Art 1930-1939
1931 The Profile of Amrita Sher-Gil
2015 SOLD for £ 1.76M including premium
Amrita Sher-Gil had a precocious skill for graphic arts. Her family helped her to study at the Ecole Nationale des Beaux-Arts. Arrived in Paris at the age of 16 in 1929, the teenager with a lonely temperament learns in parallel oil painting and Bohemian lifestyle. She won first prizes in the categories of portrait and still life.
On June 10 in London, Christie's sells a self-portrait painted in 1931, oil on canvas 65 x 54 cm, lot 11 offered in an open range of estimates between £ 1 and 1.8M. Despite all the attention given to Amrita since she was declared a National Treasure artist in India in 1972, this artwork that remained in France was not known. It is her only self-portrait that was realized in profile.
At 18, she is now a coquettish young woman promised in marriage to a young man by her family and loved by another. The profile has the meaning of her new attitude, now proud of herself and enjoying to be coveted. The empty bowl on the table before her is the past that she no longer watches.
The teaching is excellent and the student is gifted. References to European art abound in this work. The profile recalls the aristocratic portraits of the Renaissance and the wide beret on the side of the head is a modern version from a portrait by Rembrandt. The use of color to strengthen psychology is following the model of the Polynesian women by Gauguin, certainly with the friendly encouragement of Valadon.
On June 10 in London, Christie's sells a self-portrait painted in 1931, oil on canvas 65 x 54 cm, lot 11 offered in an open range of estimates between £ 1 and 1.8M. Despite all the attention given to Amrita since she was declared a National Treasure artist in India in 1972, this artwork that remained in France was not known. It is her only self-portrait that was realized in profile.
At 18, she is now a coquettish young woman promised in marriage to a young man by her family and loved by another. The profile has the meaning of her new attitude, now proud of herself and enjoying to be coveted. The empty bowl on the table before her is the past that she no longer watches.
The teaching is excellent and the student is gifted. References to European art abound in this work. The profile recalls the aristocratic portraits of the Renaissance and the wide beret on the side of the head is a modern version from a portrait by Rembrandt. The use of color to strengthen psychology is following the model of the Polynesian women by Gauguin, certainly with the friendly encouragement of Valadon.
The short life and extraordinary talent of Amrita Sher-Gil: http://t.co/pQoCmlzcOr pic.twitter.com/vKt0S5IfTN
— Christie's (@ChristiesInc) May 27, 2015
1931 The 22 Faces of Amrita Sher-Gil
2015 SOLD for £ 1.75M including premium
The art of Amrita Sher-Gil is international at the beginning, when she studies in Paris from 1929 to 1934. Her talent is extremely early, without a similar example in the history of modern art. Her early training in drawing and her dual Hindu and Hungarian origins are already inciting her to look for unprecedented styles and themes.
She painted intensely during those Parisian years, mostly self-portraits and portraits of friends.
22 self-portraits are known. Amrita observes her own transition from teenager to adulthood, which is also a passage from shyness to energy and from family life to the free life of Parisian students and artists. She analyzes her feelings with a high psychological curiosity, whilst complacently stating that her supreme model is Van Gogh.
On October 6 in London, Sotheby's sells an oil on canvas 55 x 46 cm, lot 18 estimated £ 1.5M. This self-portrait was painted in 1931 for her classmate and flirt Boris Taslitzky and stayed up to now in his collection. She was 18 years old and her personality was becoming radiant. She reddened her thick lips and displayed her somehow plenty teenage appearance.
Figures by Amrita often include a symbolic subtlety. Here the loose necklace gives an impression of spontaneity that contrasts nicely with her static attitude. A self-portrait painted from profile in the same year, sold for £ 1.76M including premium by Christie's on June 10, 2015, showed her confidence in the future through the emptied bowl which she looked over.
Amrita and Boris did not stay long together. Boris chose the political involvement while the young woman was leaving to discover her cultural roots in India, with the prodigious success that has been assigned to her in that country, unfortunately posthumously.
I invite you to watch the video shared by Sotheby's :
She painted intensely during those Parisian years, mostly self-portraits and portraits of friends.
22 self-portraits are known. Amrita observes her own transition from teenager to adulthood, which is also a passage from shyness to energy and from family life to the free life of Parisian students and artists. She analyzes her feelings with a high psychological curiosity, whilst complacently stating that her supreme model is Van Gogh.
On October 6 in London, Sotheby's sells an oil on canvas 55 x 46 cm, lot 18 estimated £ 1.5M. This self-portrait was painted in 1931 for her classmate and flirt Boris Taslitzky and stayed up to now in his collection. She was 18 years old and her personality was becoming radiant. She reddened her thick lips and displayed her somehow plenty teenage appearance.
Figures by Amrita often include a symbolic subtlety. Here the loose necklace gives an impression of spontaneity that contrasts nicely with her static attitude. A self-portrait painted from profile in the same year, sold for £ 1.76M including premium by Christie's on June 10, 2015, showed her confidence in the future through the emptied bowl which she looked over.
Amrita and Boris did not stay long together. Boris chose the political involvement while the young woman was leaving to discover her cultural roots in India, with the prodigious success that has been assigned to her in that country, unfortunately posthumously.
I invite you to watch the video shared by Sotheby's :
1931 The Ageless Woman
2019 SOLD for £ 1.45m including premium
The role of the artist is to express reality, even when it is sad or horrible. Otto Dix is traumatized by his participation in the First World War. He will have to express ruins and mutilations.
