Art 1970-1979
1970 The Pierced Family of Barbara Hepworth
2016 SOLD for £ 3.75M including premium
Henry Moore deconstructed and reconstructed the human body. Lynn Chadwick populated his own world with surrealist characters in bronze who enjoyed to gather on English lawns. Meanwhile the sculpture by Barbara Hepworth is resolutely abstract, inspired by sea spray on the megaliths of Cornwall.
Hepworth returns to figuration in 1970, in her own way. After all, a menhir and a standing human have similarities of forms. Same as Chadwick she does not look for recognizable details. She builds her characters like her totems by including holes that become more expressive than their surrounding material.
Nine Figures on a Hill, later renamed The Family of Man, is an assembly of nine separate sculptures that symbolize the phases of growth and maturity of the human being like in a surrealist wedding : Young Girl, Youth, Bride, Bridegroom, Parent I, Parent II, Ancestor I, Ancestor II and Ultimate Form. The number of stacked components varies from child to adult, from two to four.
The Family of Man was made in bronze in two complete sets plus four copies of each of the nine individual figures.
According to the artist, Parent I is the universal mother who may have given life to about twenty children. At nearly 2.70 m high, she dominates the scenery while remaining opulent with her flexible lines. A bronze of Parent I is estimated £ 2M for sale by Sotheby's in London on November 22, lot 13.
Hepworth returns to figuration in 1970, in her own way. After all, a menhir and a standing human have similarities of forms. Same as Chadwick she does not look for recognizable details. She builds her characters like her totems by including holes that become more expressive than their surrounding material.
Nine Figures on a Hill, later renamed The Family of Man, is an assembly of nine separate sculptures that symbolize the phases of growth and maturity of the human being like in a surrealist wedding : Young Girl, Youth, Bride, Bridegroom, Parent I, Parent II, Ancestor I, Ancestor II and Ultimate Form. The number of stacked components varies from child to adult, from two to four.
The Family of Man was made in bronze in two complete sets plus four copies of each of the nine individual figures.
According to the artist, Parent I is the universal mother who may have given life to about twenty children. At nearly 2.70 m high, she dominates the scenery while remaining opulent with her flexible lines. A bronze of Parent I is estimated £ 2M for sale by Sotheby's in London on November 22, lot 13.
1970 The Wild Liturgy of Wifredo Lam
2010 SOLD 2.15 M$ including premium
Wifredo Lam was Cuban, but we may also consider that he came from three continents: his father was Chinese, his mother was of mixed Spanish and Congolese bloods. Like the poetry of Cesaire, the art of Lam is a cry for dignity in the Third World.
On November 16 in New York, Sotheby's sells a painting that is important because it provides the key to the surreal world of the artist. Dated 1970 during his long stay in Italy, it is entitled in French "Les Abalochas Dansent Pour Dhambala, dieu de l'unité" (The Abalochas dance for Dhambala, god of unity).
On a large surface (213 x 244 cm) this oil painting shows the figures of Lam's personal mythology, somewhat anthropomorphic, that dance in all directions like an evocation of the spirits of the African forest. Some are bright, others in the dark are waiting their turn. The artwork is illustrated in the press release shared by Artdaily.
The Abalochas are an invention of Lam, but Dhambala, the rainbow serpent, is a known Creole mystic figure from Haiti. The main female in the foreground looks like the horse in Guernica.
This masterpiece of political art for the Third World, well ahead of its time, is estimated $ 1.75 M.
POST SALE COMMENT
This painting sold for $ 2.15 million including premium responds to the expectations, confirming that it is a masterpiece of the artist.
On November 16 in New York, Sotheby's sells a painting that is important because it provides the key to the surreal world of the artist. Dated 1970 during his long stay in Italy, it is entitled in French "Les Abalochas Dansent Pour Dhambala, dieu de l'unité" (The Abalochas dance for Dhambala, god of unity).
On a large surface (213 x 244 cm) this oil painting shows the figures of Lam's personal mythology, somewhat anthropomorphic, that dance in all directions like an evocation of the spirits of the African forest. Some are bright, others in the dark are waiting their turn. The artwork is illustrated in the press release shared by Artdaily.
The Abalochas are an invention of Lam, but Dhambala, the rainbow serpent, is a known Creole mystic figure from Haiti. The main female in the foreground looks like the horse in Guernica.
This masterpiece of political art for the Third World, well ahead of its time, is estimated $ 1.75 M.
POST SALE COMMENT
This painting sold for $ 2.15 million including premium responds to the expectations, confirming that it is a masterpiece of the artist.
1970 The Drapings of Sam Gilliam
2019 SOLD for $ 1.08m including premium
The physical interrelation of the artist with his work becomes a major component of the creativity after the Second World War. The greatest artists generate new processes. For painters, outstanding examples include Pollock, Frankenthaler, Shiraga, Klein.
The group of Washington DC is innovative. Sam Francis increases the brightness and transparency of colors. Morris Louis inserts his pure colors into a minimalist geometry.
In the mid-1960s in Washington, Sam Gilliam watches some clothes drying on their washing line. The wind changes the shape. The artist is experimenting in a new process by releasing the canvas from the easel and from the stretching bar. The same freedom also applies during the installation, with the possibility to vary the folds of the artwork to boost its visual effects.
Gilliam executes in 1970 a series entitled Ray painted in shimmering colors on folded and sometimes beveled canvases. Ray VIII, acrylic on canvas 137 x 274 cm, is estimated $ 600K for sale by Sotheby's in New York on September 26, lot 20.
Like Kline, Gilliam is sensitive to the musicality of his gesture, and especially to jazz and blues. Lady Day II is a tribute to Billie Holiday. This acrylic on canvas 272 x 406 cm with structuring folds painted in 1971 was sold for $ 2.17M including premium by Christie's on November 15, 2018.
With his series of Seahorses, the artist tries in 1975 more complex shapes, accentuating the impression of air lightness by the transparency of the colors. He then abandons the folds to explore new relationships between canvas and object.
Rediscovered in 2015, Sam Gilliam is the most important African-American abstract painter of his time.
The group of Washington DC is innovative. Sam Francis increases the brightness and transparency of colors. Morris Louis inserts his pure colors into a minimalist geometry.
In the mid-1960s in Washington, Sam Gilliam watches some clothes drying on their washing line. The wind changes the shape. The artist is experimenting in a new process by releasing the canvas from the easel and from the stretching bar. The same freedom also applies during the installation, with the possibility to vary the folds of the artwork to boost its visual effects.
Gilliam executes in 1970 a series entitled Ray painted in shimmering colors on folded and sometimes beveled canvases. Ray VIII, acrylic on canvas 137 x 274 cm, is estimated $ 600K for sale by Sotheby's in New York on September 26, lot 20.
Like Kline, Gilliam is sensitive to the musicality of his gesture, and especially to jazz and blues. Lady Day II is a tribute to Billie Holiday. This acrylic on canvas 272 x 406 cm with structuring folds painted in 1971 was sold for $ 2.17M including premium by Christie's on November 15, 2018.
With his series of Seahorses, the artist tries in 1975 more complex shapes, accentuating the impression of air lightness by the transparency of the colors. He then abandons the folds to explore new relationships between canvas and object.
Rediscovered in 2015, Sam Gilliam is the most important African-American abstract painter of his time.
1971 One of the latest Large Size Paintings by Picasso
2009 SOLD 7.7 M$ including premium
PRE SALE DISCUSSION
Until the end of his long life, Picasso was an inventive and prolific painter. The number of times he changed his style completely over the seven decades of his career is remarkable, and it was always successful.
Painted on 26 August 1971, two months before he celebrated his 90th birthday, "la Femme au Chapeau" (Woman with Hat) is typical of compositions from that time, very colorful, with deformities of the face that meet the cubist tradition. The dominating look of the sitter makes it close from the series of musketeers, from the same period.
This painting is particularly interesting because, with its 1.80 m high, it is undoubtedly the largest of the latest paintings by Picasso. It is the first lot announced by Christie's for the evening sale of impressionist and modern art, on May 6 in New York.
The estimated $ 8 million seems reasonable. Christie's reminds us that they have sold around $ 15 million in 2007 two portraits made a few years before this one, one showing a man with a pipe, and the other a musketeer with a nude.
POST SALE COMMENT
There were two later paintings by Picasso in this sale. Both have been sold around the estimate.
A little lower than the estimate for the Femme au Chapeau, which was the subject of our discussion: $ 7.7 million including expenses.
A little higher than the estimated $ 12 million for a Mousquetaire à la Pipe, 1968, 146 x 89 cm: $ 14.6 million including expenses.
Until the end of his long life, Picasso was an inventive and prolific painter. The number of times he changed his style completely over the seven decades of his career is remarkable, and it was always successful.
Painted on 26 August 1971, two months before he celebrated his 90th birthday, "la Femme au Chapeau" (Woman with Hat) is typical of compositions from that time, very colorful, with deformities of the face that meet the cubist tradition. The dominating look of the sitter makes it close from the series of musketeers, from the same period.
This painting is particularly interesting because, with its 1.80 m high, it is undoubtedly the largest of the latest paintings by Picasso. It is the first lot announced by Christie's for the evening sale of impressionist and modern art, on May 6 in New York.
The estimated $ 8 million seems reasonable. Christie's reminds us that they have sold around $ 15 million in 2007 two portraits made a few years before this one, one showing a man with a pipe, and the other a musketeer with a nude.
POST SALE COMMENT
There were two later paintings by Picasso in this sale. Both have been sold around the estimate.
A little lower than the estimate for the Femme au Chapeau, which was the subject of our discussion: $ 7.7 million including expenses.
A little higher than the estimated $ 12 million for a Mousquetaire à la Pipe, 1968, 146 x 89 cm: $ 14.6 million including expenses.
