooses in 1913 his Muslim surname, Nasr ed-Din. However, he practices the figurative representation prohibited by Islam, including the girls naked in the purity of the wadi.
On December 30 in Marrakech, Artcurial sells Le Fils d'un saint M'rabeth, oil on canvas 72 x 80 cm painted in 1900, lot 50 estimated 8.8M dirhams worth € 800K. The image is shared by Wikimedia.
In the main square of a town, perhaps Biskra, the scene stages a tumult of collective faith. A young boy is seated on the shoulders of a man, presumably to reach a sanctuary. The composition is dominated by the child's head amidst the crowd, like Christ above the other characters in Christian iconography.
The boy has the power to transmit the baraka, or divine blessing, and he knows it. The extremely dense crowd surrounds him with varied attitudes of devout passion. In the midst of the enthusiasm which he generates, he is proud and a little worried. His bearer manages with fierce energy to make their way through the faithful.
In a book published in 1928, the artist expressed the passion emanating from this scene : "Qu'il est beau, cet Aiglon, il est la clef de nos coeurs !" (How handsome he is, this Aiglon, he is the key to our hearts).
1900 Ruiz Picasso between two Mournings
2015 SOLD for € 360K including premium
A new century is conducive to dreams and ambitions. Pablo Ruiz Picasso, 19 years old, is hyperactive in 1900 in Barcelona. The cabaret of the Quatre Gats where he is assiduous manages his first exhibition and he opens his first studio with Casagemas. At the end of the year, el rey Pablo will seek glory in Paris.
His first specialty in that year is the portrait of the characters of Barcelona's bohemian life inspired by the caricatures by Casas. Keen for the expansion of his themes, he also makes his hands to genre and bullfighting scenes.
He agreed to make the illustration of a macabre short novel for a local magazine. La Boija is a small drawing showing the half-length portrait of a woman. She has the psychological distress of the mad women by Géricault in a solitude staging worthy of Munch.
Picasso did not need to study these two masters to design this strong composition : his young skill was already enough. Undoubtedly, this theme executed on order revived in him the trauma of the death of his younger sister Conchita in 1895.
This drawing 14 x 10 cm in ink, wash, gouache and pastel signed P Ruiz Picasso is estimated € 300K, for sale by Christie's in Paris on March 25, lot 10.
In 1901, the suicide of Casagemas spurned by a dancing girl of the Moulin Rouge is a new trauma which pushes Pablo into his blue period, in a style of a very high originality and expressiveness for which La Boija had been a precursor. Ruiz is a very common name in Spain: he is now 'Picasso', simply.
His first specialty in that year is the portrait of the characters of Barcelona's bohemian life inspired by the caricatures by Casas. Keen for the expansion of his themes, he also makes his hands to genre and bullfighting scenes.
He agreed to make the illustration of a macabre short novel for a local magazine. La Boija is a small drawing showing the half-length portrait of a woman. She has the psychological distress of the mad women by Géricault in a solitude staging worthy of Munch.
Picasso did not need to study these two masters to design this strong composition : his young skill was already enough. Undoubtedly, this theme executed on order revived in him the trauma of the death of his younger sister Conchita in 1895.
This drawing 14 x 10 cm in ink, wash, gouache and pastel signed P Ruiz Picasso is estimated € 300K, for sale by Christie's in Paris on March 25, lot 10.
In 1901, the suicide of Casagemas spurned by a dancing girl of the Moulin Rouge is a new trauma which pushes Pablo into his blue period, in a style of a very high originality and expressiveness for which La Boija had been a precursor. Ruiz is a very common name in Spain: he is now 'Picasso', simply.
1901 Klimt on Lakeshore
2012 SOLD 5.6 M£ including premium
In 1901, Gustav Klimt is already the leader of the movement named the Vienna Secession, which has its roots in the symbolism. He is not afraid of controversy, but he also needs rest, and he takes a holiday on the shores of the Attersee lake.
Inspired by some birch trees by the lake, he enjoys to show them in an impressionist oil on canvas that has much in common with the art of Monet.
The square format, 90 x 90 cm, provides an intimate feeling to this landscape. The grassy and flowery slope leading down to the lake has an impressionistic touch, as also the reflection of trees in water farther away.
However its composition is original and modern, with the trunk of a birch tree slightly twisted which cuts the image into two equal parts to better drive the eye onto its humble existence.
This painting was not recorded, but its authenticity is without a doubt. It is estimated £ 6M, for sale by Sotheby's in London on February 8, and illustrated in the press release shared by AuctionPublicity.
POST SALE COMMENTS
1
Unsold. This is not the style of painting that collectors are looking from Klimt.
2
Sotheby's announced at the end of the session that the Klimt painting was sold for £ 5 million excluding costs, 5.6 million including premium according to the post-sale procedure.
Inspired by some birch trees by the lake, he enjoys to show them in an impressionist oil on canvas that has much in common with the art of Monet.
The square format, 90 x 90 cm, provides an intimate feeling to this landscape. The grassy and flowery slope leading down to the lake has an impressionistic touch, as also the reflection of trees in water farther away.
However its composition is original and modern, with the trunk of a birch tree slightly twisted which cuts the image into two equal parts to better drive the eye onto its humble existence.
This painting was not recorded, but its authenticity is without a doubt. It is estimated £ 6M, for sale by Sotheby's in London on February 8, and illustrated in the press release shared by AuctionPublicity.
POST SALE COMMENTS
1
Unsold. This is not the style of painting that collectors are looking from Klimt.
2
Sotheby's announced at the end of the session that the Klimt painting was sold for £ 5 million excluding costs, 5.6 million including premium according to the post-sale procedure.
1901 The Mother of Mankind
2014 sold 4.9 M$ including premium
The Gates of Hell by Rodin are designed in 1881 as a global project whose details were to assemble depending on the creativity of the artist. Some figures will escape.
In the very first trials, Eve after the sin is an essential element of this Dantesque narrative. Rodin chose a young Italian woman for its model and started this work.
To his surprise, the meticulous observer failed to master the subject. When he understood that the forms are imperceptibly more rounded each new day because the woman is pregnant, a masterpiece of the representation of fertility was born, almost unbeknownst to the artist.
Rodin understands the importance of what he did, but leaves it as is and excludes it from the Gates. He finished it in 1899, added the rock and then made copies in marble, plaster and bronze.
On May 7 in New York, Sotheby's sells an Eve 80 cm high. This statue was made from December 1900 to June 1901 in the variety of Synnada marble which was one of the most famous in ancient Greek statuary, with an extreme care of carving to please an important client. It is estimated $ 4M, lot 26 in the catalog.
Another Eve, undated white marble of same size, was sold for £ 2.86 million including premium at Christie's on 18 June 2013.
POST SALE COMMENT
The very beautiful marble carved by Rodin was sold for $ 4.9M including premium.
In the very first trials, Eve after the sin is an essential element of this Dantesque narrative. Rodin chose a young Italian woman for its model and started this work.
To his surprise, the meticulous observer failed to master the subject. When he understood that the forms are imperceptibly more rounded each new day because the woman is pregnant, a masterpiece of the representation of fertility was born, almost unbeknownst to the artist.
Rodin understands the importance of what he did, but leaves it as is and excludes it from the Gates. He finished it in 1899, added the rock and then made copies in marble, plaster and bronze.
On May 7 in New York, Sotheby's sells an Eve 80 cm high. This statue was made from December 1900 to June 1901 in the variety of Synnada marble which was one of the most famous in ancient Greek statuary, with an extreme care of carving to please an important client. It is estimated $ 4M, lot 26 in the catalog.
Another Eve, undated white marble of same size, was sold for £ 2.86 million including premium at Christie's on 18 June 2013.
POST SALE COMMENT
The very beautiful marble carved by Rodin was sold for $ 4.9M including premium.
1901 Devouring Charms
2018 SOLD for £ 3.8M including premium
A typical Victorian painter in a style close to Alma-Tadema and Leighton, John William Waterhouse is inspired by the many myths of the femme fatale. Alone or in a group, she is never dominated by man, but her desires and curiosity can be catastrophic. She is Ophelia dying of love. Attracted by magic, she opens Pandora's box.
On July 12 in London, Sotheby's sells The Siren, oil on canvas 81 x 53 cm painted in 1901, lot 12 estimated £ 1M.
The cute enchantress is perched on her rock. Entirely nude, she holds the lyre which is the symbol of her charm. She leans forward to watch a sailor drowning in front of her and sings softly. She does not understand that she could reach out to save the man. The two young people look at each other, attracted by their opposite passions, her destructive charm and his impossible appeal for help.
Waterhouse does not confuse Siren with Mermaid, although the leg calves of his Siren are covered with scales that merge into the spray. He painted in the same year a pretty naked Mermaid seated within the circle of her fishtail. There is no male in that scene : perhaps he has already been devoured.
Another voracious painting featuring six nude nymphs catching a man in a pond caused a scandal in January 2018 : it had been removed from the Manchester Art Gallery at the request of puritan feminists who wanted to trigger a debate on the exposure of women's bodies.
Please watch the video shared by Sotheby's. The image is shared by Wikimedia.
On July 12 in London, Sotheby's sells The Siren, oil on canvas 81 x 53 cm painted in 1901, lot 12 estimated £ 1M.