His appointment in 1926 as a professor at the University of Dresden brings him a professional stability that does not end his nightmare. He offers his pessimistic vision of the German society while simulating the great masters of the old days, Dürer, Cranach, Baldung Grien. To promote the objectivity, he rejects the notion of ugliness. His nudes of aging women are however not appealing.
Sitzender Akt mit blondem Haar, oil on canvas 100 x 80 cm stretched on panel painted in 1931, is a miserabilist portrait that avoids the caricature and the grotesque. The naked woman is thin and unhealthy, and her eyes are too open to look at anything. She is probably a prostitute. She is indeed an allegory of the discomfort of the individuals in the modern German society. Although the veil is held in a mannerist gesture, this scene is resolutely contemporary.
This blonde nude is estimated £ 2.2M for sale by Christie's in London on June 18, lot 33. I had discussed it in this column before it passed at Sotheby's on June 19, 2012, lot 34.
After a few years of lull, new ordeals await Otto Dix. His pictures in total opposition to the Aryan ideology cannot suit the Nazi power. His work becomes a preferred target for the slayers of the degenerate art. He changes his style to avoid being persecuted for his art.
His appointment in 1926 as a professor at the University of Dresden brings him a professional stability that does not end his nightmare. He offers his pessimistic vision of the German society while simulating the great masters of the old days, Dürer, Cranach, Baldung Grien. To promote the objectivity, he rejects the notion of ugliness. His nudes of aging women are however not appealing.
Sitzender Akt mit blondem Haar, oil on canvas 100 x 80 cm stretched on panel painted in 1931, is a miserabilist portrait that avoids the caricature and the grotesque. The naked woman is thin and unhealthy, and her eyes are too open to look at anything. She is probably a prostitute. She is indeed an allegory of the discomfort of the individuals in the modern German society. Although the veil is held in a mannerist gesture, this scene is resolutely contemporary.
This blonde nude is estimated £ 2.2M for sale by Christie's in London on June 18, lot 33. I had discussed it in this column before it passed at Sotheby's on June 19, 2012, lot 34.
After a few years of lull, new ordeals await Otto Dix. His pictures in total opposition to the Aryan ideology cannot suit the Nazi power. His work becomes a preferred target for the slayers of the degenerate art. He changes his style to avoid being persecuted for his art.
1931 The Early Art of Amrita Sher-Gil
2012 SOLD 610 K$ including premium
PRE SALE DISCUSSION
In 1972, an act of the Government of India protects all works of nine artists classified as National Art Treasures. First on the list is Rabindranath Tagore.
In second position comes a young woman whose career was early and rapid, dying at age 28, Amrita Sher-Gil. 172 paintings by this artist were identified, of which 60% are kept at the National Gallery of Modern Art in New Delhi.
On 19 and 20 September online from Mumbai, Saffronart sells an oil on board, 61 x 41 cm, made circa 1931,estimated U.S. $ 600K.
Amrita was not yet 20, but she already had a cosmopolitan influence and a total passion for art. Daughter of a Sikh aristocrat and a Hungarian musician, she had viewed the great classical art in Florence and the best of modern art in Paris.
The painting for sale is a Hungarian landscape including a path in a skillful composition of bright colors, reflecting her enthusiasm for Cézanne and Gauguin.
By comparison, Girls in conversation, an oil on canvas from the same period sold INR 35M including premium by Osian's on January 31, 2007, confirms the early talent, originality and eclecticism of the artist while still within her years of learning.
In 1934, Amrita feels strongly attracted to India, where she will realize her masterpieces, with a high sensitivity to the lives of humble people, along with female nudes. A village scene painted in 1938 was sold 60M INR on 1 March 2006, also by Osian's.
POST SALE COMMENT
This rare painting was sold $ 610K including premium. The scenery was Hungarian and not made in India, so it should not have expected more. The sale of a painting by Amrita Sher-Gil is however an event whatever the outcome.
In 1972, an act of the Government of India protects all works of nine artists classified as National Art Treasures. First on the list is Rabindranath Tagore.
In second position comes a young woman whose career was early and rapid, dying at age 28, Amrita Sher-Gil. 172 paintings by this artist were identified, of which 60% are kept at the National Gallery of Modern Art in New Delhi.
On 19 and 20 September online from Mumbai, Saffronart sells an oil on board, 61 x 41 cm, made circa 1931,estimated U.S. $ 600K.
Amrita was not yet 20, but she already had a cosmopolitan influence and a total passion for art. Daughter of a Sikh aristocrat and a Hungarian musician, she had viewed the great classical art in Florence and the best of modern art in Paris.
The painting for sale is a Hungarian landscape including a path in a skillful composition of bright colors, reflecting her enthusiasm for Cézanne and Gauguin.
By comparison, Girls in conversation, an oil on canvas from the same period sold INR 35M including premium by Osian's on January 31, 2007, confirms the early talent, originality and eclecticism of the artist while still within her years of learning.
In 1934, Amrita feels strongly attracted to India, where she will realize her masterpieces, with a high sensitivity to the lives of humble people, along with female nudes. A village scene painted in 1938 was sold 60M INR on 1 March 2006, also by Osian's.