1971 Figures on a Hill by Barbara Hepworth
2021 SOLD for $ 7.1M by Christie's
Henry Moore deconstructed and reconstructed the human body. Lynn Chadwick populated his own world with surrealist characters in bronze who enjoyed to gather on English lawns. Meanwhile the sculpture by Barbara Hepworth is resolutely abstract, inspired by sea spray on the megaliths of Cornwall.
Hepworth returns to figuration in 1970, in her own way. After all, a menhir and a standing human have similarities of forms. Same as Chadwick she does not look for recognizable details. She builds her characters like her totems by including holes that become more expressive than their surrounding material.
Nine Figures on a Hill, later renamed The Family of Man, is an assembly of nine separate sculptures that symbolize the phases of growth and maturity of the human being like in a surrealist wedding : Young Girl, Youth, Bride, Bridegroom, Parent I, Parent II, Ancestor I, Ancestor II and Ultimate Form. The number of stacked components varies from child to adult, from two to four.
The Family of Man was made in bronze in two complete sets plus four copies of each of the nine individual figures.
According to the artist, Parent I is the universal mother who may have given life to about twenty children. At 2.70 m high, she dominates the scenery while remaining opulent with her flexible lines. A bronze of Parent I was sold for £ 2.75M by Sotheby's on November 22, 2016, lot 13.
A 240 cm high Parent II bronze cast in 1971 was sold by Christie's on May 13, 2021 for $ 7.1M from a lower estimate of $ 2.5M, lot 7 B.
Hepworth returns to figuration in 1970, in her own way. After all, a menhir and a standing human have similarities of forms. Same as Chadwick she does not look for recognizable details. She builds her characters like her totems by including holes that become more expressive than their surrounding material.
Nine Figures on a Hill, later renamed The Family of Man, is an assembly of nine separate sculptures that symbolize the phases of growth and maturity of the human being like in a surrealist wedding : Young Girl, Youth, Bride, Bridegroom, Parent I, Parent II, Ancestor I, Ancestor II and Ultimate Form. The number of stacked components varies from child to adult, from two to four.
The Family of Man was made in bronze in two complete sets plus four copies of each of the nine individual figures.
According to the artist, Parent I is the universal mother who may have given life to about twenty children. At 2.70 m high, she dominates the scenery while remaining opulent with her flexible lines. A bronze of Parent I was sold for £ 2.75M by Sotheby's on November 22, 2016, lot 13.
A 240 cm high Parent II bronze cast in 1971 was sold by Christie's on May 13, 2021 for $ 7.1M from a lower estimate of $ 2.5M, lot 7 B.
1971 Korean Abstraction
2015 SOLD for HK$ 31M before fees
The art of Kim Whanki was initially positioned at the extreme border between abstraction and figuration, inviting the viewer to recognize stylized forms. By opting later for a total abstraction, the artist offers a synthesis of Western art and of Korean sensitivity.
Kim Whanki retained the expressive force of minimalism and the traditional Korean taste for pointillism. Working in New York since 1963, he can at last devote himself to his art. The titles of his works evoking air, sound, quietness, cosmos, finally forgetting the anguish from the Korean War, strengthen the comparison with Zen art. He is a contemporary of VS Gaitonde and Agnes Martin.
Kim Whanki is a continual experimenter. To achieve his dot paintings of the early 1970s, he uses the absorption of color in the interstices of the fabric, so obtaining a homogeneous effect over a large area.
On October 5 in Hong Kong, Seoul Auction sells a dot painting 253 x 202 cm made in 1971, lot 44 estimated HK $ 20M. This artwork has no other title than its date but makes us penetrating with the manner of abstract expressionism into the heart of a nebula of stars. A detail is shown in the release shared by Blouin Artinfo.
The premature death of Kim Whanki in 1974 has certainly prevented the artist to be recognized as one of the most genuine creators of modern abstraction in the experimental path opened by Burri and Klein.
Kim Whanki retained the expressive force of minimalism and the traditional Korean taste for pointillism. Working in New York since 1963, he can at last devote himself to his art. The titles of his works evoking air, sound, quietness, cosmos, finally forgetting the anguish from the Korean War, strengthen the comparison with Zen art. He is a contemporary of VS Gaitonde and Agnes Martin.
Kim Whanki is a continual experimenter. To achieve his dot paintings of the early 1970s, he uses the absorption of color in the interstices of the fabric, so obtaining a homogeneous effect over a large area.
On October 5 in Hong Kong, Seoul Auction sells a dot painting 253 x 202 cm made in 1971, lot 44 estimated HK $ 20M. This artwork has no other title than its date but makes us penetrating with the manner of abstract expressionism into the heart of a nebula of stars. A detail is shown in the release shared by Blouin Artinfo.
The premature death of Kim Whanki in 1974 has certainly prevented the artist to be recognized as one of the most genuine creators of modern abstraction in the experimental path opened by Burri and Klein.
1971 rotation and mirror of good and evil
2017 unsold
On October 6 in London, Christie's sells as lot 16A an oil on canvas 198 x 148 cm painted by Francis Bacon in April 1971 and titled Study of Red Pope 1962 2nd version. This unusual title indicates that for the artist this work inspired from the portrait of Innocent X by Velazquez is a culmination of this theme.
Conceived as a sort of triptych concentrated on a single canvas, 2nd version poses existential questions and reserves many surprises.
The Pope in the curled-up position of Innocent X is installed in a circular environment as if seated over a turntable. The room is closed with two lateral curvilinear mirrors offering a mystery of reflection that may remind the Menines by Velazquez. The mirror on the right brings the recognizable figure of Francis' lover, George Dyer.
The scene is an impossible encounter between the two characters. Each one embodies both good and evil. The old Pope does not master the responsibilities of his function of which he is nevertheless the sole representative. The ordinary man with a troubled past has become the supreme idol in the life of Francis.
The rotating Pope has reached a position where he cannot see George. On the opposite George tries to establish a communication and raises his hand to the reflection of the string of an out of field bell or light.
George committed suicide six months later in Paris while Francis was preparing in that city the great exhibition which consecrated him as a major artist of his time. The traumatized Francis will no longer need a pope. The ghost of George will henceforth secure the mystery of spirit and flesh.
Please watch the video shared by Christie's.
Conceived as a sort of triptych concentrated on a single canvas, 2nd version poses existential questions and reserves many surprises.
The Pope in the curled-up position of Innocent X is installed in a circular environment as if seated over a turntable. The room is closed with two lateral curvilinear mirrors offering a mystery of reflection that may remind the Menines by Velazquez. The mirror on the right brings the recognizable figure of Francis' lover, George Dyer.
The scene is an impossible encounter between the two characters. Each one embodies both good and evil. The old Pope does not master the responsibilities of his function of which he is nevertheless the sole representative. The ordinary man with a troubled past has become the supreme idol in the life of Francis.
The rotating Pope has reached a position where he cannot see George. On the opposite George tries to establish a communication and raises his hand to the reflection of the string of an out of field bell or light.
George committed suicide six months later in Paris while Francis was preparing in that city the great exhibition which consecrated him as a major artist of his time. The traumatized Francis will no longer need a pope. The ghost of George will henceforth secure the mystery of spirit and flesh.
Please watch the video shared by Christie's.
1971 Bad Weather through Richter's Lens
2012 unsold
PRE SALE DISCUSSION
Photography plays an important role in the beginnings of the art of Richter. A refugee from East Germany into the West, he was first concerned with social identification. He recuperated trivial photographs into paintings in which heskillfully combined hyperrealistic techniques and blurring.
These first successes do not satisfy his need to express the subtlety of colors. He suddenly finds a new way in 1969.He is on holiday in Corsica, the île de beauté famous for its sunshine. Luckily for the history of art, the weather is verycloudy. The horizon fades between sea and sky, and the weak diffusing light generates a variety of shades.
Admirer of the Romantic painters and more specifically of Fridrich, Richter comes in communion with the forces of a wild and uninhabited landscape. Painted in 1969 from an assembly of two photographs, a seascape, 200 x 200 cm,was sold $ 19.3 million including premium at Christie's on May 8, 2012.
History repeats almost identically at Tenerife in 1971, now with a landscape. The oil on canvas, 200 x 300 cm, for sale by Christie's in New York on November 14, is estimated $ 10M.
Once again struck by the example of Fridrich, he devoted his 1972 holidays to photographing icebergs.
These works led Richter to his total control of color. They also had a major influence on the minimalist style of somecontemporary photographs.
I invite you to play the video where Christie's is introducing the Tenerife painting.
Photography plays an important role in the beginnings of the art of Richter. A refugee from East Germany into the West, he was first concerned with social identification. He recuperated trivial photographs into paintings in which heskillfully combined hyperrealistic techniques and blurring.
These first successes do not satisfy his need to express the subtlety of colors. He suddenly finds a new way in 1969.He is on holiday in Corsica, the île de beauté famous for its sunshine. Luckily for the history of art, the weather is verycloudy. The horizon fades between sea and sky, and the weak diffusing light generates a variety of shades.
Admirer of the Romantic painters and more specifically of Fridrich, Richter comes in communion with the forces of a wild and uninhabited landscape. Painted in 1969 from an assembly of two photographs, a seascape, 200 x 200 cm,was sold $ 19.3 million including premium at Christie's on May 8, 2012.
History repeats almost identically at Tenerife in 1971, now with a landscape. The oil on canvas, 200 x 300 cm, for sale by Christie's in New York on November 14, is estimated $ 10M.
Once again struck by the example of Fridrich, he devoted his 1972 holidays to photographing icebergs.
These works led Richter to his total control of color. They also had a major influence on the minimalist style of somecontemporary photographs.
I invite you to play the video where Christie's is introducing the Tenerife painting.