The cute enchantress is perched on her rock. Entirely nude, she holds the lyre which is the symbol of her charm. She leans forward to watch a sailor drowning in front of her and sings softly. She does not understand that she could reach out to save the man. The two young people look at each other, attracted by their opposite passions, her destructive charm and his impossible appeal for help.
Waterhouse does not confuse Siren with Mermaid, although the leg calves of his Siren are covered with scales that merge into the spray. He painted in the same year a pretty naked Mermaid seated within the circle of her fishtail. There is no male in that scene : perhaps he has already been devoured.
Another voracious painting featuring six nude nymphs catching a man in a pond caused a scandal in January 2018 : it had been removed from the Manchester Art Gallery at the request of puritan feminists who wanted to trigger a debate on the exposure of women's bodies.
Please watch the video shared by Sotheby's. The image is shared by Wikimedia.
1901 MONET, A FRENCHMAN WHO ENJOYED WATERLOO ... BRIDGE
2008 SOLD 600 KCHF BEFORE FEES
PRE SALE DISCUSSION
I found in publicities of today's issue of the Gazette de l'Hôtel Drouot an interesting pastel of Monet, 29x46 cm, dated 1901, showing Waterloo Bridge.
A visit on the site of the house of sales, Kornfeld in Bern, shows that it is not one of the most expensive lots in their sale of June 5 and 6 (it is estimated 300 KFS), but I found it interesting for two reasons.
First, it is an opportunity to greet the much mediatized sale of another bridge, of Argenteuil this one, an oil on canvas of 60x98 cm sold 41,5 M$ fees included at Christie's on May 6.
Then, Waterloo Bridge is not an unknown for the amateurs of the auction history of Monet. As well as the cathedrals of Rouen and a long time before the nympheas, the views of this bridge, taken generally from the same viewpoint , are a symbol of the impressionism in what this technique was the most subtle.
Some Waterloo Bridge processed as oil on canvas often made high results. A view treated in cloudy weather passed very close to the 18 M£ fees included last year at Christie's. The colors mix as in a pastel, but the true pastel is that which comes on sale in Bern.
The catalogue of Kornfeld (lot 93) is accurate for the date: January or February 1901, which would put this work former to the painting of Christie's, dated 1903. It is unpublished but its provenance is known, and a certificate of Wildenstein of September 28, 2007 indicates that its inscription is envisaged in the supplement of the reasoned catalogue.
So there are many assets for such a simple pastel, nevertheless its estimate appears a little too high when we consult the results of the other drawings of Monet.
POST SALE COMMENT
This pastel by Monet seemed to have strengths. Indeed, it was sold 600 KCHF before fees, twice its low estimate.
I found in publicities of today's issue of the Gazette de l'Hôtel Drouot an interesting pastel of Monet, 29x46 cm, dated 1901, showing Waterloo Bridge.
A visit on the site of the house of sales, Kornfeld in Bern, shows that it is not one of the most expensive lots in their sale of June 5 and 6 (it is estimated 300 KFS), but I found it interesting for two reasons.
First, it is an opportunity to greet the much mediatized sale of another bridge, of Argenteuil this one, an oil on canvas of 60x98 cm sold 41,5 M$ fees included at Christie's on May 6.
Then, Waterloo Bridge is not an unknown for the amateurs of the auction history of Monet. As well as the cathedrals of Rouen and a long time before the nympheas, the views of this bridge, taken generally from the same viewpoint , are a symbol of the impressionism in what this technique was the most subtle.
Some Waterloo Bridge processed as oil on canvas often made high results. A view treated in cloudy weather passed very close to the 18 M£ fees included last year at Christie's. The colors mix as in a pastel, but the true pastel is that which comes on sale in Bern.
The catalogue of Kornfeld (lot 93) is accurate for the date: January or February 1901, which would put this work former to the painting of Christie's, dated 1903. It is unpublished but its provenance is known, and a certificate of Wildenstein of September 28, 2007 indicates that its inscription is envisaged in the supplement of the reasoned catalogue.
So there are many assets for such a simple pastel, nevertheless its estimate appears a little too high when we consult the results of the other drawings of Monet.
POST SALE COMMENT
This pastel by Monet seemed to have strengths. Indeed, it was sold 600 KCHF before fees, twice its low estimate.
1901 Picasso solicited by Vollard
2016 unsold
After the Expo 1900 where one of his works had been displayed,Pablo Picasso makes his first trip to Paris. He is seduced by the atmosphere of the Belle Epoque and enticed about the possibilities of a brilliant artistic career. He comes back to Paris in May 1901. Pedro Mañach introduces him to influential dealers and Ambroise Vollard prepares an exhibition that will open on 25 June.
Time is running out but Pablo cannot miss such an opportunity to launch his career. He enters into a creative frenzy, estimated by some observers at three oils per day made in broad brush strokes for a faster covering of the surface. He has so little available time that he does not deal with details, especially in the face lines.
Pablo who is not yet 20 did not offer up to that point an original style to match his graphic skill. Vollard had worked with Bonnard. Picasso is opting for a wide variety of themes from intimate to worldly with a choice of colors reminiscent of the post-impressionnisme and thick outlines that anticipate the expressionism.
This short period is unlike any other period in the career of Picasso. Returning to the artificial pleasures of Parisian life after the Vollard exhibition, he will remember Casagemas and enter into the psychological disaster of his blue period.
In this ephemeral style that remains primitive compared to the blue period, an oil on cardboard 47 x 62 cm painted in 1901 showing Belle Epoque women on top of an omnibus that crosses a bridge over the Seine was sold for £ 4.9 million including premium by Christie's on February 9, 2011. This painting had been exhibited by Berthe Weill in 1902.
The artist goes also to watch the elegant Parisian Ladies at the horse racing events. A scene at Auteuil, oil on board of same size and same year as the above example, is estimated £ 4M for sale by Sotheby's in London on February 3, lot 19.
Time is running out but Pablo cannot miss such an opportunity to launch his career. He enters into a creative frenzy, estimated by some observers at three oils per day made in broad brush strokes for a faster covering of the surface. He has so little available time that he does not deal with details, especially in the face lines.
Pablo who is not yet 20 did not offer up to that point an original style to match his graphic skill. Vollard had worked with Bonnard. Picasso is opting for a wide variety of themes from intimate to worldly with a choice of colors reminiscent of the post-impressionnisme and thick outlines that anticipate the expressionism.
This short period is unlike any other period in the career of Picasso. Returning to the artificial pleasures of Parisian life after the Vollard exhibition, he will remember Casagemas and enter into the psychological disaster of his blue period.
In this ephemeral style that remains primitive compared to the blue period, an oil on cardboard 47 x 62 cm painted in 1901 showing Belle Epoque women on top of an omnibus that crosses a bridge over the Seine was sold for £ 4.9 million including premium by Christie's on February 9, 2011. This painting had been exhibited by Berthe Weill in 1902.
The artist goes also to watch the elegant Parisian Ladies at the horse racing events. A scene at Auteuil, oil on board of same size and same year as the above example, is estimated £ 4M for sale by Sotheby's in London on February 3, lot 19.
1901 HOW PICASSO CONQUERED PARIS
2011 UNSOLD
PRE SALE DISCUSSION
This young Spaniard had a huge ambition. Luckily, he was also much skilled. Let us imagine a creative frenzy of Picasso in the spring of 1901, between the shock of the death by love suicide of Casagemas on February 17 and thesuccess of his first major personal exhibition in Paris in June and July.
To convince and seduce Vollard, Pablo, aged 19, set up his first personal style, featuring a wide variety of topics whose common point seems to be the balance and daring of the composition. The colors are bold, and the characters, even if they are not very active, are expressive.
Picasso is not Rembrandt, but his painting showing the deck of a bus crossing the Seine has an amazing diagonal composition. This oil on cardboard, 50 x 65 cm, was sold £ 4.8 million including premium at Christie's on February 9.
The scene of children for sale by Christie's in New York on May 4, illustrated in the press release shared by Artdaily is quite different. It is well separated into two parts. A few toys in the foreground, and the main theme is beyond: twoseated infants, dressed in long robes as usual at the time, interested in one another without any attention to toys.
This oil on board, of same dimensions as the above example, is estimated $ 5.5 M.
Collectors do not like the early works of artists. It seems that Picasso begins to make an exception to this trend. It must be appreciated that his first major breakthrough in the history of art, the blue period, started immediately afterwards, in the second half of 1901.
This young Spaniard had a huge ambition. Luckily, he was also much skilled. Let us imagine a creative frenzy of Picasso in the spring of 1901, between the shock of the death by love suicide of Casagemas on February 17 and thesuccess of his first major personal exhibition in Paris in June and July.
To convince and seduce Vollard, Pablo, aged 19, set up his first personal style, featuring a wide variety of topics whose common point seems to be the balance and daring of the composition. The colors are bold, and the characters, even if they are not very active, are expressive.
Picasso is not Rembrandt, but his painting showing the deck of a bus crossing the Seine has an amazing diagonal composition. This oil on cardboard, 50 x 65 cm, was sold £ 4.8 million including premium at Christie's on February 9.
The scene of children for sale by Christie's in New York on May 4, illustrated in the press release shared by Artdaily is quite different. It is well separated into two parts. A few toys in the foreground, and the main theme is beyond: twoseated infants, dressed in long robes as usual at the time, interested in one another without any attention to toys.
This oil on board, of same dimensions as the above example, is estimated $ 5.5 M.