POST SALE COMMENT
This rare painting was sold $ 610K including premium. The scenery was Hungarian and not made in India, so it should not have expected more. The sale of a painting by Amrita Sher-Gil is however an event whatever the outcome.
1932 Tamara de Lempicka put Women in Glory
2009 SOLD 6.1 M$ including premium
Tamara de Lempicka is along with Picasso the star of the modern art sales of next month in New York. Her love of freedom, from the 1920s, and the portraits of women she painted at that time make her increasingly one of the best symbols of the woman artist.
Three paintings are in competition for the highest price recorded on a work of Lempicka. We see at Sotheby's on May 5 the Portrait de la Duchesse de la Salle, 162 x 97 cm, 1925, and the Portrait de Marjorie Ferry, 100 x 65, 1932, each estimated $ 4 million. The next day, May 6, at Christie's, the Portrait de Madame M, 100 x 65 cm, 1932, is estimated $ 6 million.
Female portraits made by Lempicka are powerful, with clean lines and colors that can be compared to the French Cubists including André Lhote. Her sitters have a strong and not necessarily easy personality, that the artist reinforces by a darkening of the face at eye level. This feature of the Portrait de Madame M makes this painting comparable to the Portrait of Mrs. Bush, 122 x 66 cm, 1929, which sold $ 4.6 million charge included in Christie's on May 4, 2004.
Marjorie is represented as a blonde goddess in an antique draped and architecture, with a naked back. She turns to us for aguiche.
The Duchesse de La Salle, dressed for horse riding, open collar, is a surprisingly modern representation of the Woman.
POST SALE COMMENTS
Tamara de Lempicka has well begun the week. The goddess was a little more expensive than the modern duchess, respectively at $ 4.9 and 4.4 million including premium, thus very close to the estimates.
A third painting, 92 x 47 cm, obtained an excellent result: $ 3 million premium included for a portrait of a girl holding her teddy bear tightly against her, with a watering can in her other hand.
At Christie's, it was even better. The press release announced that the sale at $ 6.1 million premium included of the portrait of Madame M is a record for the artist.
An excellent result was also obtained on a small painting, 41 x 32 cm. Entitled La Chemise Rose, it shows a young woman with bare chest. Estimated $ 1.3 million, it sold $ 3.2 million including premium.
Three paintings are in competition for the highest price recorded on a work of Lempicka. We see at Sotheby's on May 5 the Portrait de la Duchesse de la Salle, 162 x 97 cm, 1925, and the Portrait de Marjorie Ferry, 100 x 65, 1932, each estimated $ 4 million. The next day, May 6, at Christie's, the Portrait de Madame M, 100 x 65 cm, 1932, is estimated $ 6 million.
Female portraits made by Lempicka are powerful, with clean lines and colors that can be compared to the French Cubists including André Lhote. Her sitters have a strong and not necessarily easy personality, that the artist reinforces by a darkening of the face at eye level. This feature of the Portrait de Madame M makes this painting comparable to the Portrait of Mrs. Bush, 122 x 66 cm, 1929, which sold $ 4.6 million charge included in Christie's on May 4, 2004.
Marjorie is represented as a blonde goddess in an antique draped and architecture, with a naked back. She turns to us for aguiche.
The Duchesse de La Salle, dressed for horse riding, open collar, is a surprisingly modern representation of the Woman.
POST SALE COMMENTS
Tamara de Lempicka has well begun the week. The goddess was a little more expensive than the modern duchess, respectively at $ 4.9 and 4.4 million including premium, thus very close to the estimates.
A third painting, 92 x 47 cm, obtained an excellent result: $ 3 million premium included for a portrait of a girl holding her teddy bear tightly against her, with a watering can in her other hand.
At Christie's, it was even better. The press release announced that the sale at $ 6.1 million premium included of the portrait of Madame M is a record for the artist.
An excellent result was also obtained on a small painting, 41 x 32 cm. Entitled La Chemise Rose, it shows a young woman with bare chest. Estimated $ 1.3 million, it sold $ 3.2 million including premium.
1932 Female Nudes at Macdougall's
2009 SOLD 1.07 M£ including premium
PRE SALE DISCUSSION
The female nude is a favorite topic for Russian art lovers. For the second consecutive time, the star lot of the sale of MacDougall's in London falls into this category. Remind that MacDougall's auction house is specialized since its creation in the Russian figurative art, and is now also proposing an important choice of icons.
On June 11 it was a large oil on canvas by Ilya Repin, 142 x 214 cm, painted in 1914. The woman, in her apartment, is absently caressing a flat-faced dog. Not understanding why she was totally nude for such activity, I did not open an article. Others have understood or have posed fewer questions, and this lot was sold £ 1.4 million including premium.
The star of the sale of December 3, however, shall please by its natural effect. This young woman painted by Zinaida Serebriakova in 1932, 73 x 52 cm, stands in an attitude of relaxation and confidence, backed by a blue curtain.
Nude Russian women have often been painted by women. The precise line of Serebriakova is close to the art of Tamara de Lempicka, but without the ambiguity of attitudes that is the mark of her colleague. The artist wanted to show a pretty girl, simply. She succeeded. It is worth 1 million pounds.
POST SALE COMMENT
Serebriakova was particularly successful in this painting. It sold £ 1.07 million including premium.
Here is an image shared before the sale by Bloomberg.