1972 Farewell to New York by Yayoi Kusama
2017 SOLD for HK$ 42M including premium
In 1958 Yayoi Kusama brings to New York City the visual elements of her hallucination. The world is an unlimited net or curtain. Mankind is nothing more than undifferentiated tiny spots distributed evenly throughout that network. The basic element is a polka dot but it can also take other forms.
The very long stay of the artist in New York is a continuous attempt to escape the common fate. She imagines and realizes many happenings at the extreme limits of decency and even beyond.
She is in contact with the avant-gardes. Donald Judd is enthusiastic about her graphic minimalism. She admires the use of ordinary objects of chance by Joseph Cornell who manages an exception to his lonely habits for maintaining with her a daily and platonic relationship which is beneficial to the creativity of both artists. Yayoi Kusama covers with her dots various artefacts as well as the naked bodies of the participants of her performances and uses mirrors to display the infinity.
On September 30 in Hong Kong, Sotheby's sells an oil on canvas 107 x 92 cm painted by Yayoi Kusama in 1972, lot 1067 estimated HK $ 32M. This artwork is an unexpected return to her obsession with the infinity nets but can also be considered as a new prototype by its use of multiple colors.
After 14 years of overwork in New York the artist is exhausted. The sudden death of Cornell on December 29, 1972 completes the ruin of her fragile world. She returns to Japan in the following year. Her voluntary residence since 1977 in a hospital for the mentally ill protects her against her desire for excessive performance without reducing her graphic creativity.
Yayoi Kusama succeeded in making the public enjoy her offbeat vision of the universe.
The very long stay of the artist in New York is a continuous attempt to escape the common fate. She imagines and realizes many happenings at the extreme limits of decency and even beyond.
She is in contact with the avant-gardes. Donald Judd is enthusiastic about her graphic minimalism. She admires the use of ordinary objects of chance by Joseph Cornell who manages an exception to his lonely habits for maintaining with her a daily and platonic relationship which is beneficial to the creativity of both artists. Yayoi Kusama covers with her dots various artefacts as well as the naked bodies of the participants of her performances and uses mirrors to display the infinity.
On September 30 in Hong Kong, Sotheby's sells an oil on canvas 107 x 92 cm painted by Yayoi Kusama in 1972, lot 1067 estimated HK $ 32M. This artwork is an unexpected return to her obsession with the infinity nets but can also be considered as a new prototype by its use of multiple colors.
After 14 years of overwork in New York the artist is exhausted. The sudden death of Cornell on December 29, 1972 completes the ruin of her fragile world. She returns to Japan in the following year. Her voluntary residence since 1977 in a hospital for the mentally ill protects her against her desire for excessive performance without reducing her graphic creativity.
Yayoi Kusama succeeded in making the public enjoy her offbeat vision of the universe.
1972 Modern Architecture within the Art of Jeffrey Smart
2009 SOLD 870 K AUD including premium
PRE SALE DISCUSSION
As David Hockney, the Australian-born Jeffrey Smart is passionate about architecture.
The strange oil on canvas by Smart, 100 x 99 cm, that Sotheby's sells on August 24 in Melbourne is entitled "The Painted Factory, Tuscany." Painted in 1972, it dates from the year after the installation of the artist in Arezzo, where he still resides today.
A green Tuscan landscape is dominated by a cubic factory that we imagine made of concrete, with a smooth front decorated with abstract or stylized patterns in the style of Léger. A friend of the artist shows himself in the factory entrance, brandishing a painting that is a reducted replica of the complete artwork.
This painting is an ironic display of the modern world, a theme usually conducive to success. This justifies an estimate of 600 KA$, which should be an excellent result for this artist.
POST SALE COMMENT
The result is excellent. Sold 870 KA$ including costs, it almost matches the high estimate, which was 800 KA$ excl.
As David Hockney, the Australian-born Jeffrey Smart is passionate about architecture.
The strange oil on canvas by Smart, 100 x 99 cm, that Sotheby's sells on August 24 in Melbourne is entitled "The Painted Factory, Tuscany." Painted in 1972, it dates from the year after the installation of the artist in Arezzo, where he still resides today.
A green Tuscan landscape is dominated by a cubic factory that we imagine made of concrete, with a smooth front decorated with abstract or stylized patterns in the style of Léger. A friend of the artist shows himself in the factory entrance, brandishing a painting that is a reducted replica of the complete artwork.
This painting is an ironic display of the modern world, a theme usually conducive to success. This justifies an estimate of 600 KA$, which should be an excellent result for this artist.
POST SALE COMMENT
The result is excellent. Sold 870 KA$ including costs, it almost matches the high estimate, which was 800 KA$ excl.
1972 THE MUSICALISM OF ZENDEROUDI
2008 UNSOLD
PRE SALE DISCUSSION
The contemporary art sales organized by Christie's at Dubai are exciting. The market is new, which finds its resources in Iran, Arabia and the Middle East. Artists who have been confirmed here are good candidates to extend their influence into the international arena. The buyers' network and their sensitivity are different from other places of sales, and big surprises are always possible in the results.
On April 30, four works exceeded one million dollars, increasing at once the credibility of this place of the art market. The press highlighted on this occasion the important bid at 2.8 MUS$ including fees that was recorded on a bronze by Parviz Tanavoli that paid tribute to Persepolis and had been estimated 400 KUS$.
This outstanding result had a little bit hidden the second result of the sale, obtained on a work of another Iranian artist, born the same year as Tanavoli (1937): Hossein Zenderoudi. His painting in oil and acrylic on canvas from 1981, 210x195 cm, was sold 1.6 MUS$ costs included from an estimate of 200 KUS$. It consists of thick sinuous lines on both sides of a middle horizontal area populated with a repetitive pattern of small masks of different colors. In the same sale, a 1972 acrylic representing a very tight coloured spiral was sold 600 KUS$ fees included.
On October 30, there are four works by Zenderoudi in the catalog. Christie's, based on its previous successes, appears to have pushed a little further its estimates.
The lot 57 is a monochrome red on a white background based on similar features and masks (but differently distributed) as the star lot of the April sale. This is an oil on canvas from 1972, 195x130cm. This painting is much appreciated by Christie's, which presents it at the best place in its press release. The estimated 400 KUS$ will certainly be greatly exceeded. The catalog indicates the clear influence of calligraphy and musicalism in this work.
The other three paintings are estimated 400 KUS$ (Lot 98, 150x301 cm, 1986), 400 KUS$ (Lot 100, 215x180 cm, 1983) and 300 KUS$ (Lot 58, 130x97 cm, 1969).
POST SALE COMMENT
Compared to the sale of April 28, the results are disappointing. The highest figure, 480 KUS$ including fees, is recorded successively on a very large abstract oil on canvas (300 x 185 cm) by the Iranian Mohammed Ehsai and on a triptych (200 x 450 cm overall) of the Algerian Rachid Koraichi. We observe also in this market the trend for gigantism.
Regarding Zenderoudi, it is a disaster! None of the four paintings have been sold. This decrease is curiosity is also confirmed on a lot that I did not mention: a work on paper sold 230 KUS$ costs included on a low estimate of 300 KUS$.
The contemporary art sales organized by Christie's at Dubai are exciting. The market is new, which finds its resources in Iran, Arabia and the Middle East. Artists who have been confirmed here are good candidates to extend their influence into the international arena. The buyers' network and their sensitivity are different from other places of sales, and big surprises are always possible in the results.
On April 30, four works exceeded one million dollars, increasing at once the credibility of this place of the art market. The press highlighted on this occasion the important bid at 2.8 MUS$ including fees that was recorded on a bronze by Parviz Tanavoli that paid tribute to Persepolis and had been estimated 400 KUS$.
This outstanding result had a little bit hidden the second result of the sale, obtained on a work of another Iranian artist, born the same year as Tanavoli (1937): Hossein Zenderoudi. His painting in oil and acrylic on canvas from 1981, 210x195 cm, was sold 1.6 MUS$ costs included from an estimate of 200 KUS$. It consists of thick sinuous lines on both sides of a middle horizontal area populated with a repetitive pattern of small masks of different colors. In the same sale, a 1972 acrylic representing a very tight coloured spiral was sold 600 KUS$ fees included.
On October 30, there are four works by Zenderoudi in the catalog. Christie's, based on its previous successes, appears to have pushed a little further its estimates.
The lot 57 is a monochrome red on a white background based on similar features and masks (but differently distributed) as the star lot of the April sale. This is an oil on canvas from 1972, 195x130cm. This painting is much appreciated by Christie's, which presents it at the best place in its press release. The estimated 400 KUS$ will certainly be greatly exceeded. The catalog indicates the clear influence of calligraphy and musicalism in this work.
The other three paintings are estimated 400 KUS$ (Lot 98, 150x301 cm, 1986), 400 KUS$ (Lot 100, 215x180 cm, 1983) and 300 KUS$ (Lot 58, 130x97 cm, 1969).
POST SALE COMMENT
Compared to the sale of April 28, the results are disappointing. The highest figure, 480 KUS$ including fees, is recorded successively on a very large abstract oil on canvas (300 x 185 cm) by the Iranian Mohammed Ehsai and on a triptych (200 x 450 cm overall) of the Algerian Rachid Koraichi. We observe also in this market the trend for gigantism.
Regarding Zenderoudi, it is a disaster! None of the four paintings have been sold. This decrease is curiosity is also confirmed on a lot that I did not mention: a work on paper sold 230 KUS$ costs included on a low estimate of 300 KUS$.
1973 A Western Portrait of the Great Helmsman
2017 SOLD for HK$ 99M including premium
In 1973 Warhol multiplies his Mao's with smaller formats and new color variants. Mao's head, proportionally smaller, has lost the dignity of the official portrait.