Collectors do not like the early works of artists. It seems that Picasso begins to make an exception to this trend. It must be appreciated that his first major breakthrough in the history of art, the blue period, started immediately afterwards, in the second half of 1901.
1901 GOODBYE MONSIEUR GAUGUIN
2011 UNSOLD
PRE SALE DISCUSSION
The oil on canvas, 68 x 73 cm, for sale on February 9 at Christie's in London is somehow pathetic. It was painted in 1901 by Gauguin, then in Tahiti.
Sick of syphilis and of his old injury on the leg, the artist had failed to get rid of his metaphysical obsessions. Far fromParis, he feels to become a fallen artist, like Van Gogh. Aged 53, he is already at the end of his life.
The painting titled Nature morte à l'Espérance is an anthology of what Gauguin liked among his contemporaries. It is illustrated in the article shared by Bloomberg.
At the center, a vase filled with many flowers can evoke Redon. A big sunflower in the foreground, in front view, is an obvious tribute to Van Gogh. The flower is on the ground like a broken column.
Two pictures are displayed on the wall, one below the other at the left side of the composition. A female nude in the attitude of an odalisque is L'Espérance by Puvis de Chavannes, symbolizing in the distance the hope lost by Gauguin.The other is a woman at the bathroom by Degas.
This work is a multiple pastiche, but the composition is both bold and balanced, as always in the best works of Gauguin. It is probably an exaggeration to consider it as a masterpiece, but this strange painting deserves its estimate of £ 7M. Its first owner was Gustave Fayet, it is one of the best possible references.
The oil on canvas, 68 x 73 cm, for sale on February 9 at Christie's in London is somehow pathetic. It was painted in 1901 by Gauguin, then in Tahiti.
Sick of syphilis and of his old injury on the leg, the artist had failed to get rid of his metaphysical obsessions. Far fromParis, he feels to become a fallen artist, like Van Gogh. Aged 53, he is already at the end of his life.
The painting titled Nature morte à l'Espérance is an anthology of what Gauguin liked among his contemporaries. It is illustrated in the article shared by Bloomberg.
At the center, a vase filled with many flowers can evoke Redon. A big sunflower in the foreground, in front view, is an obvious tribute to Van Gogh. The flower is on the ground like a broken column.
Two pictures are displayed on the wall, one below the other at the left side of the composition. A female nude in the attitude of an odalisque is L'Espérance by Puvis de Chavannes, symbolizing in the distance the hope lost by Gauguin.The other is a woman at the bathroom by Degas.
This work is a multiple pastiche, but the composition is both bold and balanced, as always in the best works of Gauguin. It is probably an exaggeration to consider it as a masterpiece, but this strange painting deserves its estimate of £ 7M. Its first owner was Gustave Fayet, it is one of the best possible references.
1901-1903 the hells of august strindberg
2016 unsold
August Strindberg was a visionary who thought being guided by mysterious forces to convey an important message to the world. He could not live without very young wives but his three marriages were short-lived.
In his periods of extreme tension in his dramatic creation Strindberg suddenly stopped writing and found refuge in a painting spread by violent knife blows, unleashing the automatism of his impulses.
1894 is a terrible year. His second wife is pregnant and they wait together in an Alpine hut. The couple's relationship is increasingly difficult. Strindberg paints landscapes in which topographical details are absent and where the thickness of the paint erases the border between the mountain and the stormy sky.
Alplandskap, oil on panel 72 x 51 cm painted in 1894, was sold for £ 2.1 million including premium by Sotheby's on 27 June 2007. Made during the same stay, Wonderland shows the exit of the underworld, blinding and not reachable by a potential traveler stuck within the shadows. The inspiration and execution of Wonderland make Strindberg a forerunner of abstract expressionism. His writings confirm that he was aware that his picturial approach was entirely new.
Prepared in 1897 in the depths of one of his paranoid crises, an autobiographical novel titled Inferno describes his hallucinations and delusions as well as his paltry remedies including alchemy and occultism.
A new major marital crisis occurs in 1901 when Strindberg then 52 years old is informed of the murder of his former lover Dagny Juel and cancels his honeymoon with his third wife Harriet Bosse aged 23.
On November 16 in New York, Christie's sells an oil on canvas 100 x 70 cm also titled Inferno which is a direct following to Wonderland and reflects a new descent into hell. It is dated 1903 but the catalog considers that it was painted in 1901. It is estimated $ 3M, lot 33 B.
In his periods of extreme tension in his dramatic creation Strindberg suddenly stopped writing and found refuge in a painting spread by violent knife blows, unleashing the automatism of his impulses.
1894 is a terrible year. His second wife is pregnant and they wait together in an Alpine hut. The couple's relationship is increasingly difficult. Strindberg paints landscapes in which topographical details are absent and where the thickness of the paint erases the border between the mountain and the stormy sky.
Alplandskap, oil on panel 72 x 51 cm painted in 1894, was sold for £ 2.1 million including premium by Sotheby's on 27 June 2007. Made during the same stay, Wonderland shows the exit of the underworld, blinding and not reachable by a potential traveler stuck within the shadows. The inspiration and execution of Wonderland make Strindberg a forerunner of abstract expressionism. His writings confirm that he was aware that his picturial approach was entirely new.
Prepared in 1897 in the depths of one of his paranoid crises, an autobiographical novel titled Inferno describes his hallucinations and delusions as well as his paltry remedies including alchemy and occultism.
A new major marital crisis occurs in 1901 when Strindberg then 52 years old is informed of the murder of his former lover Dagny Juel and cancels his honeymoon with his third wife Harriet Bosse aged 23.
On November 16 in New York, Christie's sells an oil on canvas 100 x 70 cm also titled Inferno which is a direct following to Wonderland and reflects a new descent into hell. It is dated 1903 but the catalog considers that it was painted in 1901. It is estimated $ 3M, lot 33 B.
1902-1906 The Studio from the Lauves
2014 SOLD 3.55 M£ including premium
Paul Cézanne was not an easy character. Diabetes patient, reaching sixty, he is obsessed with death. In 1901, with remarkable lucidity, he decides to change his lifestyle.
The majestic landscape of the Montagne Sainte-Victoire, near his hometown of Aix en Provence, is one of his favorite themes for two decades. His images in the quarries of the mountain are considered are precursors to Cubism.
Cézanne chose a place in the countryside where the mountain view is beautiful and moved his studio, built there in 1902. He did not live there but walked every day from Aix for his work. Until his death in 1906, art of all themes by Cézanne are made in this quiet studio of the Chemin des Lauves where his creativity can no longer be disturbed.
Cézanne made nine oils and seventeen watercolors of Sainte-Victoire from the Lauves. He works outdoors at short distances from the studio but his perception of color shades offers in each of them a renewed harmony.
Throughout his life, Cézanne was a master of watercolor, a technique that enables the maximum transparency over the white paper. In 1904, his friend Emile Bernard came to admire the mastery of execution. Over a rough pencil drawing, the artist positioned successively the colors, meticulously waiting each one to dry before continuing the work, to prevent any unintentional overflow.
One of these watercolors, 43 x 54 cm, was sold for $ 4.5 million including premium by Christie's on November 6, 2007. It is estimated £ 3.5 million, for sale by Christie's in London on June 24.
POST SALE COMMENT
This watercolor from the later career of Cézanne was sold for £ 3.55M including premium.
The majestic landscape of the Montagne Sainte-Victoire, near his hometown of Aix en Provence, is one of his favorite themes for two decades. His images in the quarries of the mountain are considered are precursors to Cubism.
Cézanne chose a place in the countryside where the mountain view is beautiful and moved his studio, built there in 1902. He did not live there but walked every day from Aix for his work. Until his death in 1906, art of all themes by Cézanne are made in this quiet studio of the Chemin des Lauves where his creativity can no longer be disturbed.
Cézanne made nine oils and seventeen watercolors of Sainte-Victoire from the Lauves. He works outdoors at short distances from the studio but his perception of color shades offers in each of them a renewed harmony.
Throughout his life, Cézanne was a master of watercolor, a technique that enables the maximum transparency over the white paper. In 1904, his friend Emile Bernard came to admire the mastery of execution. Over a rough pencil drawing, the artist positioned successively the colors, meticulously waiting each one to dry before continuing the work, to prevent any unintentional overflow.
One of these watercolors, 43 x 54 cm, was sold for $ 4.5 million including premium by Christie's on November 6, 2007. It is estimated £ 3.5 million, for sale by Christie's in London on June 24.
POST SALE COMMENT
This watercolor from the later career of Cézanne was sold for £ 3.55M including premium.
1903 Fog on the Thames
2019 SOLD for $ 27.6M including premium
In the early autumn 1899 Claude and Alice Monet are in London. Below their windows at the Savoy Hotel, the Thames river flows between the Charing Cross railway bridge and the Waterloo road bridge. The artist returns alone in the following year to the same hotel for a longer stay, in February and March. He applies every day an ambitious working plan with a schedule of the utmost rigor.
In 1891 he had made 23 paintings of his Poplars with only four angles of view for recording all the variations of the day, passing from one canvas to another when the light changes. In London, taking advantage of the benevolent welcome of the hotel, he prepares dozens of canvases to translate in parallel all the shimmers of the morning on Waterloo Bridge and of the early afternoon on Charing Cross Bridge. He observes that some effects of light through the fog do not last more than five minutes.