The female nude is a favorite topic for Russian art lovers. For the second consecutive time, the star lot of the sale of MacDougall's in London falls into this category. Remind that MacDougall's auction house is specialized since its creation in the Russian figurative art, and is now also proposing an important choice of icons.
On June 11 it was a large oil on canvas by Ilya Repin, 142 x 214 cm, painted in 1914. The woman, in her apartment, is absently caressing a flat-faced dog. Not understanding why she was totally nude for such activity, I did not open an article. Others have understood or have posed fewer questions, and this lot was sold £ 1.4 million including premium.
The star of the sale of December 3, however, shall please by its natural effect. This young woman painted by Zinaida Serebriakova in 1932, 73 x 52 cm, stands in an attitude of relaxation and confidence, backed by a blue curtain.
Nude Russian women have often been painted by women. The precise line of Serebriakova is close to the art of Tamara de Lempicka, but without the ambiguity of attitudes that is the mark of her colleague. The artist wanted to show a pretty girl, simply. She succeeded. It is worth 1 million pounds.
POST SALE COMMENT
Serebriakova was particularly successful in this painting. It sold £ 1.07 million including premium.
Here is an image shared before the sale by Bloomberg.
1932-1937 Emily Carr's Totem Pole
2008 SOLD 1.05 MCan$ including premium
British Columbia is renowned for its totems. The pole of Alert Bay (Cormorant Island), very high, inspired Emily Carr. In an oil on canvas, 83 x 60 cm, she showed it in its environment. The expressive nature of the subject is enhanced by a down to top viewing angle, and by the lack of contrast of this dark picture.
The totemic elements are returning to earth, especially when natural forces rage. The Alert Bay Burial Ground has been ravaged by a storm last winter, perhaps irreparably.
As for the painting, it still exists. Heffel sells it in Toronto on November 19, at lot 184, with an estimated 900 KCAD. It had sold 200 CAD at the artist's death in 1945 in favor of an Emily Carr Trust for assistance to aspiring artists!
It is an opportunity to pay tribute to this woman artist that natives from Vancouver Island had called Klee Wyck, "the laughing one".
Artvalue, as always, helps us to get references. Thus we have a result on a painting showing a totem, at 630 KCAD on May 28, 2008 by Ritchie's. It is equally disturbing but interpreted in a more documentary fashion. For Alert Bay, we see a scenery with war canoes sold by Heffel 920 KCAD on May 10 2000 in Vancouver.
POST SALE COMMENT
The result is in line with the estimates, for this especially original painting of Emily Carr: 1.05 MCAN $ fees included.
The totemic elements are returning to earth, especially when natural forces rage. The Alert Bay Burial Ground has been ravaged by a storm last winter, perhaps irreparably.
As for the painting, it still exists. Heffel sells it in Toronto on November 19, at lot 184, with an estimated 900 KCAD. It had sold 200 CAD at the artist's death in 1945 in favor of an Emily Carr Trust for assistance to aspiring artists!
It is an opportunity to pay tribute to this woman artist that natives from Vancouver Island had called Klee Wyck, "the laughing one".
Artvalue, as always, helps us to get references. Thus we have a result on a painting showing a totem, at 630 KCAD on May 28, 2008 by Ritchie's. It is equally disturbing but interpreted in a more documentary fashion. For Alert Bay, we see a scenery with war canoes sold by Heffel 920 KCAD on May 10 2000 in Vancouver.
POST SALE COMMENT
The result is in line with the estimates, for this especially original painting of Emily Carr: 1.05 MCAN $ fees included.
1934 a catalan mirage
2017 withdrawn
A hypersensitive artist, Salvador Dali explores the remains of his old memories blurred by time.
In 1933 he remembers a journey to Figueres in a horse-drawn cart and paints La Charrette Fantôme. The theme is limited to the vehicle partially masking the small town far away within a desert. Approaching the panel the spectator observes that the two characters in the cart are in fact the highest towers of the city in continuity with the rest of the topographical view.
Dali is satisfied with this attempt at expressing a psychoanalytic feeling. In 1934 he copies his mirage inside a more ambitious surrounding.
The desert has become a Catalan landscape at sunset. This moment is recognizable both by the strident colors and the extremely elongated shadows of the rocks and of the two isolated characters who bring a very discreet human presence. Dali adds a mystical dimension with a big cloud opened by a triangular wound.
This oil on canvas 54 x 65 cm titled Moment de Transition is estimated £ 6M for sale by Sotheby's in London on March 1, lot 45.
Dali's careful mix between dreamlike surrealism and hyper-real will be of interest to Sigmund Freud. In a contract signed in 1946 Dali will authorize Disney to copy the figuration of his subconscious.
In 1933 he remembers a journey to Figueres in a horse-drawn cart and paints La Charrette Fantôme. The theme is limited to the vehicle partially masking the small town far away within a desert. Approaching the panel the spectator observes that the two characters in the cart are in fact the highest towers of the city in continuity with the rest of the topographical view.
Dali is satisfied with this attempt at expressing a psychoanalytic feeling. In 1934 he copies his mirage inside a more ambitious surrounding.
The desert has become a Catalan landscape at sunset. This moment is recognizable both by the strident colors and the extremely elongated shadows of the rocks and of the two isolated characters who bring a very discreet human presence. Dali adds a mystical dimension with a big cloud opened by a triangular wound.
This oil on canvas 54 x 65 cm titled Moment de Transition is estimated £ 6M for sale by Sotheby's in London on March 1, lot 45.