One of them with a dark red tunic and a black background was sold for $ 13.5M including premium by Phillips de Pury on November 15, 2012 and for $ 14.5M including premium by Sotheby's on May 12, 2015.
Many Chinese people are still hurt by Mao's portrait interpreted by Warhol more than 40 years ago in multiple paintings and prints. Nevertheless Sotheby's goes boldly into the adventure by offering a painting from that series in Hong Kong on April 2, 2017, lot 1030 . It was sold for HK $ 99M.
The same painting had been sold for £ 7.6M by Sotheby's on February 12, 2014. I invite you to play the video shared by Sotheby's before the 2014 sale.
This opus is characterized by the dramatic lighting of the face brimming to the left like a divine halo, on a neutral background.
One of them with a dark red tunic and a black background was sold for $ 13.5M including premium by Phillips de Pury on November 15, 2012 and for $ 14.5M including premium by Sotheby's on May 12, 2015.
Many Chinese people are still hurt by Mao's portrait interpreted by Warhol more than 40 years ago in multiple paintings and prints. Nevertheless Sotheby's goes boldly into the adventure by offering a painting from that series in Hong Kong on April 2, 2017, lot 1030 . It was sold for HK $ 99M.
The same painting had been sold for £ 7.6M by Sotheby's on February 12, 2014. I invite you to play the video shared by Sotheby's before the 2014 sale.
This opus is characterized by the dramatic lighting of the face brimming to the left like a divine halo, on a neutral background.
1973 The Essential Earth of Raza
2014 SOLD 3.1 M$ including premium
The essential theme of Raza is Earth, which interacts with mankind while transcending the physical and mystical forces. In an early phase he is a landscape painter. The light of dawn playing behind the hills to illuminate the village fascinates him. Gradually the trace of man is no longer useful.
The bright lights of the transition between night and day are not enough to express his philosophical quest. Joining Pollock, his actual subject is the proper life of the soil.
On March 18 in New York, Christie's sells a large acrylic on canvas, 189 x 189 cm, entitled La Terre.
Painted in 1973, this work did not yet open the great transition of the art of Raza. Rather, it is the ultimate culmination of his landscapes becoming totally abstract while keeping the memory of the sparkling dawn.
Later, Raza discovered how geometry can express the energy. He will forget the night, and his colors become clearer. His quest will more rely upon the principles of Hindu philosophy. The Earth as the unique support of our relationship with the universe remains however implicit in his work.
The 1973 version of La Terre had been sold for £ 1.27 million including premium at Christie's on 30 June 2008, which is still now one of the highest prices recorded at auction for Raza.
POST SALE COMMENT
The art of Raza is better understood today than six years ago. This version of La Terre is outstanding in the evolution of his quest. It was sold for $ 3.1 million including premium.
The bright lights of the transition between night and day are not enough to express his philosophical quest. Joining Pollock, his actual subject is the proper life of the soil.
On March 18 in New York, Christie's sells a large acrylic on canvas, 189 x 189 cm, entitled La Terre.
Painted in 1973, this work did not yet open the great transition of the art of Raza. Rather, it is the ultimate culmination of his landscapes becoming totally abstract while keeping the memory of the sparkling dawn.
Later, Raza discovered how geometry can express the energy. He will forget the night, and his colors become clearer. His quest will more rely upon the principles of Hindu philosophy. The Earth as the unique support of our relationship with the universe remains however implicit in his work.
The 1973 version of La Terre had been sold for £ 1.27 million including premium at Christie's on 30 June 2008, which is still now one of the highest prices recorded at auction for Raza.
POST SALE COMMENT
The art of Raza is better understood today than six years ago. This version of La Terre is outstanding in the evolution of his quest. It was sold for $ 3.1 million including premium.
1973-1974 KAZUO SHIRAGA IN TOKYO
2008 SOLD 31 M YEN BEFORE FEES
PRE SALE DISCUSSION
It seems cheap: on July 25 in Tokyo, Mallet Auction sells two oils on canvas by Kazuo Shiraga of the same size, one in height and the other in width, 130 x 162 cm, each 10 million yen, one of 1974 and the other of 1973 (lots 49 and 61). The specialty of this artist is an abstract monochrome painting.
Lot 49, a full size composition in large strokes, looks comparable to an oil on canvas from 1983 (131x195 cm) sold by Lombrail-Teucquam at Drouot on April 14 for 290 K € before fees, ie roughly 5 times more expensive than the Japanese estimate indicated above.
Also comparable, a small oil on canvas of 1961 (80 x 120 cm) was sold 32 million yen in Est-Ouest Auctions in Tokyo on April 4.
Lot 61, finally more atypical, is a transparent blue.
Shiraga is doing well in Paris, since his top four results sorted by Artvalue were obtained in that city. The painting I mentioned above is the third in this sequence.
Using the same database, we see that all the significant results of this artist have been achieved in the last two years. Indeed he deserves the curiosity of fans with his avant-gardist painting technique using various parts of his body, particularly his feet, and his assimilation of the gesture of artistic creation to that of wrestling. He died at the age of 84 on April 8.
We are in the presence of an artist whom we just really started to discover and Mallet Auction may not have wanted to give an estimate too high. We can therefore predict at no risk that prices of these two paintings shall widely exceed their estimates.
POST SALE COMMENT
As it was expected, the estimate was much too low. Both paintings were sold 31 and 24 million yen before fees.
It seems cheap: on July 25 in Tokyo, Mallet Auction sells two oils on canvas by Kazuo Shiraga of the same size, one in height and the other in width, 130 x 162 cm, each 10 million yen, one of 1974 and the other of 1973 (lots 49 and 61). The specialty of this artist is an abstract monochrome painting.
Lot 49, a full size composition in large strokes, looks comparable to an oil on canvas from 1983 (131x195 cm) sold by Lombrail-Teucquam at Drouot on April 14 for 290 K € before fees, ie roughly 5 times more expensive than the Japanese estimate indicated above.
Also comparable, a small oil on canvas of 1961 (80 x 120 cm) was sold 32 million yen in Est-Ouest Auctions in Tokyo on April 4.
Lot 61, finally more atypical, is a transparent blue.
Shiraga is doing well in Paris, since his top four results sorted by Artvalue were obtained in that city. The painting I mentioned above is the third in this sequence.
Using the same database, we see that all the significant results of this artist have been achieved in the last two years. Indeed he deserves the curiosity of fans with his avant-gardist painting technique using various parts of his body, particularly his feet, and his assimilation of the gesture of artistic creation to that of wrestling. He died at the age of 84 on April 8.
We are in the presence of an artist whom we just really started to discover and Mallet Auction may not have wanted to give an estimate too high. We can therefore predict at no risk that prices of these two paintings shall widely exceed their estimates.
POST SALE COMMENT
As it was expected, the estimate was much too low. Both paintings were sold 31 and 24 million yen before fees.
1974 Brenda P by Barkley Hendricks
2018 SOLD for $ 2.17M by Sotheby's
In the continuation of the Black Power movement, it becomes clear that the African-American community is poorly represented in graphic art. Barkley L. Hendricks makes life-size portraits of his friends in all the variety of their dress and posture.
These young people love pop music, jazz and dance. They are proud and uninhibited. The life size, the photorealistic style, the bright colors give the viewer of the series the illusion of living with the group.
Here are four works sold by Sotheby's.
Brenda P, a portrait of a young woman standing painted in 1974, was sold for $ 2.17M on May 16, 2018 from a lower estimate of $ 700K.
A two-man group titled Yocks painted in 1975 was sold for $ 3.74M on May 16, 2019 from a lower estimate of $ 900K.
Jackie Sha-la-la, featuring a young woman on a sofa, was sold for $ 2.8M from a lower estimate of $ 2M on November 17, 2020, lot 108.
North Philly Niggah, painted in 1975, was sold for $ 1.93M on November 14, 2018 from a lower estimate of $ 1.2M.
Such auction results, sadly posthumous, mark the recent appreciation at the top of the art market of the portraits painted by Barkley Hendricks, with his community specialization, his realism and his compelling psychology.
These young people love pop music, jazz and dance. They are proud and uninhibited. The life size, the photorealistic style, the bright colors give the viewer of the series the illusion of living with the group.
Here are four works sold by Sotheby's.
Brenda P, a portrait of a young woman standing painted in 1974, was sold for $ 2.17M on May 16, 2018 from a lower estimate of $ 700K.
A two-man group titled Yocks painted in 1975 was sold for $ 3.74M on May 16, 2019 from a lower estimate of $ 900K.
Jackie Sha-la-la, featuring a young woman on a sofa, was sold for $ 2.8M from a lower estimate of $ 2M on November 17, 2020, lot 108.
North Philly Niggah, painted in 1975, was sold for $ 1.93M on November 14, 2018 from a lower estimate of $ 1.2M.
Such auction results, sadly posthumous, mark the recent appreciation at the top of the art market of the portraits painted by Barkley Hendricks, with his community specialization, his realism and his compelling psychology.
1974 the princess of ife
2018 sold for £ 1.2m including premium
The war of Biafra ends in 1970 after three years of horrors. Nigeria is reunited but deeply shocked.
A painter and sculptor, Ben Enwonwu becomes in 1971 the first professor of art of the University of Ife, a Yoruba city with a cultural tradition of very high antiquity. He is an Ibo, the secessionist ethnic group of Biafra. He seeks a theme that can symbolize the reconciliation.
In 1973 Enwonwu sees a pretty Yoruba young woman and asks the permission to execute her portrait. At first reluctant to this request from an Ibo artist, the parents agree. The artist appreciates the excellence of his choice when he knows that his new model is the granddaughter of a previous king of Ife.
The first portrait of the princess Tutu by Enwonwu is the message of peace and hope that the Nigerian society needed and its printed image is very widely disseminated in the country. The original painting was kept by the artist until his death. It is not currently located.