During this stay he adds a third theme, the late afternoon on the Parliament, probably to offer the public a more traditional view of London than the strict silhouettes of the two bridges. This activity requiring the outdoor installation of his easels is obviously less comfortable. Monet is definitely not a tourist or a stroller : the rest of the city does not interest him.
The change of light in the early spring terminates this session. He returns in 1901 during the same season for completing his preparation. The paintings are finished in the workshop at Giverny. The artist inscribes the year of completion beside his signature.
On November 12 in New York, Sotheby's sells one of the 37 oil paintings on canvas of Charing Cross Bridge, 65 x 100 cm, dated 1903. It is estimated $ 20M, lot 8. This example displays a thick fog made even more abstract by the lack of perspective of the unsightly bridge. The almost imperceptible steam of two trains is dissolved in the mist. A faint light illuminates the center of the image.
This set of nearly one hundred paintings executed in parallel on only three themes was a project without equivalent in the history of art. The Thames in London in the winter fog of was perhaps the only condition in the world worthy to manage such a feat. The mists of Venice are less fugitive, probably explaining the dismay of Monet at the beginning of his stay in the City of the Doges in 1908.
In 1891 he had made 23 paintings of his Poplars with only four angles of view for recording all the variations of the day, passing from one canvas to another when the light changes. In London, taking advantage of the benevolent welcome of the hotel, he prepares dozens of canvases to translate in parallel all the shimmers of the morning on Waterloo Bridge and of the early afternoon on Charing Cross Bridge. He observes that some effects of light through the fog do not last more than five minutes.
During this stay he adds a third theme, the late afternoon on the Parliament, probably to offer the public a more traditional view of London than the strict silhouettes of the two bridges. This activity requiring the outdoor installation of his easels is obviously less comfortable. Monet is definitely not a tourist or a stroller : the rest of the city does not interest him.
The change of light in the early spring terminates this session. He returns in 1901 during the same season for completing his preparation. The paintings are finished in the workshop at Giverny. The artist inscribes the year of completion beside his signature.
On November 12 in New York, Sotheby's sells one of the 37 oil paintings on canvas of Charing Cross Bridge, 65 x 100 cm, dated 1903. It is estimated $ 20M, lot 8. This example displays a thick fog made even more abstract by the lack of perspective of the unsightly bridge. The almost imperceptible steam of two trains is dissolved in the mist. A faint light illuminates the center of the image.
This set of nearly one hundred paintings executed in parallel on only three themes was a project without equivalent in the history of art. The Thames in London in the winter fog of was perhaps the only condition in the world worthy to manage such a feat. The mists of Venice are less fugitive, probably explaining the dismay of Monet at the beginning of his stay in the City of the Doges in 1908.
One of the many works in the #London series by Claude #Monet, will be sold in November – with an estimate of £15-23 million
— Barnebys.co.uk (@Barnebysuk) November 1, 2019
1903 RENOIR STRIPPED THE NURSE !
2010 SOLD 10.1 M$ INCLUDING PREMIUM
PRE SALE DISCUSSION
The languorous naked woman lying on a sofa is a classical theme in art. They all look alike, but the style specific to each artist makes them all different.
Renoir's brush is quite suited to show the flesh, to which his Impressionism brings softness and sensuality. He also loves the vivid and composed scenes, and takes bathing as a pretext for his female nudes.
In 1903, he ventures to indoor scenes. Seeking to illustrate the intimacy, he does not accept professional models. He turns to Gabrielle, the servant of his children, of whom he had already made pictures better suited to her social role.
But it is a success. Gabrielle in the nude of her 25 years expresses confidence and proximity. The artist has preserved her privacy by covering her thigh with a discrete white linen. The young woman healthy and replete is almost full size on this oil on canvas in horizontal format, 65 x 155 cm.
This painting is estimated $ 7 million, for sale by Christie's in New York on May 4.
POST SALE COMMENT
I enjoyed this lot. I'm glad it took a good position among the top works of Renoir: $ 10.1 million including premium.
The languorous naked woman lying on a sofa is a classical theme in art. They all look alike, but the style specific to each artist makes them all different.
Renoir's brush is quite suited to show the flesh, to which his Impressionism brings softness and sensuality. He also loves the vivid and composed scenes, and takes bathing as a pretext for his female nudes.
In 1903, he ventures to indoor scenes. Seeking to illustrate the intimacy, he does not accept professional models. He turns to Gabrielle, the servant of his children, of whom he had already made pictures better suited to her social role.
But it is a success. Gabrielle in the nude of her 25 years expresses confidence and proximity. The artist has preserved her privacy by covering her thigh with a discrete white linen. The young woman healthy and replete is almost full size on this oil on canvas in horizontal format, 65 x 155 cm.
This painting is estimated $ 7 million, for sale by Christie's in New York on May 4.
POST SALE COMMENT
I enjoyed this lot. I'm glad it took a good position among the top works of Renoir: $ 10.1 million including premium.
1903 The Theatre of John Singer Sargent
2013 SOLD 5.2 M$ including premium
John Singer Sargent is not a classical artist, although his full length portraits may evoke Boldini. He is not an Impressionist, although he was close to Monet at some time. His professional success was considerable but he was not understood.
Living mostly in Europe, he was one of the first Americans to build an artistic bridge between both continents. He loved the landscapes and scenes of Italy.
This worldly artist grew tired of social relations. As passionate for drawing as Goya was, he turned to a more personal art to such an extent that he closed in 1907 his portrait studio.
Marionettes (behind the curtain), oil on canvas 74 x 53 cm painted in 1903, is an intimate work created by the artist for his own pleasure, and was kept by his family until now. It is estimated $ 5M, for sale by Sotheby's in New York on May 22.
The scene is located in Philadelphia. Four Sicilian immigrants operate rod puppets. The bold composition has three registers, with an angle of view that would have pleased Degas. Separated from the men by the decor, two dolls play a medieval duel in the presence of an old woman.
Sargent loved the theater. This scene where the public is not visible is a juxtaposition between reality and play, with a rare spontaneity.
POST SALE COMMENT
Sold $ 5.2 million including premium, this nice painting has not reached its estimate. Its subject may be too unusual, and its size was small.
The picture is shared by Sotheby's on Wikimedia :
Living mostly in Europe, he was one of the first Americans to build an artistic bridge between both continents. He loved the landscapes and scenes of Italy.
This worldly artist grew tired of social relations. As passionate for drawing as Goya was, he turned to a more personal art to such an extent that he closed in 1907 his portrait studio.
Marionettes (behind the curtain), oil on canvas 74 x 53 cm painted in 1903, is an intimate work created by the artist for his own pleasure, and was kept by his family until now. It is estimated $ 5M, for sale by Sotheby's in New York on May 22.
The scene is located in Philadelphia. Four Sicilian immigrants operate rod puppets. The bold composition has three registers, with an angle of view that would have pleased Degas. Separated from the men by the decor, two dolls play a medieval duel in the presence of an old woman.
Sargent loved the theater. This scene where the public is not visible is a juxtaposition between reality and play, with a rare spontaneity.
POST SALE COMMENT
Sold $ 5.2 million including premium, this nice painting has not reached its estimate. Its subject may be too unusual, and its size was small.
The picture is shared by Sotheby's on Wikimedia :
1904 the artist of strandgade
2016 SOLD for kr 3.7m before fees, equivalent to € 535k
Born in Copenhagen, Vilhelm Hammershøi married Ida in 1891. They have no children. Vilhelm is a gifted artist but his taciturn temperament keeps him away from any worldliness. Ida follows his rejection of the agitations of life.
The young couple moved in 1898 in an old building of a historic district of Copenhagen, at Strandgade 30. Their large apartment with high ceilings is furnished in a minimalism that contrasts with the admiration of Vilhelm for the scenes of the Dutch golden age.
The gigantic portrait of five painters painted in 1901-1902, 190 x 340 cm, shows his closest colleagues including his own brother with austere and gloomy attitudes. Vilhelm and Ida have no more friends and no need for them.
The apartment at Strandgade 30 is their world. It is poorly lit and Vilhelm observes its dull colors. He becomes a colorist of subtle hues and the art critics like now to compare him with Morandi. Ida is often present, from back, sometimes busy reading, in an attitude that systematically excludes any anecdote and emotion.
They are however not recluses. Their outings are the subject of landscape paintings. The dreary countryside is of extreme coldness without any animation.
On March 1 in Copenhagen, Bruun Rasmussen sells an interior view without window of Strandgade 30, oil on canvas 70 x 54 cm painted in 1904, lot 10 estimated Kr 4M. The reading brunette is for sure Ida, the only person who is still accepted in Vilhelm's privacy.
The artist improves his technique. His painting becomes glossy, bringing in a showroom the dramatic effect of the presence of the empty apartment. An oil on canvas 51 x 56 cm painted shortly before their departure from Strandgate 30 in 1909 was sold for £ 2,05M including premium by Sotheby's on May 21, 2015. The artist had accepted the intrusion of sunlight through the carefully closed window.
The young couple moved in 1898 in an old building of a historic district of Copenhagen, at Strandgade 30. Their large apartment with high ceilings is furnished in a minimalism that contrasts with the admiration of Vilhelm for the scenes of the Dutch golden age.
The gigantic portrait of five painters painted in 1901-1902, 190 x 340 cm, shows his closest colleagues including his own brother with austere and gloomy attitudes. Vilhelm and Ida have no more friends and no need for them.