Dali's careful mix between dreamlike surrealism and hyper-real will be of interest to Sigmund Freud. In a contract signed in 1946 Dali will authorize Disney to copy the figuration of his subconscious.
mid-1930s Munnings on Turf
2010 SOLD 524 K£ including premium
PRE SALE DISCUSSION
Horses with their jockeys prepare for the race. This theme extremely popular in England and the United States made the glory of Alfred Munnings. On May 5, 2004, Sotheby's sold in New York for $ 7 million ($ 7.85 million with fees) a painting made in 1921, 101 x 152 cm.
On March 17 at Bonhams in London, an oil on canvas of the mid-1930s shows a tight group of five horses mounted by their riders heading towards the start line at Newmarket. It is small, 46 x 61 cm, but was virtually identical to a larger work which was destroyed by bombing during the Second World War. It is estimated £ 500K.
Munnings would not appreciate that his work is discussed as modern art, a genre he castigated when he reached the position of President of the Royal Academy of Art.
Yet the attitudes of his race horses in action are much more beautiful than those of his former colleagues, like Herring in his country or de Dreux in France. Our five animals are true thoroughbreds, visibly nervous and focused despite the slow movement of their walk. We see it on the image in the release shared by AuctionPublicity.
POST SALE COMMENT
Less active than other racecourse scenes of the artist, the painting was sold at 450 K £ hammer price, 524 K £ including premium, thus remaining below the estimate.
Horses with their jockeys prepare for the race. This theme extremely popular in England and the United States made the glory of Alfred Munnings. On May 5, 2004, Sotheby's sold in New York for $ 7 million ($ 7.85 million with fees) a painting made in 1921, 101 x 152 cm.
On March 17 at Bonhams in London, an oil on canvas of the mid-1930s shows a tight group of five horses mounted by their riders heading towards the start line at Newmarket. It is small, 46 x 61 cm, but was virtually identical to a larger work which was destroyed by bombing during the Second World War. It is estimated £ 500K.
Munnings would not appreciate that his work is discussed as modern art, a genre he castigated when he reached the position of President of the Royal Academy of Art.
Yet the attitudes of his race horses in action are much more beautiful than those of his former colleagues, like Herring in his country or de Dreux in France. Our five animals are true thoroughbreds, visibly nervous and focused despite the slow movement of their walk. We see it on the image in the release shared by AuctionPublicity.
POST SALE COMMENT
Less active than other racecourse scenes of the artist, the painting was sold at 450 K £ hammer price, 524 K £ including premium, thus remaining below the estimate.
1935 The Great Stage of the World
2019 unsold
Throughout his life Edward Hopper has been passionate about literature and theater. He said : "If you could say it in words, there would be no reason to paint". During his art studies, he meets Jo who has the same passions. Much later he will marry her. The link of their cultural interests will be enough to maintain this couple. The ledgers kept by Jo are the best possible entry to understand Edward's sometimes esoteric work.
On May 21 in New York, Sotheby's sells Shakespeare at Dusk, oil on canvas 64 x 44 cm painted by Edward in 1935, lot 16estimated $ 7M. This work is neither mysterious nor surreal, it is a realistic view of a corner in Central Park dominated by the statue of Shakespeare. In all of Hopper's work, it is one of the very rare cases where the artist has unveiled a source of literary inspiration.
Shakespeare wrote : "All the world is a stage, and all the men and women are merely players". Sotheby's cleverly chose this quote for commenting Hopper's ultimate painting, the self-portrait with his wife Jo titled Two Comedians, sold for $ 12.5M including premium on November 16, 2018.
Hopper's graphic art is a stage set, illustrating the diversity of his life between New York City and Cape Cod. The scene is mostly empty, as in Shakespeare at Dusk. He does not need to install characters. The interpretation of his art by the theme of loneliness is an illusion and perhaps even a misinterpretation : Hopper prepares the setting in which an action will begin. His works will rightly influence many filmmakers including Hitchcock and Wenders.
The choice of twilight is quite common in Hopper's art. This is the unstable moment of the day, just before the lights are lit in the streets and behind the windows, just before a new theatrical performance begins.
On May 21 in New York, Sotheby's sells Shakespeare at Dusk, oil on canvas 64 x 44 cm painted by Edward in 1935, lot 16estimated $ 7M. This work is neither mysterious nor surreal, it is a realistic view of a corner in Central Park dominated by the statue of Shakespeare. In all of Hopper's work, it is one of the very rare cases where the artist has unveiled a source of literary inspiration.
Shakespeare wrote : "All the world is a stage, and all the men and women are merely players". Sotheby's cleverly chose this quote for commenting Hopper's ultimate painting, the self-portrait with his wife Jo titled Two Comedians, sold for $ 12.5M including premium on November 16, 2018.
Hopper's graphic art is a stage set, illustrating the diversity of his life between New York City and Cape Cod. The scene is mostly empty, as in Shakespeare at Dusk. He does not need to install characters. The interpretation of his art by the theme of loneliness is an illusion and perhaps even a misinterpretation : Hopper prepares the setting in which an action will begin. His works will rightly influence many filmmakers including Hitchcock and Wenders.
The choice of twilight is quite common in Hopper's art. This is the unstable moment of the day, just before the lights are lit in the streets and behind the windows, just before a new theatrical performance begins.