Enwonwu revisits Tutu in 1974. In his second portrait the composition is similar but the behavior has changed : the youthful princess is now confident in the artist and her gaze is serene. This oil on canvas 97 x 67 cm that was last seen in 1975 has just resurfaced in the suburbs of London. It is estimated £ 200K for sale by Bonhams in London in duplex with Lagos on February 28, lot 47.
A third and last portrait of Tutu was painted by Enwonwu in 1974. Its whereabouts are not known.
A painter and sculptor, Ben Enwonwu becomes in 1971 the first professor of art of the University of Ife, a Yoruba city with a cultural tradition of very high antiquity. He is an Ibo, the secessionist ethnic group of Biafra. He seeks a theme that can symbolize the reconciliation.
In 1973 Enwonwu sees a pretty Yoruba young woman and asks the permission to execute her portrait. At first reluctant to this request from an Ibo artist, the parents agree. The artist appreciates the excellence of his choice when he knows that his new model is the granddaughter of a previous king of Ife.
The first portrait of the princess Tutu by Enwonwu is the message of peace and hope that the Nigerian society needed and its printed image is very widely disseminated in the country. The original painting was kept by the artist until his death. It is not currently located.
Enwonwu revisits Tutu in 1974. In his second portrait the composition is similar but the behavior has changed : the youthful princess is now confident in the artist and her gaze is serene. This oil on canvas 97 x 67 cm that was last seen in 1975 has just resurfaced in the suburbs of London. It is estimated £ 200K for sale by Bonhams in London in duplex with Lagos on February 28, lot 47.
A third and last portrait of Tutu was painted by Enwonwu in 1974. Its whereabouts are not known.
1974 Appeasement
2019 UNSOLD
Gaitonde brings the light to the nothingness of his canvases, by a meticulous work of transparent or opaque layers of paint that he is applying or removing over a background painted in white. He is not an alchemist and has no formula. Each opus is different. A work is finished when the artist is happy with the extreme subtlety of the color variations, after a process of creation that can be very long.
He was very early inspired by Rothko. He creates a dynamics made of barely discernible horizontal stripes on a format that is often vertical. Around 1971 he begins to add circles that are not Raza's bindus but aim to fix the gaze for offering meditation and serenity, reaching the culmination of the effect of appeasement in pictorial art.
On November 15 in Mumbai, Sotheby's sells as lot 22 an oil on canvas 153 x 102 cm painted in 1974. In a supreme refinement, the five dots are aligned on a strictly central vertical. The strident yellow alternates with a deep black. The middle point is smaller. The background is a mingling of ochre and burnt sienna.
This painting had never been documented or exhibited since 1974. It is sold by the actress Sabira Merchant, who met Gaitonde in period. She explains in the video shared by Sotheby's the importance of this artwork in her collection. The assimilation of the line of circles to a sequence of sunrises and moonrises may have been suggested by the artist.
He was very early inspired by Rothko. He creates a dynamics made of barely discernible horizontal stripes on a format that is often vertical. Around 1971 he begins to add circles that are not Raza's bindus but aim to fix the gaze for offering meditation and serenity, reaching the culmination of the effect of appeasement in pictorial art.
On November 15 in Mumbai, Sotheby's sells as lot 22 an oil on canvas 153 x 102 cm painted in 1974. In a supreme refinement, the five dots are aligned on a strictly central vertical. The strident yellow alternates with a deep black. The middle point is smaller. The background is a mingling of ochre and burnt sienna.
This painting had never been documented or exhibited since 1974. It is sold by the actress Sabira Merchant, who met Gaitonde in period. She explains in the video shared by Sotheby's the importance of this artwork in her collection. The assimilation of the line of circles to a sequence of sunrises and moonrises may have been suggested by the artist.
1975 A Cool Gang of Friends
2020 SOLD for $ 2.8M including premium
In the continuation of the Black Power movement, it becomes clear that the African-American community is poorly represented in graphic art. Barkley L. Hendricks makes life-size portraits of his friends in all the variety of their dress and posture.
These young people love pop music, jazz and dance. They are proud and uninhibited. The life size, the photorealistic style, the bright colors give the viewer of the series the illusion of living with the group.
They are happy. A 1974 hit is an Al Green song titled Sha la la (Make me happy). On November 17 in New York, Sotheby's sells Jackie Sha-la-la, oil and acrylic on canvas 127 x 152 cm painted by Hendricks in 1975, lot 108 estimated $ 2M.
The young woman is coiled in a corner of the sofa. The head is upright and the mouth is authoritative, but the hand raised to hold a can is an invitation to communicate. She is wearing a printed dress with floral motifs. The shadow of the wide-brimmed hat covers the eyes, but the straight gaze is not in doubt.
Here are three works from the same period sold by Sotheby's. The results include the premium.
A two-man group titled Yocks painted in 1975 was sold for $ 3.74M on May 16, 2019 from a lower estimate of $ 900K. Brenda P, a portrait of a young woman standing painted in 1974, was sold for $ 2.17M on May 16, 2018 from a lower estimate of $ 700K. North Philly Niggah, painted in 1975, was sold for $ 1.93M on November 14, 2018 from a lower estimate of $ 1.2M.
Such results, sadly posthumous, mark the recent appreciation at the top of the art market of the portraits painted by Barkley Hendricks, with his community specialization, his realism and his compelling psychology.
These young people love pop music, jazz and dance. They are proud and uninhibited. The life size, the photorealistic style, the bright colors give the viewer of the series the illusion of living with the group.
They are happy. A 1974 hit is an Al Green song titled Sha la la (Make me happy). On November 17 in New York, Sotheby's sells Jackie Sha-la-la, oil and acrylic on canvas 127 x 152 cm painted by Hendricks in 1975, lot 108 estimated $ 2M.
The young woman is coiled in a corner of the sofa. The head is upright and the mouth is authoritative, but the hand raised to hold a can is an invitation to communicate. She is wearing a printed dress with floral motifs. The shadow of the wide-brimmed hat covers the eyes, but the straight gaze is not in doubt.
Here are three works from the same period sold by Sotheby's. The results include the premium.
A two-man group titled Yocks painted in 1975 was sold for $ 3.74M on May 16, 2019 from a lower estimate of $ 900K. Brenda P, a portrait of a young woman standing painted in 1974, was sold for $ 2.17M on May 16, 2018 from a lower estimate of $ 700K. North Philly Niggah, painted in 1975, was sold for $ 1.93M on November 14, 2018 from a lower estimate of $ 1.2M.
Such results, sadly posthumous, mark the recent appreciation at the top of the art market of the portraits painted by Barkley Hendricks, with his community specialization, his realism and his compelling psychology.
1975 An American Sensuousness
2018 SOLD for € 1.75M including premium
Pop Art was born from several sources. It reflects the atmosphere of the best era of the American dream. In 1961 Lichtenstein and Wesselmann, independently of each other, gain notoriety with large format images showing this society that believes to be liberated.
Tom Wesselmann is inspired by the pure colors and themes of Matisse. His three seminal series, Great American Nudes, Bedroom Paintings and Still Life, are designed to mingle with each other. He adds typical US references like portraits of statesmen hanging on the wall of the room. Painted in 1961, a 152 x 122 cm Great American Nude with the US flag and the Kennedy portrait was sold for $ 4.1M including premium by Sotheby's on November 11, 2008.
Wesselmann expresses an intense eroticism by limiting feminine forms to erogenous zones and by using flat areas of warm colors. He conceives in 1967 a daring composition. The naked woman is lying in her room. Her head in the foreground is reversed to the rear. The open mouth between the scarlet lips expresses an ecstasy. The nose and eyes are useless and have been removed. Further, the framed portrait of a woman plays the role of the voyeur.
The realization is painstaking, with no less than 25 preparatory drawings. With a humor of self-mockery, the artist entitles this work Long Delayed Nude. Dated 1967-1975, Big Study for Long Delayed Nude, oil on canvas 92 x 127 cm, was sold for £ 540K including premium by Christie's on October 7, 2017.
On December 5 in Paris, Sotheby's sells Long Delayed Nude, shaped oil on canvas 172 x 258 cm also dated 1967-1975, lot 7 estimated € 1M. Please watch the video shared by the auction house.
Tom Wesselmann is inspired by the pure colors and themes of Matisse. His three seminal series, Great American Nudes, Bedroom Paintings and Still Life, are designed to mingle with each other. He adds typical US references like portraits of statesmen hanging on the wall of the room. Painted in 1961, a 152 x 122 cm Great American Nude with the US flag and the Kennedy portrait was sold for $ 4.1M including premium by Sotheby's on November 11, 2008.
Wesselmann expresses an intense eroticism by limiting feminine forms to erogenous zones and by using flat areas of warm colors. He conceives in 1967 a daring composition. The naked woman is lying in her room. Her head in the foreground is reversed to the rear. The open mouth between the scarlet lips expresses an ecstasy. The nose and eyes are useless and have been removed. Further, the framed portrait of a woman plays the role of the voyeur.
The realization is painstaking, with no less than 25 preparatory drawings. With a humor of self-mockery, the artist entitles this work Long Delayed Nude. Dated 1967-1975, Big Study for Long Delayed Nude, oil on canvas 92 x 127 cm, was sold for £ 540K including premium by Christie's on October 7, 2017.
On December 5 in Paris, Sotheby's sells Long Delayed Nude, shaped oil on canvas 172 x 258 cm also dated 1967-1975, lot 7 estimated € 1M. Please watch the video shared by the auction house.
1975 SEASIDE SURREALISM BY PAUL DELVAUX
2010 UNSOLD
PRE SALE DISCUSSION
In the art of Paul Delvaux, surrealism is a pretext to idealize the nude woman. They are there, pale and blonde, among the remains of ancient monuments. The absent look reveals that their world is dreamlike.