The apartment at Strandgade 30 is their world. It is poorly lit and Vilhelm observes its dull colors. He becomes a colorist of subtle hues and the art critics like now to compare him with Morandi. Ida is often present, from back, sometimes busy reading, in an attitude that systematically excludes any anecdote and emotion.
They are however not recluses. Their outings are the subject of landscape paintings. The dreary countryside is of extreme coldness without any animation.
On March 1 in Copenhagen, Bruun Rasmussen sells an interior view without window of Strandgade 30, oil on canvas 70 x 54 cm painted in 1904, lot 10 estimated Kr 4M. The reading brunette is for sure Ida, the only person who is still accepted in Vilhelm's privacy.
The artist improves his technique. His painting becomes glossy, bringing in a showroom the dramatic effect of the presence of the empty apartment. An oil on canvas 51 x 56 cm painted shortly before their departure from Strandgate 30 in 1909 was sold for £ 2,05M including premium by Sotheby's on May 21, 2015. The artist had accepted the intrusion of sunlight through the carefully closed window.
#SaveTheDate : Bruun Rasmussen choisit pour la 2eme fois Drouot : #Exposition V. Hammershøi https://t.co/LX4YMZvgHQ pic.twitter.com/icDVJKPssR
— Drouot (@Drouot) January 8, 2016
1904 THE PLASTER OF Gérôme
2008 SOLD 450 K€ INCLUDING PREMIUM
PRE SALE DISCUSSION
Jean-Léon Gérôme is appreciated for his Orientalist works: paintings and sculptures.
On December 17, 1993 at Drouot-Montaigne, a chryselephantine sculpture of a model entitled Corinthe (a nude woman abundantly adorned of jewelry, sitting cross-legged on a decorated pedestal) was a highlight of the estate of Nourhan Manoukian. 50 cm high, it had been sold 1.68 MF excluding fees by Maître Boisgirard (source on paper: La Gazette de l'Hotel Drouot of that time).
Shortly before, on June 23, 1991, a 73 cm high gilded bronze inlaid with gems and enamels had obtained a fair price at Aubagne: 382 KF excluding fees under the hammer of Maître Germain (same source of information). The previous year, according to Artvalue database, there are two other examples of similar description, at 120 and 200 K $.
Why, then, today Sotheby's is so excited about the opportunity to present on June 25 in Paris for 200 to 300 K € the polychrome plaster of this model, originating from the artist's studio? (Lot 38).
In general, when the auction house devotes two whole press releases, one in French and the other in English, to a single lot presented as a masterpiece, the estimate is not as low. The excellent site Artdaily forwarded the information, and Sotheby's devoted also to his sculpture a full advertisement page in the latest issue of La Gazette de l'Hotel Drouot.
Dating back to 1904, this work was carried out by Gérôme, then aged 80, shortly before his death, and the artist did not live the completion of the marbles and bronzes that were issued afterwards.
I forward an assumption: Sotheby's is probably already aware that several buyers are interested at much higher prices, and prepares a triumphant press release for the sale result.
The item for sale is small (47 cm high), in plaster, without pedestal, and its ornaments are made of wax and not of gems.
POST SALE COMMENT
Sold 450 K € fees included, this Corinth by Gérôme was obviously not an exceptional piece, and it could hardly expect more.
Jean-Léon Gérôme is appreciated for his Orientalist works: paintings and sculptures.
On December 17, 1993 at Drouot-Montaigne, a chryselephantine sculpture of a model entitled Corinthe (a nude woman abundantly adorned of jewelry, sitting cross-legged on a decorated pedestal) was a highlight of the estate of Nourhan Manoukian. 50 cm high, it had been sold 1.68 MF excluding fees by Maître Boisgirard (source on paper: La Gazette de l'Hotel Drouot of that time).
Shortly before, on June 23, 1991, a 73 cm high gilded bronze inlaid with gems and enamels had obtained a fair price at Aubagne: 382 KF excluding fees under the hammer of Maître Germain (same source of information). The previous year, according to Artvalue database, there are two other examples of similar description, at 120 and 200 K $.
Why, then, today Sotheby's is so excited about the opportunity to present on June 25 in Paris for 200 to 300 K € the polychrome plaster of this model, originating from the artist's studio? (Lot 38).
In general, when the auction house devotes two whole press releases, one in French and the other in English, to a single lot presented as a masterpiece, the estimate is not as low. The excellent site Artdaily forwarded the information, and Sotheby's devoted also to his sculpture a full advertisement page in the latest issue of La Gazette de l'Hotel Drouot.
Dating back to 1904, this work was carried out by Gérôme, then aged 80, shortly before his death, and the artist did not live the completion of the marbles and bronzes that were issued afterwards.
I forward an assumption: Sotheby's is probably already aware that several buyers are interested at much higher prices, and prepares a triumphant press release for the sale result.
The item for sale is small (47 cm high), in plaster, without pedestal, and its ornaments are made of wax and not of gems.
POST SALE COMMENT
Sold 450 K € fees included, this Corinth by Gérôme was obviously not an exceptional piece, and it could hardly expect more.
1905 Boldini's Belle Epoque
2011 SOLD 1.87 M$ including premium
PRE SALE DISCUSSION
In Paris, a feature of the "Belle Epoque" was that all hopes were possible for the ambitious.
Giovanni Boldini made chic portraits of young women at the dawn of their careers as actresses, demimondaines or bewitching muses. Dressed in sumptuous gowns, these bold and authoritarian women were mostly dreaming to their future success, which often never occured.
These portraits of women sometimes generate strong heartfelt bids at auction. Boldini made circa 1898 the portrait ofa false aristocrat. Discovered by chance in an apartment that had been untouched for 70 years, this oil on canvas, 147x 114 cm, was sold for € 2.1M including premium by Choppin de Janvry in Paris, Hôtel Drouot, on 28 September 2010, a result also remarkable by the fact that the sale was uncatalogued.
The next candidate, on October 12 at Christie's in New York, was named Marthe Régnier. In 1905 she was 25 years old. Stage actress, she also played in films. Her portrait, an oil on canvas 231 x 121 cm, is estimated $ 2M.
POST SALE COMMENT
This painting remained below its estimate. It was sold $ 1.87 million including premium.
In Paris, a feature of the "Belle Epoque" was that all hopes were possible for the ambitious.
Giovanni Boldini made chic portraits of young women at the dawn of their careers as actresses, demimondaines or bewitching muses. Dressed in sumptuous gowns, these bold and authoritarian women were mostly dreaming to their future success, which often never occured.
These portraits of women sometimes generate strong heartfelt bids at auction. Boldini made circa 1898 the portrait ofa false aristocrat. Discovered by chance in an apartment that had been untouched for 70 years, this oil on canvas, 147x 114 cm, was sold for € 2.1M including premium by Choppin de Janvry in Paris, Hôtel Drouot, on 28 September 2010, a result also remarkable by the fact that the sale was uncatalogued.
The next candidate, on October 12 at Christie's in New York, was named Marthe Régnier. In 1905 she was 25 years old. Stage actress, she also played in films. Her portrait, an oil on canvas 231 x 121 cm, is estimated $ 2M.
POST SALE COMMENT
This painting remained below its estimate. It was sold $ 1.87 million including premium.
1905 The Scottish Colourists
2011 SOLD 937 K£ including premium
PRE SALE DISCUSSION
The long tradition of friendship between Scotland and France influenced art. The group of Scottish Colourists had assimilated the innovations of the Impressionists. Their bright colors are are however more cheerful than those of their French contemporaries.
Among them, Samuel Peploe is essentially a painter of still lifes and table tops. Of course, we have Cézanne in mind. But not only. The canvas for sale by Christie's in London on May 26 features a coffee pot, some fruit, some utensils and a large stain on a white tablecloth whose luminosity evokes Manet. It is illustrated on the press release shared by Artdaily.
A scene of such banality is a pretext for the symphony of colors. The date of the work is highly interesting : in 1905, nobody has yet dared to step into the non-figurative. A few years later, Kandinsky became famous and our Scots will be threatened by oblivion.
This painting by Peploe has another asset: measuring 64 x 84 cm, it is large for this artist. It is estimated £ 800K.
POST SALE COMMENT
Good price, without excessive passion: £ 937K including premium.
The long tradition of friendship between Scotland and France influenced art. The group of Scottish Colourists had assimilated the innovations of the Impressionists. Their bright colors are are however more cheerful than those of their French contemporaries.
Among them, Samuel Peploe is essentially a painter of still lifes and table tops. Of course, we have Cézanne in mind. But not only. The canvas for sale by Christie's in London on May 26 features a coffee pot, some fruit, some utensils and a large stain on a white tablecloth whose luminosity evokes Manet. It is illustrated on the press release shared by Artdaily.
A scene of such banality is a pretext for the symphony of colors. The date of the work is highly interesting : in 1905, nobody has yet dared to step into the non-figurative. A few years later, Kandinsky became famous and our Scots will be threatened by oblivion.
This painting by Peploe has another asset: measuring 64 x 84 cm, it is large for this artist. It is estimated £ 800K.
POST SALE COMMENT
Good price, without excessive passion: £ 937K including premium.