1936 EYES WIDE OPEN OF MAGGIE LAUBSER
2009 SOLD 275 K£ INCLUDING PREMIUM
PRE SALE DISCUSSION
One of the specialties of Bonhams in London is the art of South Africa. They always include artworks of Irma Stern, a woman artist whom I previously discussed here. I like the realistic characters of this artist whose paintings have ethnographic and psychological qualities.
In addition to Irma, we find in the same sales some paintings by her contemporary artist Maggie Laubser. Irma Stern was born in 1894 and Maria Magdalena Laubser in 1886.
The press release for the sale of February 18 is opening on an oil on canvas by Maggie, 59x53 cm, showing a young Indian lady with poinsettias. It could be dated from 1936, during a journey of the artist in Natal.
Maggie's intention is artistic. Ethnic but less psychological than typical subjects of Irma, our Indian woman takes advantage of a simple graphism. I compare it with van Dongen, especially when I see the big eyes, so large that they become the highlight of the whole image.
The estimate is £ 100K.
POST SALE COMMENT
The result is excellent: K £ 230 excluding fees.
Sales of South African art at Bonhams in London always include good surprises. This is a sign that it is a market of enthusiasts, so a healthy market.
I want to remember the extraordinary result of the sale of 10 September 2008: £ 720 K before fees for a painting of Jacob Hendrik Pierneef showing a baobab tree.
One of the specialties of Bonhams in London is the art of South Africa. They always include artworks of Irma Stern, a woman artist whom I previously discussed here. I like the realistic characters of this artist whose paintings have ethnographic and psychological qualities.
In addition to Irma, we find in the same sales some paintings by her contemporary artist Maggie Laubser. Irma Stern was born in 1894 and Maria Magdalena Laubser in 1886.
The press release for the sale of February 18 is opening on an oil on canvas by Maggie, 59x53 cm, showing a young Indian lady with poinsettias. It could be dated from 1936, during a journey of the artist in Natal.
Maggie's intention is artistic. Ethnic but less psychological than typical subjects of Irma, our Indian woman takes advantage of a simple graphism. I compare it with van Dongen, especially when I see the big eyes, so large that they become the highlight of the whole image.
The estimate is £ 100K.
POST SALE COMMENT
The result is excellent: K £ 230 excluding fees.
Sales of South African art at Bonhams in London always include good surprises. This is a sign that it is a market of enthusiasts, so a healthy market.
I want to remember the extraordinary result of the sale of 10 September 2008: £ 720 K before fees for a painting of Jacob Hendrik Pierneef showing a baobab tree.
1937 The Armillary Universe of Paul Manship
2012 unsold
PRE SALE DISCUSSION
Outstanding art by Paul Manship is rare at auction. This former assistant to Borglum was most busy in sculpture formonuments and gardens. Inspired by antique symbolism, he can be inscribed in the international trend of the Art Deco period between the two world wars.
Entitled Cycle of Life, a gilded bronze made in 1924 is his most ambitious and most original artwork, listed in thecollections of Brookgreen Gardens in South Carolina.
The use in large size, 1.20 m in diameter, of the shape of an armillary sphere maintains an undeniable lightness to this structure which is yet carrying multiple cosmographic or metaphysical symbols.
The equator is a strip of the zodiac. Not admitted in the zodiac, gryphons and turtles find their place at the top and at the bottom of the sculpture. Small compared to the universe, three humans reside on the floor of the sphere: parentshoist a praying child.
Cast in reduced size in 1937, a bronze 60 cm in diameter is estimated $ 400K, for sale on September 25 by Nye and Company. This auction house operating in Bloomfield NJ relies on the online bidding platform iGavel Auctions.
Outstanding art by Paul Manship is rare at auction. This former assistant to Borglum was most busy in sculpture formonuments and gardens. Inspired by antique symbolism, he can be inscribed in the international trend of the Art Deco period between the two world wars.
Entitled Cycle of Life, a gilded bronze made in 1924 is his most ambitious and most original artwork, listed in thecollections of Brookgreen Gardens in South Carolina.
The use in large size, 1.20 m in diameter, of the shape of an armillary sphere maintains an undeniable lightness to this structure which is yet carrying multiple cosmographic or metaphysical symbols.
The equator is a strip of the zodiac. Not admitted in the zodiac, gryphons and turtles find their place at the top and at the bottom of the sculpture. Small compared to the universe, three humans reside on the floor of the sphere: parentshoist a praying child.
Cast in reduced size in 1937, a bronze 60 cm in diameter is estimated $ 400K, for sale on September 25 by Nye and Company. This auction house operating in Bloomfield NJ relies on the online bidding platform iGavel Auctions.
1937 CHAGALL QUESTIONING THE REVOLUTION
2010 UNSOLD
PRE SALE DISCUSSION
Marc Chagall is the painter of a light and colorful poetry where he hosts his dreams. His couples in flight, his donkeys, his rabbis, form a dreamlike pictorial vocabulary with which the artist wants to express happiness.
The oil on canvas 63 x 115 cm which is on sale at Bonhams in London on June 22 shatters the preconceptions of lightness that we like to apply to Chagall. It is assumed that he worked it for years and the only certainty we have on the date is that he began to design it in 1937 when Europe was torn by war in Spain.
Titled "La Révolution", it is a political work with a complex symbolism, and an interesting thought on the meaning of life. It is illustrated in the press release shared by FineArtPublicity.