On December 16 in Paris, Hôtel Drouot, Marc-Arthur Kohn sells an oil on canvas entitled Au bord de la mer, 150 x 120 cm, dated 1975.
Two triangular pediments introduce two different scenes. On the right, it is an inside view of a bath cabin. On the left, the beach is adorned with two intact antique columns which are a symbol of life. The naked woman is sitting on a stool in both parts of the work.
This easy to decode surreal painting is estimated € 800K.
In the art of Paul Delvaux, surrealism is a pretext to idealize the nude woman. They are there, pale and blonde, among the remains of ancient monuments. The absent look reveals that their world is dreamlike.
On December 16 in Paris, Hôtel Drouot, Marc-Arthur Kohn sells an oil on canvas entitled Au bord de la mer, 150 x 120 cm, dated 1975.
Two triangular pediments introduce two different scenes. On the right, it is an inside view of a bath cabin. On the left, the beach is adorned with two intact antique columns which are a symbol of life. The naked woman is sitting on a stool in both parts of the work.
This easy to decode surreal painting is estimated € 800K.
1976 The Monumental Humor of Joan Miro
2014 SOLD for $ 4.6M by Sotheby's
Throughout his long career that spanned more than six decades,Joan Miro never gave up humor and monsters. He wants to populate his universe with solid creatures as enigmatic as in his paintings. In 1956, he settles in Palma in a large studio that allows him to develop his creativity in sculpture.
On November 4 in New York, Sotheby's sells a bronze designed by Miro in 1976 and cast in the same year by Susse in an edition of two.
The design is worthy of Duchamp or Ernst : a cardboard box forming the head of a character is placed on a donkey's yoke that represents the legs. The set has been expanded in progressive steps to create the ultimate version 4.50 m high. The title is typical of Miro's hermetic poetry : Personnage gothique Oiseau éclair.
With this artwork, the then octogenarian artist appears as a precursor of the gigantism in contemporary sculpture. This bronze is estimated $ 6M, lot 50.
On 9 May 2007, Christie's sold for $ 10M including premium a bronze conceived in 1981, 3.70 m high, whose biomorphism is accentuated by the steady opening legs that avoid the use of a base.
I invite you to play the video where Sotheby's introduce the Miro sculptures listed in their next sale.
On November 4 in New York, Sotheby's sells a bronze designed by Miro in 1976 and cast in the same year by Susse in an edition of two.
The design is worthy of Duchamp or Ernst : a cardboard box forming the head of a character is placed on a donkey's yoke that represents the legs. The set has been expanded in progressive steps to create the ultimate version 4.50 m high. The title is typical of Miro's hermetic poetry : Personnage gothique Oiseau éclair.
With this artwork, the then octogenarian artist appears as a precursor of the gigantism in contemporary sculpture. This bronze is estimated $ 6M, lot 50.
On 9 May 2007, Christie's sold for $ 10M including premium a bronze conceived in 1981, 3.70 m high, whose biomorphism is accentuated by the steady opening legs that avoid the use of a base.
I invite you to play the video where Sotheby's introduce the Miro sculptures listed in their next sale.
1976 THE CLOTHESPIN OF PHILADELPHIA
2011 SOLD 373 K$ INCLUDING PREMIUM
PRE SALE DISCUSSION
In the best tradition of pop art, the Swedish sculptor Claes Oldenburg performs giant enlargements of familiar objects.
Since 1976, his steel Clothespin 15 meter high is located across the street from the City Hall in Philadelphia. This work was commissioned by a planner to celebrate the second centenary of American independence.
On November 6, also in Philadelphia, Freeman's is organizing the sale of the estate of the urbanist. The star lot is a bronze reduction 1:12, 1.25 m high, which served as a model for the giant clothespin.
Oldenburg continued to work for the ornament of Philadelphia. A week ago, he installed his Paint Torch 17 m high,which can be interpreted as a torch or as an upward brush after dipping in red paint.
POST SALE COMMENT
This local work, made for Philadelphia, was sold in Philadelphia : $ 310K before fees, 373K includingpremium. It had been estimated $ 250K.
In the best tradition of pop art, the Swedish sculptor Claes Oldenburg performs giant enlargements of familiar objects.
Since 1976, his steel Clothespin 15 meter high is located across the street from the City Hall in Philadelphia. This work was commissioned by a planner to celebrate the second centenary of American independence.
On November 6, also in Philadelphia, Freeman's is organizing the sale of the estate of the urbanist. The star lot is a bronze reduction 1:12, 1.25 m high, which served as a model for the giant clothespin.
Oldenburg continued to work for the ornament of Philadelphia. A week ago, he installed his Paint Torch 17 m high,which can be interpreted as a torch or as an upward brush after dipping in red paint.
POST SALE COMMENT
This local work, made for Philadelphia, was sold in Philadelphia : $ 310K before fees, 373K includingpremium. It had been estimated $ 250K.
1976 HARRY BERTOIA REINVENTS THE BELL
2009 UNSOLD
PRE SALE DISCUSSION
Harry Bertoia was a versatile artist. Specialist of metal, he worked for Knoll furniture makers and then became interested in sculpture. One day, knocking one of his works, it provided him with a deep and resonant sound which pleased him. This led therefore his research towards the realization of musical sculptures.
On October 15 in London, Phillips de Pury sells Sonambient, a private commission of 1976 designed for the opening of the Grieg Concert Hall (Grieghallen) in Bergen, Norway.
It consists in thirteen thin vertical metal rods in copper-beryllium, each ending in a cap, and culminating at a height of 4.66 meters. When struck, the caps collide and produce a sound that seems like that of church bells. The base is a metal plate of 91 x 91 cm.
This strange musical instrument is estimated 200 K£.
Harry Bertoia was a versatile artist. Specialist of metal, he worked for Knoll furniture makers and then became interested in sculpture. One day, knocking one of his works, it provided him with a deep and resonant sound which pleased him. This led therefore his research towards the realization of musical sculptures.
On October 15 in London, Phillips de Pury sells Sonambient, a private commission of 1976 designed for the opening of the Grieg Concert Hall (Grieghallen) in Bergen, Norway.
It consists in thirteen thin vertical metal rods in copper-beryllium, each ending in a cap, and culminating at a height of 4.66 meters. When struck, the caps collide and produce a sound that seems like that of church bells. The base is a metal plate of 91 x 91 cm.
This strange musical instrument is estimated 200 K£.
1977 Studies of the Earth
2019 SOLD for $ 3M including premium
Established in Paris since 1950, Sayed Haider Raza expresses the beauty of the Provençal villages. A heavy impasto is used for the confrontation of bright colors. Unlike Riopelle, the topographic elements are interpretable, although stylized.
The artist is not satisfied. In the 1970s he makes frequent and long stays in India to seek the source of his emotions. When he finds the forests of his childhood in Madhya Pradesh, his art becomes abstract.
The play of colors and forms is now based on the promise of dawn, when a beneficial light succeeds the anxieties of the dark. In 1972 Tapovan, acrylic on canvas 160 x 189 cm, brings a mystical dimension with some figures that can be interpreted as stylized faces. This painting was sold for $ 4.45M including premium by Christie's on March 21, 2018.
The expression of La Terre is the major quest in Raza's art. A 189 x 189 cm acrylic painted in 1973 was sold for $ 3.1M including premium by Christie's on March 18, 2014.
On September 11 in New York, Christie's sells as lot 182 an acrylic on canvas 175 x 260 cm painted in 1977, also titled La Terre. This painting in a large scale for this artist appears as a culmination of this phase. In the dark atmosphere enlivened by flashes of light, the figure in the foreground is reminiscent of Tapovan's ghosts.
In the 1980s Raza introduces structuring geometries into his compositions now dominated by sumptuous colors and Indian mystic symbols such as the Bindu. La Terre remains a regularly used title, assessing that the fundamental quest of the artist is still the same despite the radical change of style.
The artist is not satisfied. In the 1970s he makes frequent and long stays in India to seek the source of his emotions. When he finds the forests of his childhood in Madhya Pradesh, his art becomes abstract.
The play of colors and forms is now based on the promise of dawn, when a beneficial light succeeds the anxieties of the dark. In 1972 Tapovan, acrylic on canvas 160 x 189 cm, brings a mystical dimension with some figures that can be interpreted as stylized faces. This painting was sold for $ 4.45M including premium by Christie's on March 21, 2018.
The expression of La Terre is the major quest in Raza's art. A 189 x 189 cm acrylic painted in 1973 was sold for $ 3.1M including premium by Christie's on March 18, 2014.
On September 11 in New York, Christie's sells as lot 182 an acrylic on canvas 175 x 260 cm painted in 1977, also titled La Terre. This painting in a large scale for this artist appears as a culmination of this phase. In the dark atmosphere enlivened by flashes of light, the figure in the foreground is reminiscent of Tapovan's ghosts.
In the 1980s Raza introduces structuring geometries into his compositions now dominated by sumptuous colors and Indian mystic symbols such as the Bindu. La Terre remains a regularly used title, assessing that the fundamental quest of the artist is still the same despite the radical change of style.
1977 happiness in the meadow
2017 withdrawn
From 1975 to 1977 Willem de Kooning finds an unexpected happiness that gradually generates a great impulse of creativity. He lives in Long Island amidst a lush nature, next to his mistress Mimi. His wife Elaine is ready to come back.
He covers with his colors large canvases in which he can soak himself and catch the viewer. The colors come to play over a luminous lead white ground. The hand is fast but the balance of the blocks and the uneven brightness provided by the variation in the thickness of paint meet a predefined composition.