1905 Amélie's Kimono
2013 unsold
PRE SALE DISCUSSION
Henri Matisse and his wife Amélie spend the summer of 1905 in Collioure. Under the sun, the village and thecountryside have wonderful colors. In his frenzy of painting, Matisse has the great intuition to invite André Derain to join them.
Derain is 25 years old. Just released from three years of military service, he is idle. He accepts with enthusiasm. In thiswonderful summer in Collioure, the two friends shake the traditions of painting.
Both begin by freeing their art from the pointillist style of Signac, too structuring. The flat areas of pure color byGauguin did not inspire them. Color becomes dominant over figure. Even Cézanne and Van Gogh did not go so far.
On May 8, a portrait of Amélie by Derain is for sale by Christie's in New York. The young woman is wearing akimono. One can easily imagine the two friends together watching the model as in an art school, trying to express the basic essence of painting.
In that summer, Derain is the boldest of the two artists. The real theme of this artwork is not the woman but thearabesques in violent colors which are distorted by the folds of the garment. The vibrant colors on the ground and in the backside have no more a figurative meaning.
This oil on canvas, 89 x 65 cm, is estimated $ 15 million.
Color has won, it will be the most important element of the painting of the twentieth century. In 1905, Matisse and Derain are still pioneers but already influential. In the famous Salle des Fauves at the Salon d'Automne of 1905, their works are accompanied by paintings by Vlaminck, Manguin, Camoin and Marquet.
On the same year at the other end of Europe, Peploe and the Scottish colourists have a similar approach.
I invite you to play the video shared by Christie's.
POST SALE COMMENTS
1
Too expensive for a portrait by Derain. Unsold.
2
Tweet by Christie's :
Didn't take long - a savvy collector has snapped up Derain's Fauvist portrait of Madame Matisse after sale @christiesinc
— Christie's (@ChristiesInc) May 10, 2013
Henri Matisse and his wife Amélie spend the summer of 1905 in Collioure. Under the sun, the village and thecountryside have wonderful colors. In his frenzy of painting, Matisse has the great intuition to invite André Derain to join them.
Derain is 25 years old. Just released from three years of military service, he is idle. He accepts with enthusiasm. In thiswonderful summer in Collioure, the two friends shake the traditions of painting.
Both begin by freeing their art from the pointillist style of Signac, too structuring. The flat areas of pure color byGauguin did not inspire them. Color becomes dominant over figure. Even Cézanne and Van Gogh did not go so far.
On May 8, a portrait of Amélie by Derain is for sale by Christie's in New York. The young woman is wearing akimono. One can easily imagine the two friends together watching the model as in an art school, trying to express the basic essence of painting.
In that summer, Derain is the boldest of the two artists. The real theme of this artwork is not the woman but thearabesques in violent colors which are distorted by the folds of the garment. The vibrant colors on the ground and in the backside have no more a figurative meaning.
This oil on canvas, 89 x 65 cm, is estimated $ 15 million.
Color has won, it will be the most important element of the painting of the twentieth century. In 1905, Matisse and Derain are still pioneers but already influential. In the famous Salle des Fauves at the Salon d'Automne of 1905, their works are accompanied by paintings by Vlaminck, Manguin, Camoin and Marquet.
On the same year at the other end of Europe, Peploe and the Scottish colourists have a similar approach.
I invite you to play the video shared by Christie's.
POST SALE COMMENTS
1
Too expensive for a portrait by Derain. Unsold.
2
Tweet by Christie's :
Didn't take long - a savvy collector has snapped up Derain's Fauvist portrait of Madame Matisse after sale @christiesinc
— Christie's (@ChristiesInc) May 10, 2013
(1902)-1906 Bathers and Mountain
2019 SOLD for $ 2.05M including premium
On May 13 in New York, Christie's sells a study in watercolor and pencil combining the two favorite themes of the end of Cézanne's life. Baigneuses avec la Montagne Sainte-Victoire is estimated $ 2M, lot 13A.
This piece of paper 12.7 x 21.6 cm had been extracted in the 1930s by Cézanne's son from one of his sketchbooks and cannot been dated accurately. Sotheby's and Christie's concur to date it from circa 1902-1906.
I narrated it as follows before it passed at Sotheby's on June 21, 2017, lot 10.
Paul Cézanne is ill and anxious : perhaps he will never succeed in attaining the objective of perfection which he has set for himself.
In 1901 he opens a studio in the hills. In front of the Montagne Sainte-Victoire he tries to extract from the landscape the fundamental geometries accentuated by the varied colors of his palette.
In parallel with this tireless activity as a landscape artist, Cézanne reworks his traditional theme of the outdoor Baigneuses in oils on canvases that now reach large formats. Refusing that his colors intermingle, he disregards the realistic figuration and anticipates cubism. At his death in October 1906 three paintings are unfinished. One of them 210 x 250 cm is preserved at the Philadelphia Museum of Art.
The overall composition of the drawing for sale is close to the Philadelphia painting but the figurative style is not comparable. It was possibly an early draft for an oil on canvas which he will not have time to execute.
The bathers are divided into groups in a surrounding of trees. The center opens onto the landscape. Bodies, leaves and mountain are drawn in undifferentiated lines, leaving to the harmony of colors all the emotional power in this artwork. Having started from Impressionism and now reaching Expressionism, Cézanne is one of the deepest innovators in the history of art.
The tweet below was announcing the 2017 sale.
This piece of paper 12.7 x 21.6 cm had been extracted in the 1930s by Cézanne's son from one of his sketchbooks and cannot been dated accurately. Sotheby's and Christie's concur to date it from circa 1902-1906.
I narrated it as follows before it passed at Sotheby's on June 21, 2017, lot 10.
Paul Cézanne is ill and anxious : perhaps he will never succeed in attaining the objective of perfection which he has set for himself.
In 1901 he opens a studio in the hills. In front of the Montagne Sainte-Victoire he tries to extract from the landscape the fundamental geometries accentuated by the varied colors of his palette.
In parallel with this tireless activity as a landscape artist, Cézanne reworks his traditional theme of the outdoor Baigneuses in oils on canvases that now reach large formats. Refusing that his colors intermingle, he disregards the realistic figuration and anticipates cubism. At his death in October 1906 three paintings are unfinished. One of them 210 x 250 cm is preserved at the Philadelphia Museum of Art.
The overall composition of the drawing for sale is close to the Philadelphia painting but the figurative style is not comparable. It was possibly an early draft for an oil on canvas which he will not have time to execute.
The bathers are divided into groups in a surrounding of trees. The center opens onto the landscape. Bodies, leaves and mountain are drawn in undifferentiated lines, leaving to the harmony of colors all the emotional power in this artwork. Having started from Impressionism and now reaching Expressionism, Cézanne is one of the deepest innovators in the history of art.
The tweet below was announcing the 2017 sale.
Will this tiny Cezanne watercolour really make $6.3m? https://t.co/R6N7J6wnCW #Cezanne pic.twitter.com/9QPknxzbY6
— Paul Fraser (@PFCollectibles) June 9, 2017
1906 a fauve in London
2019 SOLD for $ 6.9M including premium
A river view in London painted by André Derain in 1906 is estimated $ 4M for sale by Christie's in New York on May 13, lot 59A. This oil on canvas 81 x 100 cm is titled Les voiles rouges. I narrated it as follows before it passed at Sotheby's on May 9, 2016.
The exhibition in 1904 of the views of London by Monet is a great success for Durand-Ruel. Monet is no more a mere impressionist. He expresses the deep meaning of nature by extreme lights under heavy skies.
Monet remains a realistic painter but the post-impressionnisme already offers another path. Around Matisse, the Fauves blow up the colors. Art critics are surprised but the public appreciates this pictorial revolution that takes painting forever away from the influence of photography.
Vollard was always ready to support the avant-gardes, especially when they were represented by very young artists. Derain explores the new language of colors in 1905 with Matisse in Collioure. Vollard desires to compete with Durand-Ruel and commissions Derain for a series of views of London.
The view for sale stages a few sail boats against the light on a river, one of them in the foreground. It does not include any architectural detail but the shape of the sails meets the typical Thames barges. Their blazing red interspersed with blue responds with the usual Fauviste exaggeration to the reddish brown color of the models.
The pointilliste processing of water is reminiscent of the influence of the style of Signac that Derain had discussed with Matisse at the beginning of their cooperation in Collioure and anticipates the canals in Venice by Monet. The geometric segmentation of the sky between clouds, mist, sun and a patch of blue is a thoroughly modern vision.
The exhibition in 1904 of the views of London by Monet is a great success for Durand-Ruel. Monet is no more a mere impressionist. He expresses the deep meaning of nature by extreme lights under heavy skies.
Monet remains a realistic painter but the post-impressionnisme already offers another path. Around Matisse, the Fauves blow up the colors. Art critics are surprised but the public appreciates this pictorial revolution that takes painting forever away from the influence of photography.
Vollard was always ready to support the avant-gardes, especially when they were represented by very young artists. Derain explores the new language of colors in 1905 with Matisse in Collioure. Vollard desires to compete with Durand-Ruel and commissions Derain for a series of views of London.
The view for sale stages a few sail boats against the light on a river, one of them in the foreground. It does not include any architectural detail but the shape of the sails meets the typical Thames barges. Their blazing red interspersed with blue responds with the usual Fauviste exaggeration to the reddish brown color of the models.