A well lit circus ring separates two worlds. On the left, the dark fighters of the Russian Revolution, on the right the carefree happiness of lovers. On the stage are displayed the rabbi, a thief, animals, artists, a dead man, and a very strange Lenin faced acrobat that perhaps expresses the futility of the serious news of the world.
Chagall did not admire the Revolution, which bothered him. But the symbolism that he developed to show his own place in life was to fascinate him, as he loved this piece which he kept until his death. It is estimated £ 1.2m.
Marc Chagall is the painter of a light and colorful poetry where he hosts his dreams. His couples in flight, his donkeys, his rabbis, form a dreamlike pictorial vocabulary with which the artist wants to express happiness.
The oil on canvas 63 x 115 cm which is on sale at Bonhams in London on June 22 shatters the preconceptions of lightness that we like to apply to Chagall. It is assumed that he worked it for years and the only certainty we have on the date is that he began to design it in 1937 when Europe was torn by war in Spain.
Titled "La Révolution", it is a political work with a complex symbolism, and an interesting thought on the meaning of life. It is illustrated in the press release shared by FineArtPublicity.
A well lit circus ring separates two worlds. On the left, the dark fighters of the Russian Revolution, on the right the carefree happiness of lovers. On the stage are displayed the rabbi, a thief, animals, artists, a dead man, and a very strange Lenin faced acrobat that perhaps expresses the futility of the serious news of the world.
Chagall did not admire the Revolution, which bothered him. But the symbolism that he developed to show his own place in life was to fascinate him, as he loved this piece which he kept until his death. It is estimated £ 1.2m.
1938 The White Grounds of L.S. Lowry
2019 sold for £ 1.15m including premium
L.S. Lowry's career is not exceptional. He lives with his parents in a suburb with parks in Manchester. He follows them in 1909 in a working-class suburb. He states that he hates the industrial landscape. When he retired 43 years later, he was chief cashier in a Manchester company. He was single and never knew how to drive a car.
The short biography above is not enough to reveal that this artist was the best observer of the working class in the north of England and that he led his personal life with a wit out of the ordinary. He defined himself as a Sunday painter who painted every day of the week (after the end of his working day).
He lived for his art and refused honors, including a knighthood proposed by a Labor prime minister.
The background of his images is often a large, dull building, which hides the rest of the city : he had once observed it from the platform of the station where he had just missed his train. His characters are active crowds that come and go, forming a beautiful contrast on a white ground. White is not snow : he had been once upset by an art critic who thought that his palette was too dark. In addition to white, he at first uses only four colors. His colors become more varied after the Second World War.
This social observer is keenly watching the groups of children because they are passionate about their games and politically innocent. On June 18 in London, Sotheby's sells A Cricket Match, oil on canvas 45 x 61 cm painted in 1938, lot 16 estimated £ 800K. The kids improvise a cricket game on a waste ground. Adults are rare : at that time, they are at their workstation. Please watch the video shared by the auction house.
The artist does not waive encouraging the local football team. He painted in the same year a group of supporters before the match Manchester City vs Sheffield United. Lowry's figures are too caricatural when his characters are in close-up. This 43 x 53 cm oil on canvas passed at Christie's on June 6, 2008 from a lower estimate of £ 700K.
Also painted in 1938, the Fairground, a 45 x 61 cm oil on canvas showing a festive animation, was sold for £ 1.42M including premium by Sotheby's on December 13, 2007
The short biography above is not enough to reveal that this artist was the best observer of the working class in the north of England and that he led his personal life with a wit out of the ordinary. He defined himself as a Sunday painter who painted every day of the week (after the end of his working day).
He lived for his art and refused honors, including a knighthood proposed by a Labor prime minister.
The background of his images is often a large, dull building, which hides the rest of the city : he had once observed it from the platform of the station where he had just missed his train. His characters are active crowds that come and go, forming a beautiful contrast on a white ground. White is not snow : he had been once upset by an art critic who thought that his palette was too dark. In addition to white, he at first uses only four colors. His colors become more varied after the Second World War.
This social observer is keenly watching the groups of children because they are passionate about their games and politically innocent. On June 18 in London, Sotheby's sells A Cricket Match, oil on canvas 45 x 61 cm painted in 1938, lot 16 estimated £ 800K. The kids improvise a cricket game on a waste ground. Adults are rare : at that time, they are at their workstation. Please watch the video shared by the auction house.
The artist does not waive encouraging the local football team. He painted in the same year a group of supporters before the match Manchester City vs Sheffield United. Lowry's figures are too caricatural when his characters are in close-up. This 43 x 53 cm oil on canvas passed at Christie's on June 6, 2008 from a lower estimate of £ 700K.
Also painted in 1938, the Fairground, a 45 x 61 cm oil on canvas showing a festive animation, was sold for £ 1.42M including premium by Sotheby's on December 13, 2007
1938 A Real Egyptian Girl
2018 sold for £ 510k including premium
Born in the upper Egyptian aristocracy, Mahmoud Said is a magistrate. He had visited Europe and modern painting is his passion. In his spare time he paints in oil the survivals from ancient traditions. A study of whirling dervishes painted in 1929 was sold for $ 2.55M including premium by Christie's on October 26, 2010. A scene of shadoofs on the Nile river painted in 1934 was sold for $ 2.4M including premium on April 24, 2010, also by Christie's.