Abstraction does not adequately match the contemplation of the artist in his surrounding. The colors now evoke the sea, the tree and the naked flesh, without being supported by a figurative drawing.
The series of Untitled painted by de Kooning in 1977 are the masterpieces of abstract landscape. Untitled XXV, 196 x 224 cm, was sold for $ 66M including premium by Christie's on November 15, 2016.
On May 17 in New York, Christie's sells the Untitled II from the same year, oil on canvas in the same size, lot 42 B estimated $ 25M.
Untitled II expresses the colors and balances of nature while bringing an additional theme : the body of a woman who is peacefully reclining in the foreground offers a rare reminder from the Woman series which had brought to the artist his unfairly sulphurous notoriety a quarter of a century earlier.
His new inspiration will be ephemeral. In the following year the structuring lines separating the colors destroy the thematic illusion in these compositions falling back to mere abstractions.
He covers with his colors large canvases in which he can soak himself and catch the viewer. The colors come to play over a luminous lead white ground. The hand is fast but the balance of the blocks and the uneven brightness provided by the variation in the thickness of paint meet a predefined composition.
Abstraction does not adequately match the contemplation of the artist in his surrounding. The colors now evoke the sea, the tree and the naked flesh, without being supported by a figurative drawing.
The series of Untitled painted by de Kooning in 1977 are the masterpieces of abstract landscape. Untitled XXV, 196 x 224 cm, was sold for $ 66M including premium by Christie's on November 15, 2016.
On May 17 in New York, Christie's sells the Untitled II from the same year, oil on canvas in the same size, lot 42 B estimated $ 25M.
Untitled II expresses the colors and balances of nature while bringing an additional theme : the body of a woman who is peacefully reclining in the foreground offers a rare reminder from the Woman series which had brought to the artist his unfairly sulphurous notoriety a quarter of a century earlier.
His new inspiration will be ephemeral. In the following year the structuring lines separating the colors destroy the thematic illusion in these compositions falling back to mere abstractions.
1977 Optical Illusions of Bridget Riley
2009 unsold
PRE SALE DISCUSSION
Influenced by pointillism and by Vasarely, Bridget Riley initially specialized in geometric abstract paintings in black and white. In the 1970's, she added color.
Her paintings of large size, with unlimited pattern, are fascinating in the proper meaning of that word. Inspecting the image, we end up not knowing what to see, and it is hard to go away.
In this February, fans of this period are particularly well served.
Yesterday, February 5, Sotheby's London sold 735 K £ including fees "Gala", 160 x 160 cm, painted in 1974. The sinuous lines are tight and equidistant, except against oblique stripes as they tighten even more. Depending on whether or not we are a poet, we see waves or corrugated iron.
The painting that Christie's will sell on 11 February, also in London, is more interesting, although it is estimated less: 400 K £. Entitled "Aurulum", painted later (1977), smaller (132 x 122 cm), it has a surprising effect of colors. The sinuous lines have the same characteristics as "Gala" but the surface is composed of pale colors whose boundaries are not the same as those of the oblique stripes. We want to see how these colors are juxtaposed but the vision is blurred by the lines, and the light does not stabilize.
Influenced by pointillism and by Vasarely, Bridget Riley initially specialized in geometric abstract paintings in black and white. In the 1970's, she added color.
Her paintings of large size, with unlimited pattern, are fascinating in the proper meaning of that word. Inspecting the image, we end up not knowing what to see, and it is hard to go away.
In this February, fans of this period are particularly well served.
Yesterday, February 5, Sotheby's London sold 735 K £ including fees "Gala", 160 x 160 cm, painted in 1974. The sinuous lines are tight and equidistant, except against oblique stripes as they tighten even more. Depending on whether or not we are a poet, we see waves or corrugated iron.
The painting that Christie's will sell on 11 February, also in London, is more interesting, although it is estimated less: 400 K £. Entitled "Aurulum", painted later (1977), smaller (132 x 122 cm), it has a surprising effect of colors. The sinuous lines have the same characteristics as "Gala" but the surface is composed of pale colors whose boundaries are not the same as those of the oblique stripes. We want to see how these colors are juxtaposed but the vision is blurred by the lines, and the light does not stabilize.
1978 Family Life in the Outback
2018 SOLD for AUD 980k including premium
The drought was extreme during the Second World War in the outback, the desert region beyond the Australian bush. In 1944 the Sydney Morning Herald sends an investigative journalist to see the damage. He is accompanied by Russell Drysdale.
Families live in isolated houses as in pioneer times. Who are they ? What are they doing ? What are they waiting for? They are the forgotten people of the planet, just like the father and his two sons photographed in 1936 by Rothstein in Oklahoma. In these terrible conditions their family life is normal. Children play and jump like all children in the world.
Deeply moved, Drysdale appreciates that his drawings will not be enough. He becomes a painter. His portraits of old Australians with chiseled faces are unprecedented. Rocky McCormack, oil on canvas 111 x 86 cm painted in 1962-1963, was sold for A $ 1.9M including premium by Sotheby's on August 25, 2008.
In the 1970s the artist had almost completely lost his eyesight. He is re-focusing on his first theme of family life in the desert. Grandma's Sunday Walk, 75 x 126 cm painted in 1972, was sold for A $ 2.97M including premium by Mossgreen on June 25, 2017.
Evening on Stony Plains, oil on canvas 50 x 76 cm bought by a Melbourne gallery in 1978, has just surfaced. In the foreground the barefoot father is very tall and very thin. In front of the poor dwelling, the mother and the son take a rest. The two little girls play. This artwork is estimated A $ 800K for sale by Menzies in Melbourne on April 26, lot 30. Please watch the video shared by the auction house.
Families live in isolated houses as in pioneer times. Who are they ? What are they doing ? What are they waiting for? They are the forgotten people of the planet, just like the father and his two sons photographed in 1936 by Rothstein in Oklahoma. In these terrible conditions their family life is normal. Children play and jump like all children in the world.
Deeply moved, Drysdale appreciates that his drawings will not be enough. He becomes a painter. His portraits of old Australians with chiseled faces are unprecedented. Rocky McCormack, oil on canvas 111 x 86 cm painted in 1962-1963, was sold for A $ 1.9M including premium by Sotheby's on August 25, 2008.
In the 1970s the artist had almost completely lost his eyesight. He is re-focusing on his first theme of family life in the desert. Grandma's Sunday Walk, 75 x 126 cm painted in 1972, was sold for A $ 2.97M including premium by Mossgreen on June 25, 2017.
Evening on Stony Plains, oil on canvas 50 x 76 cm bought by a Melbourne gallery in 1978, has just surfaced. In the foreground the barefoot father is very tall and very thin. In front of the poor dwelling, the mother and the son take a rest. The two little girls play. This artwork is estimated A $ 800K for sale by Menzies in Melbourne on April 26, lot 30. Please watch the video shared by the auction house.
1978 HERON IN THE RAIN
2010 SOLD 696 K AUD INCLUDING PREMIUM
PRE SALE DISCUSSION
Brett Whiteley was one of the most original experimental artists of Australia. Among his many themes, collectors like his portraits of birds in a mixed technique including the nest and eggs. He also tried expressing the rain, which is obviously one of the most difficult subjects of figurative art.
Shao (rain slanted by wind) shows a white heron in flight in the storm, well centered at the top of the image as an Audubon bird. Below is a nest on a branch, with eggs. This work on board made in 1978 or 1979 122 x 81 cm, is estimated 600 KA$, for sale in Sydney on August 31 by Sotheby's Australia.
Brett Whiteley was too fond of experimentation. He died of a heroin overdose, aged 53.
POST SALE COMMENT
The result, A $ 696K including premium, is consistent with what was expected.
Brett Whiteley was one of the most original experimental artists of Australia. Among his many themes, collectors like his portraits of birds in a mixed technique including the nest and eggs. He also tried expressing the rain, which is obviously one of the most difficult subjects of figurative art.
Shao (rain slanted by wind) shows a white heron in flight in the storm, well centered at the top of the image as an Audubon bird. Below is a nest on a branch, with eggs. This work on board made in 1978 or 1979 122 x 81 cm, is estimated 600 KA$, for sale in Sydney on August 31 by Sotheby's Australia.
Brett Whiteley was too fond of experimentation. He died of a heroin overdose, aged 53.
POST SALE COMMENT
The result, A $ 696K including premium, is consistent with what was expected.
1978 The Finest Harbour in the World
2018 unsold
In 1788 the first governor of New South Wales described Port Jackson as "the finest harbour in the world". The city of Sydney has now settled on its shore. The compliment remains valid as a tribute to a perfect cooperation between nature and humans.
Brett Whiteley was born in the suburbs of Sydney. This artist virtually unlimited in theme, composition and technique has been inspired throughout his career by the beauty of the bay.
His nonconformism appealed the art critics : in 1976 and 1977 he received successively the three prestigious awards of the Art Gallery of New South Wales respectively specialized in portrait, genre and landscape. The consecration is even greater when he receives again the same prizes within a single year, in 1978.
In 1977 his Wynne Prize was awarded to a monumental diptych 208 x 456 cm titled The Jacaranda Tree (on Sydney Harbour). The composition skillfully juxtaposes the immensity of the bay and the details of the tree, accentuating the perspective over a dark blue background of Fauviste inspiration. This oil on canvas was sold for A $ 2M including premium by Christie's in 1999.
On August 28 in Sydney, Sotheby's Australia sells a 168 x 153 cm oil on canvas painted in 1978 on the same theme, titled Harbour (Grey day), lot 19 estimated A $ 2M. The gloomy weather softens the contrasts. The waterfront buildings and the bridge are relegated to the top of the image but are perfectly identifiable.