The pointilliste processing of water is reminiscent of the influence of the style of Signac that Derain had discussed with Matisse at the beginning of their cooperation in Collioure and anticipates the canals in Venice by Monet. The geometric segmentation of the sky between clouds, mist, sun and a patch of blue is a thoroughly modern vision.
1906 McCubbin inspired by Turner
2013 sold 550 K AUD including premium
PRE SALE DISCUSSION
Born in Melbourne, Frederick McCubbin is an authentic Australian artist who rarely went away from his native region.Landscape painter and pupil of Von Guerard, he is often referred to as the "Australian impressionist." The reality is more subtle.
In 1901, he moved to Mount Macedon, a small paradise in the bush 65 km north-west of Melbourne. He found in that place the tranquility necessary to complete his research.
In 1906, McCubbin painted an oil on canvas, 62 x 123 cm, showing the cleared forest around Mount Macedon. This work is a very thorough attempt to uncover the artistic secrets of Turner.
The very elongated format of the painting makes it a sort of diptych. Axial symmetry leads to a horizon worthy ofTurner, which despite the distance provides the ambience to the entire image. Australian local color is enhanced by a group of people around a fire on the left, and a flock of sheep on the right.
This bright artwork is estimated AUD 500K, for sale by Menzies in Sydney on March 21.
POST SALE COMMENT
The masterpiece by McCubbin did not reach its estimate. It was sold AUD 450K before fees, 550K including premium.
Born in Melbourne, Frederick McCubbin is an authentic Australian artist who rarely went away from his native region.Landscape painter and pupil of Von Guerard, he is often referred to as the "Australian impressionist." The reality is more subtle.
In 1901, he moved to Mount Macedon, a small paradise in the bush 65 km north-west of Melbourne. He found in that place the tranquility necessary to complete his research.
In 1906, McCubbin painted an oil on canvas, 62 x 123 cm, showing the cleared forest around Mount Macedon. This work is a very thorough attempt to uncover the artistic secrets of Turner.
The very elongated format of the painting makes it a sort of diptych. Axial symmetry leads to a horizon worthy ofTurner, which despite the distance provides the ambience to the entire image. Australian local color is enhanced by a group of people around a fire on the left, and a flock of sheep on the right.
This bright artwork is estimated AUD 500K, for sale by Menzies in Sydney on March 21.
POST SALE COMMENT
The masterpiece by McCubbin did not reach its estimate. It was sold AUD 450K before fees, 550K including premium.
1906-1907 the thames without fog
2018 withdrawn
André Derain wants his colors to explode. Under the shining sun of Collioure with Matisse during the summer of 1905, he achieves such a purpose while maintaining the realism. The paintings of the two friends launch the Fauvisme at the Salon d'Automne of the same year.
Vollard, always eager to exploit the avant-gardes, then makes a surprising judgment error, believing that Derain would be able to provide a counterbalance to the huge popular success of the exhibition of the views of London by Monet at Durand-Ruel in 1904. In 1906 and 1907 Derain spends several months in London in three stays interspersed with returns to Paris.
The 26 year-old artist is alone to execute this new mission, without the emulation from Matisse. He had been excited by the exhibition at Durand-Ruel and must find a style opposite to Monet. To transpose onto London the success of the colors of Collioure, he deliberately ignores the fog.
His cloisonné figuration is now closer to Gauguin. He is gradually abandoning pointillism, rightly : the experience of Signac and Van Rysselberghe demonstrated that this difficult technique did only reach its best effects for extreme lights.
The thirty views of London painted by Derain are good examples of the expression of exacerbated colors and are part of this continuous progress of artistic movements that leads to Blaue Reiter and abstraction. They do not stand out anyway from contemporary experiences of other Fauvistes including Dufy, Marquet and Braque but also Vlaminck, Manguin, Camoin and Chabaud. Vollard recovered the paintings of London from Derain but did not display them.
Derain's stay in London had another influence on modern art. Inspired by the ethnographic collections of the British Museum, he understands that tribal art will allow the paintings to part away from the photographic realism, thus unintentionally opening the way to Picasso's Demoiselles d'Avignon.
Londres: le Quai Victoria, oil on canvas 66 x 99 cm, was sold for £ 7M including premium by Sotheby's on June 24, 2015. In the same color range, Londres: la Tamise au pont de Westminster, 66 x 75 cm, is estimated £ 6M for sale by Christie's in London on February 27, lot 30.
Vollard, always eager to exploit the avant-gardes, then makes a surprising judgment error, believing that Derain would be able to provide a counterbalance to the huge popular success of the exhibition of the views of London by Monet at Durand-Ruel in 1904. In 1906 and 1907 Derain spends several months in London in three stays interspersed with returns to Paris.
The 26 year-old artist is alone to execute this new mission, without the emulation from Matisse. He had been excited by the exhibition at Durand-Ruel and must find a style opposite to Monet. To transpose onto London the success of the colors of Collioure, he deliberately ignores the fog.
His cloisonné figuration is now closer to Gauguin. He is gradually abandoning pointillism, rightly : the experience of Signac and Van Rysselberghe demonstrated that this difficult technique did only reach its best effects for extreme lights.
The thirty views of London painted by Derain are good examples of the expression of exacerbated colors and are part of this continuous progress of artistic movements that leads to Blaue Reiter and abstraction. They do not stand out anyway from contemporary experiences of other Fauvistes including Dufy, Marquet and Braque but also Vlaminck, Manguin, Camoin and Chabaud. Vollard recovered the paintings of London from Derain but did not display them.
Derain's stay in London had another influence on modern art. Inspired by the ethnographic collections of the British Museum, he understands that tribal art will allow the paintings to part away from the photographic realism, thus unintentionally opening the way to Picasso's Demoiselles d'Avignon.
Londres: le Quai Victoria, oil on canvas 66 x 99 cm, was sold for £ 7M including premium by Sotheby's on June 24, 2015. In the same color range, Londres: la Tamise au pont de Westminster, 66 x 75 cm, is estimated £ 6M for sale by Christie's in London on February 27, lot 30.
1908 Nadezhda in Russian Costume
2017 SOLD for £ 3.65M including premium
Nikolai Fechin is a student of Repin at the Imperial Academy of Arts in St. Petersburg. In 1908 the departure of the master releases the creativity of the student who returns to his hometown in Kazan.
On November 28 in London, Sotheby's sells a portrait of Nadezhda Sapozhnikova painted by Nikolai in 1908, oil on canvas 142 x 90 cm, lot 39 estimated £ 1.2M. In line with Nikolai's interest in rurality, the young woman wears an ample Russian costume typical of the 1840s. A little older than Nikolai, Nadezhda is his pupil in Kazan and no doubt also an inspiration for his new style.
She is sitting and leaning in a dynamic attitude accentuated by a diagonal composition. The vigorous impasto by the knife blurs the lines. This portrait already displays the vibrant energy and psychological intensity that characterize the art of Fechin throughout his career, first in Russia and in the United States from 1923. This painting exhibited in 1910 in Pittsburgh will be able to compete with Manet and Sargent.
By its quality and its originality the art of Fechin has keen followers. Painted in the same year as Nadezhda's portrait, an ambitiously sized rural wedding scene 186 x 282 cm was sold for $ 3.3M including premium by Sotheby's on November 1, 2011. A cheerful portrait of a boy in a costume and attitude of cowboy painted in 1940, 76 x 51 cm, was sold by Macdougall's in December 2010 for £ 7M over a lower estimate of £ 500K.
The lot is being sold for the acquisition fund of the San Diego Museum of Art. The image is shared by Wikimedia.
On November 28 in London, Sotheby's sells a portrait of Nadezhda Sapozhnikova painted by Nikolai in 1908, oil on canvas 142 x 90 cm, lot 39 estimated £ 1.2M. In line with Nikolai's interest in rurality, the young woman wears an ample Russian costume typical of the 1840s. A little older than Nikolai, Nadezhda is his pupil in Kazan and no doubt also an inspiration for his new style.
She is sitting and leaning in a dynamic attitude accentuated by a diagonal composition. The vigorous impasto by the knife blurs the lines. This portrait already displays the vibrant energy and psychological intensity that characterize the art of Fechin throughout his career, first in Russia and in the United States from 1923. This painting exhibited in 1910 in Pittsburgh will be able to compete with Manet and Sargent.
By its quality and its originality the art of Fechin has keen followers. Painted in the same year as Nadezhda's portrait, an ambitiously sized rural wedding scene 186 x 282 cm was sold for $ 3.3M including premium by Sotheby's on November 1, 2011. A cheerful portrait of a boy in a costume and attitude of cowboy painted in 1940, 76 x 51 cm, was sold by Macdougall's in December 2010 for £ 7M over a lower estimate of £ 500K.
The lot is being sold for the acquisition fund of the San Diego Museum of Art. The image is shared by Wikimedia.
1909 Landscape with Horses by Franz Marc
2016 unsold
Franz Marc was convinced that beauty is not a characteristic of man but of nature. Illustrator of animals and landscapes, he was then influenced by the expressive lines of van Gogh and by the pure colors of Gauguin. Marc attributes to his animals symbolic colors devoid of any realism unlike his own landscapes and the Fauvist practice of excessive color.
On February 3 in London, Sotheby's sells a Grosse Landschaft by Franz Marc, lot 6 estimated £ 4M. This large oil on canvas 110 x 211 cm painted in 1909 is one of the earliest examples of the symbolist approach by the artist.
The main theme of this artwork is not indeed the landscape, a very ordinary meadow, but the group of four horses in attentive attitudes, all in the same color between orange and light red.
The meeting of Kandinsky and Marc in September 1910 is highly important for modern art. The quest for a new symbolism by Marc influenced the hermetic researches of Kandinsky. Marc tries in his turn to codify his own colors. Bright colors exacerbate the feelings: blue for the authoritarian male, yellow for the soft female and dark red for the unwelcomed violence that breaks the harmony of nature.
Their movement is identified from late 1911 as the Blaue Reiter, a striking image that symbolizes in two words the new art better than the complex theories of Kandinsky could have done.
On February 3 in London, Sotheby's sells a Grosse Landschaft by Franz Marc, lot 6 estimated £ 4M. This large oil on canvas 110 x 211 cm painted in 1909 is one of the earliest examples of the symbolist approach by the artist.
The main theme of this artwork is not indeed the landscape, a very ordinary meadow, but the group of four horses in attentive attitudes, all in the same color between orange and light red.
The meeting of Kandinsky and Marc in September 1910 is highly important for modern art. The quest for a new symbolism by Marc influenced the hermetic researches of Kandinsky. Marc tries in his turn to codify his own colors. Bright colors exacerbate the feelings: blue for the authoritarian male, yellow for the soft female and dark red for the unwelcomed violence that breaks the harmony of nature.
Their movement is identified from late 1911 as the Blaue Reiter, a striking image that symbolizes in two words the new art better than the complex theories of Kandinsky could have done.
1909 an oriental procession by ludwig deutsch
2017 sold for £ 310K including premium
A lively orientalist scene by Ludwig Deutsch passed at Sotheby's in London on April 8, 2014, lot 7. The lot 7 in the sale of April 25 in the same auction room is the same piece although the announced size of the artwork is different.
I take as the evidence of this identification the fact that the illustrations announced in the literature are fully matching. I did not find a difference between the pictures in both Sotheby's catalogues.
I discussed it as follows in 2014 (size and estimate are changed in the text below that meets the latest information).
The Austrian artist Ludwig Deutsch, living in Paris since 1878, made frequent visits to Cairo from where he brought back sketches and photos. Influenced by the French Orientalistes, he first developed a realistic art based on meticulous drawing.
His paintings show Muslim scenes with a large differentiation of the characters according to their role in the Islamic liturgy. He pays a specific attention to the attitudes in a flexible realism. The Offering, oil on panel 62 x 80 cm painted in 1897, was sold for £ 2.15M including premium by Sotheby's on April 23, 2013.
On April 25, 2017, Sotheby's sells an oil on canvas 170 x 201 cm estimated £ 250K.
The theme, located in a street of Cairo, is the traditional procession of the Mahmal during which a Quran is carried in the palanquin of a camel. The artist observes the festive crowd, with its rhythms and colors.
This painting was done in 1909. Deutsch has changed his style, assessing that he is a contemporary of the post-Impressionists, Expressionists and Futurists. He gets rid of his classicism in favor of the effect of atmosphere and motion.
In this sun-bathed street, the distance is materialized by the haze of the incense smoke and by the contrast between the sharpness of the figures in front row and the lack of detail in the colored crowd.
I take as the evidence of this identification the fact that the illustrations announced in the literature are fully matching. I did not find a difference between the pictures in both Sotheby's catalogues.
I discussed it as follows in 2014 (size and estimate are changed in the text below that meets the latest information).
The Austrian artist Ludwig Deutsch, living in Paris since 1878, made frequent visits to Cairo from where he brought back sketches and photos. Influenced by the French Orientalistes, he first developed a realistic art based on meticulous drawing.
His paintings show Muslim scenes with a large differentiation of the characters according to their role in the Islamic liturgy. He pays a specific attention to the attitudes in a flexible realism. The Offering, oil on panel 62 x 80 cm painted in 1897, was sold for £ 2.15M including premium by Sotheby's on April 23, 2013.
On April 25, 2017, Sotheby's sells an oil on canvas 170 x 201 cm estimated £ 250K.
The theme, located in a street of Cairo, is the traditional procession of the Mahmal during which a Quran is carried in the palanquin of a camel. The artist observes the festive crowd, with its rhythms and colors.
This painting was done in 1909. Deutsch has changed his style, assessing that he is a contemporary of the post-Impressionists, Expressionists and Futurists. He gets rid of his classicism in favor of the effect of atmosphere and motion.
In this sun-bathed street, the distance is materialized by the haze of the incense smoke and by the contrast between the sharpness of the figures in front row and the lack of detail in the colored crowd.
1909 the decorative nude of the jugendstil
2017 withdrawn
In Vienna in 1909 Gustav Klimt is the undisputed leader of the avant-gardes. Egon Schiele, aged 19, is inspired by Klimt but is already looking to develop a personal art. His first large paintings meet the decorative tendency of the Jugendstil. With a view to get closer to architecture, that pictorial art favors geometry to the detriment of perspective and encourages jewel-like textures and subtle colors.
The self-portrait 74 x 30 cm by Egon Schiele thus offers a flat and unbalanced composition in an original attitude that demonstrates the intention of the young artist to make himself known. It was sold for £ 7.2M including premium by Christie's on February 2, 2016.
On May 16 in New York, Sotheby's sells Danaë, oil and metallic paint on canvas 80 x 125 cm considered as the first nude in Schiele's professional career. It is estimated $ 30M, lot 27.
Klimt had made two years earlier on the same theme an oil on canvas which is a masterpiece of his erotic art. With her buttocks and thigh in the forefront, the nude woman receives the rain of gold without hiding her sexual pleasure.
Schiele reuses for his Danaë several ideas from Klimt including the red hair. The spots simulating gold are suppressed but the abstract multicolored rain from the lower part of the image has become a heavy curtain that will wrap the woman. Her features are barely sketched giving to that naked body the appearance of a fetal mass.
1909 is definitely a year of transition in Schiele's access to his artistic maturity. Known since his adolescence for his sexual urges, he nevertheless keeps a restraint in his art. After meeting with his very young girlfriend Wally two years later, he will find for several years his difficult path between attraction and disgust for the flesh, with an intense psychological expression even in the explicite nude which in no way reduces the banality of his life and of the life of his characters.
The self-portrait 74 x 30 cm by Egon Schiele thus offers a flat and unbalanced composition in an original attitude that demonstrates the intention of the young artist to make himself known. It was sold for £ 7.2M including premium by Christie's on February 2, 2016.
On May 16 in New York, Sotheby's sells Danaë, oil and metallic paint on canvas 80 x 125 cm considered as the first nude in Schiele's professional career. It is estimated $ 30M, lot 27.
Klimt had made two years earlier on the same theme an oil on canvas which is a masterpiece of his erotic art. With her buttocks and thigh in the forefront, the nude woman receives the rain of gold without hiding her sexual pleasure.
Schiele reuses for his Danaë several ideas from Klimt including the red hair. The spots simulating gold are suppressed but the abstract multicolored rain from the lower part of the image has become a heavy curtain that will wrap the woman. Her features are barely sketched giving to that naked body the appearance of a fetal mass.
1909 is definitely a year of transition in Schiele's access to his artistic maturity. Known since his adolescence for his sexual urges, he nevertheless keeps a restraint in his art. After meeting with his very young girlfriend Wally two years later, he will find for several years his difficult path between attraction and disgust for the flesh, with an intense psychological expression even in the explicite nude which in no way reduces the banality of his life and of the life of his characters.
Sotheby’s Offers $30m Schiele Oil Painting in May Imp-Mod Sale https://t.co/1kjpwiyk8p pic.twitter.com/MLq8HK7fEV
— Art Market Monitor (@artmarket) April 24, 2017
1909 HARLEQUIN COMES OUT OF HIS HIDING
2008 WITHDRAWN
PRE SALE DISCUSSION
This portrait of Harlequin was painted by Picasso in 1909, two years after the Demoiselles d'Avignon. It is a true Cubist painting, which is well legible compared to other similar works from the same period. Picasso was particularly inspired by Harlequin, and wanted to consider him as his alter ego. The other figures of Harlequin in the work of Picasso are more dynamic than our character of today, whom I find a little bit too austere.
As always when a top Picasso comes to auction, all the press chats on it. Sotheby's announced that its price will exceed $ 30 million in New York on November 3.
Owned by a painter who had purchased it to Kahnweiler, this Harlequin painting will now be exhibited by Sotheby's in London from October 3. It had not been shown to the public for 45 years.
POST SALE COMMENT
Reuters has announced that this artwork was withdrawn from the sale by the seller for private reasons.
This portrait of Harlequin was painted by Picasso in 1909, two years after the Demoiselles d'Avignon. It is a true Cubist painting, which is well legible compared to other similar works from the same period. Picasso was particularly inspired by Harlequin, and wanted to consider him as his alter ego. The other figures of Harlequin in the work of Picasso are more dynamic than our character of today, whom I find a little bit too austere.
As always when a top Picasso comes to auction, all the press chats on it. Sotheby's announced that its price will exceed $ 30 million in New York on November 3.
Owned by a painter who had purchased it to Kahnweiler, this Harlequin painting will now be exhibited by Sotheby's in London from October 3. It had not been shown to the public for 45 years.
POST SALE COMMENT
Reuters has announced that this artwork was withdrawn from the sale by the seller for private reasons.