The artist wants to become the designer of the landscape, probably already pushed in this way by the desires of his wife Wendy. In the following year he painted The Paddock at two opposite times of the day. The early morning view was sold for A $ 650K including premium by Deutscher-Menzies in September 2004 and the late afternoon view for A $ 1.56M including premium by Menzies on June 23, 2011.
Brett Whiteley's passion for the views of the bay had a posthumous following : in 1992, immediately after the artist's death, Wendy began creating her landscaped garden on a derelict land in a Sydney suburb, at Lavender Bay.
Brett Whiteley was born in the suburbs of Sydney. This artist virtually unlimited in theme, composition and technique has been inspired throughout his career by the beauty of the bay.
His nonconformism appealed the art critics : in 1976 and 1977 he received successively the three prestigious awards of the Art Gallery of New South Wales respectively specialized in portrait, genre and landscape. The consecration is even greater when he receives again the same prizes within a single year, in 1978.
In 1977 his Wynne Prize was awarded to a monumental diptych 208 x 456 cm titled The Jacaranda Tree (on Sydney Harbour). The composition skillfully juxtaposes the immensity of the bay and the details of the tree, accentuating the perspective over a dark blue background of Fauviste inspiration. This oil on canvas was sold for A $ 2M including premium by Christie's in 1999.
On August 28 in Sydney, Sotheby's Australia sells a 168 x 153 cm oil on canvas painted in 1978 on the same theme, titled Harbour (Grey day), lot 19 estimated A $ 2M. The gloomy weather softens the contrasts. The waterfront buildings and the bridge are relegated to the top of the image but are perfectly identifiable.
The artist wants to become the designer of the landscape, probably already pushed in this way by the desires of his wife Wendy. In the following year he painted The Paddock at two opposite times of the day. The early morning view was sold for A $ 650K including premium by Deutscher-Menzies in September 2004 and the late afternoon view for A $ 1.56M including premium by Menzies on June 23, 2011.
Brett Whiteley's passion for the views of the bay had a posthumous following : in 1992, immediately after the artist's death, Wendy began creating her landscaped garden on a derelict land in a Sydney suburb, at Lavender Bay.
1979 The Secret Meadow of Brett Whiteley
2019 SOLD for A$ 1.84M including premium
Brett and Wendy Whiteley want a life of passion. Wendy abandons her own artistic ambition to second her husband. Brett believes that an artist can influence the world. After the total failure of a monumental work in mixed techniques against the war in Vietnam, the rest of his career marks his need to define his relationship with the world, exacerbated by his addiction to alcohol and drugs.
The art of Brett Whiteley is of a great variety. Wendy's body is the treasure of the closed universe of his studio in Sydney. The immensity of the sea symbolizes the magnitude of his ambition but is also a pretext to simulate the pathological passion of Gauguin in Oceania. The heron flying against the wind is autobiographical.
In 1979 Brett painted a series of two oil on canvas showing The Paddock at two different times of the day with bright colors inspired by Matisse. In Australia paddock is synonymous with grazing.
This landscape seen from above is limitless, with no perspective and no logical path. It was located in the inland 180 km from Sydney but the inconsistency of the shadows reveals that it comes mainly from the imagination of the artist.
The Paddock - Early Morning was sold for A$ 650K including premium by Deutscher-Menzies in September 2004. The Paddock - Late Afternoon was sold for A$ 1.56M including premium by Menzies on June 23, 2011. This 202 x 152 cm painting passed at Menzies on August 10, 2017, lot 40. It was sold for A$ 1.84M including premium by Menzies on March 28, 2019, also lot 40.
Brett and Wendy divorced in 1989 but Wendy retrieved after the death of Brett the moral authority on his art. In 1992 she created a landscaped garden in Lavender Bay which she named Wendy's Secret Garden, conceived as a giant piece of art for which she learned horticulture. Considered retroactively, the Paddocks of 1979 were not a delirium but an achievable desire.
The art of Brett Whiteley is of a great variety. Wendy's body is the treasure of the closed universe of his studio in Sydney. The immensity of the sea symbolizes the magnitude of his ambition but is also a pretext to simulate the pathological passion of Gauguin in Oceania. The heron flying against the wind is autobiographical.
In 1979 Brett painted a series of two oil on canvas showing The Paddock at two different times of the day with bright colors inspired by Matisse. In Australia paddock is synonymous with grazing.
This landscape seen from above is limitless, with no perspective and no logical path. It was located in the inland 180 km from Sydney but the inconsistency of the shadows reveals that it comes mainly from the imagination of the artist.
The Paddock - Early Morning was sold for A$ 650K including premium by Deutscher-Menzies in September 2004. The Paddock - Late Afternoon was sold for A$ 1.56M including premium by Menzies on June 23, 2011. This 202 x 152 cm painting passed at Menzies on August 10, 2017, lot 40. It was sold for A$ 1.84M including premium by Menzies on March 28, 2019, also lot 40.
Brett and Wendy divorced in 1989 but Wendy retrieved after the death of Brett the moral authority on his art. In 1992 she created a landscaped garden in Lavender Bay which she named Wendy's Secret Garden, conceived as a giant piece of art for which she learned horticulture. Considered retroactively, the Paddocks of 1979 were not a delirium but an achievable desire.
1979 THE DIVINE SKIRMISH OF MAQBOOL FIDA HUSAIN
2010 SOLD 840 K$ INCLUDING PREMIUM
PRE SALE DISCUSSION
The personality and art of Maqbool Fida Husain have not finished to raise passions. In India, this epic artist is considered by some as an equal of Picasso, by others as an obscene painter who exposes Hindu gods and goddesses in the nude. He left his country in 2006 at the age of 91, and accepted the Qatari citizenship in January 2010.
On March 23 in New York, Christie's sells Sita Hanuman, an oil on canvas made in 1979, 97 x 168 cm, estimated 600 K$.
The subject depicts Hanuman coming to the rescue of Sita abducted by Ravana, on a cart pulled by three frantic horses. The characters mingle in a violent brawl worth of Tyeb Mehta but in a different style, to the limit of readability like some Cubist works of Picasso and Braque. Sita is naked, of course. Two of these horses at full speed have their mouths wide open as the murdered horses of Guernica.
POST SALE COMMENT
The art of Maqbool Fida Husain is undoubtedly arousing much interest, and its value should be followed. Sita Hanuman was sold 840 K $ including premium.
The personality and art of Maqbool Fida Husain have not finished to raise passions. In India, this epic artist is considered by some as an equal of Picasso, by others as an obscene painter who exposes Hindu gods and goddesses in the nude. He left his country in 2006 at the age of 91, and accepted the Qatari citizenship in January 2010.
On March 23 in New York, Christie's sells Sita Hanuman, an oil on canvas made in 1979, 97 x 168 cm, estimated 600 K$.
The subject depicts Hanuman coming to the rescue of Sita abducted by Ravana, on a cart pulled by three frantic horses. The characters mingle in a violent brawl worth of Tyeb Mehta but in a different style, to the limit of readability like some Cubist works of Picasso and Braque. Sita is naked, of course. Two of these horses at full speed have their mouths wide open as the murdered horses of Guernica.
POST SALE COMMENT
The art of Maqbool Fida Husain is undoubtedly arousing much interest, and its value should be followed. Sita Hanuman was sold 840 K $ including premium.
1979 FROM LINE BY LEE UFAN
2012 SOLD 500 M KRW BEFORE FEES
PRE SALE DISCUSSION
Internationally, Lee UFan is the best known among Korean artists of today. His art is appreciated in Japan, where he lives since 1956, and in France where he spends some part of the year.
His art is abstract. During the 1970s, he led two series, From Point and From Line. From Point is the most complex,with regular shapes which are positioned around a network of points.
From Line is more minimalist. Parallel lines define the colored vertical stripes painted in oil with mineral pigments. Apainstaking brushwork in several layers is progressively varying both thickness and color of the material, in high contrast at the top of the work, increasingly evanescent, like the passing of time, when looking downward .
A 'From Line' dated 1979, 100 x 80 cm, with 19 identical colored lines, is estimated KRW 600M, for sale by Seoul Auction in Seoul on July 19. The auction house also indicates the estimation in several currencies more frequentlyused on the international market: U.S. $ 525K or HK $ 4.1M.
A very similar painting of same size, dated 1978 and including 18 lines, was sold $ 580K including premium by Christie's on November 14, 2007.
Lee's art is quite rare. The artist, very meticulous, has a small output. His place in the international art may be considered in the following of Mark Rothko and Jasper Johns.
POST SALE COMMENT
This lot has not reached its lower estimate, but it was sold. Hammer price: KRW 500M, equivalent of U.S. $ 440K.
Internationally, Lee UFan is the best known among Korean artists of today. His art is appreciated in Japan, where he lives since 1956, and in France where he spends some part of the year.
His art is abstract. During the 1970s, he led two series, From Point and From Line. From Point is the most complex,with regular shapes which are positioned around a network of points.
From Line is more minimalist. Parallel lines define the colored vertical stripes painted in oil with mineral pigments. Apainstaking brushwork in several layers is progressively varying both thickness and color of the material, in high contrast at the top of the work, increasingly evanescent, like the passing of time, when looking downward .
A 'From Line' dated 1979, 100 x 80 cm, with 19 identical colored lines, is estimated KRW 600M, for sale by Seoul Auction in Seoul on July 19. The auction house also indicates the estimation in several currencies more frequentlyused on the international market: U.S. $ 525K or HK $ 4.1M.
A very similar painting of same size, dated 1978 and including 18 lines, was sold $ 580K including premium by Christie's on November 14, 2007.
Lee's art is quite rare. The artist, very meticulous, has a small output. His place in the international art may be considered in the following of Mark Rothko and Jasper Johns.
POST SALE COMMENT
This lot has not reached its lower estimate, but it was sold. Hammer price: KRW 500M, equivalent of U.S. $ 440K.