Far away from his daily tasks, this still amateur artist observes the ethnic beauty of ordinary women, first in intimate nudes and then in portraits closer to their everyday life. His great merit is to have revealed the modern pride of Egypt with the techniques of European painting.
On April 18 in London, Bonhams sells as lot 8 an oil on canvas 81 x 58 cm painted in 1938 which was successively titled Fellaha au voile noir and Fille à l'imprimé.
This very young peasant woman with an introverted gaze enters modern life while practicing a hard traditional occupation for her livelihood. Her cheap dress is printed with patterns of brightly colored flowers. Her elbow is resting on an amphora. In the distance, barely perceptible, another herself carries the amphora to take water at the river.
This young person has nothing in common with the mysterious girls of Egypt re-imagined by the European Orientalists. The features of her face and her dark skin are typical of Bedouin groups in the north of the country. This painting was greatly applauded in 1939 at the Salon du Caire, becoming the symbol of the artistic representation of the real Egyptian life.
The second world war slowed down this expectation for modernism. Judge Said continued, becoming a full-time artist in 1947 only.
Please watch the video prepared by Bonhams to introduce the whole sale by positioning modernism in Egyptian history. Fille à l'imprimé is a significant element in that trend.
Far away from his daily tasks, this still amateur artist observes the ethnic beauty of ordinary women, first in intimate nudes and then in portraits closer to their everyday life. His great merit is to have revealed the modern pride of Egypt with the techniques of European painting.
On April 18 in London, Bonhams sells as lot 8 an oil on canvas 81 x 58 cm painted in 1938 which was successively titled Fellaha au voile noir and Fille à l'imprimé.
This very young peasant woman with an introverted gaze enters modern life while practicing a hard traditional occupation for her livelihood. Her cheap dress is printed with patterns of brightly colored flowers. Her elbow is resting on an amphora. In the distance, barely perceptible, another herself carries the amphora to take water at the river.
This young person has nothing in common with the mysterious girls of Egypt re-imagined by the European Orientalists. The features of her face and her dark skin are typical of Bedouin groups in the north of the country. This painting was greatly applauded in 1939 at the Salon du Caire, becoming the symbol of the artistic representation of the real Egyptian life.
The second world war slowed down this expectation for modernism. Judge Said continued, becoming a full-time artist in 1947 only.
Please watch the video prepared by Bonhams to introduce the whole sale by positioning modernism in Egyptian history. Fille à l'imprimé is a significant element in that trend.
1938 MAYA, MARIE-THERESE AND DORA
2009 UNSOLD
PRE SALE DISCUSSION
Whom did Maya Picasso, the daughter of Pablo, look like? Like her mother, of course, Marie-Thérèse Walter.
In 1938, just some months after Guernica, Maya, aged two and a half years, brings joy to her father. He retained all his life this portrait he did of her, and which is now at Sotheby's in New York on May 5.
At that time, Picasso destructures faces, to provide juxtaposed front and profile visions in the frame of the head. It is the culmination of his research on third dimension and presence on a two-dimensional surface. The simple and clear lines make these portraits disturbing, and it is through them that Picasso was the most known to the general public. The rest of the body and environment are more traditional.
In this sense, our portrait of Maya has many commonalities with Dora Maar au Chat (1941), which has amazed the world of auctions with a result at $ 95 millions charge included at Sotheby's in New York on 3 May 2006.
Both models are sitting, each with an added-on "object": the cat for Dora, a toy boat for Maya. Maya is heightened by bright yellow spots that Dora does not have. Both look to the artist: Maya with a little childish smile, Dora quieter.
Maya will not reach the price of Dora. It is smaller: 73 x 54 cm, compared to 130 x 97 cm for Dora. Its estimated value of $ 16 million seems almost reasonable.
Whom did Maya Picasso, the daughter of Pablo, look like? Like her mother, of course, Marie-Thérèse Walter.
In 1938, just some months after Guernica, Maya, aged two and a half years, brings joy to her father. He retained all his life this portrait he did of her, and which is now at Sotheby's in New York on May 5.
At that time, Picasso destructures faces, to provide juxtaposed front and profile visions in the frame of the head. It is the culmination of his research on third dimension and presence on a two-dimensional surface. The simple and clear lines make these portraits disturbing, and it is through them that Picasso was the most known to the general public. The rest of the body and environment are more traditional.
In this sense, our portrait of Maya has many commonalities with Dora Maar au Chat (1941), which has amazed the world of auctions with a result at $ 95 millions charge included at Sotheby's in New York on 3 May 2006.
Both models are sitting, each with an added-on "object": the cat for Dora, a toy boat for Maya. Maya is heightened by bright yellow spots that Dora does not have. Both look to the artist: Maya with a little childish smile, Dora quieter.
Maya will not reach the price of Dora. It is smaller: 73 x 54 cm, compared to 130 x 97 cm for Dora. Its estimated value of $ 16 million seems almost reasonable.
1939 The First Visit of Irma Stern to Zanzibar
2014 SOLD 1.08 M£ including premium
PRE SALE DISCUSSION
Born in Transvaal to German parents, Irma Stern first divides her time between the two continents. Permanently installed afterwards in South Africa, she develops her artistic career with local scenes inspired by the Expressionist style.
Her personal life changes from her divorce in 1934. Passionate about traveling, she meets the inhabitants of the visited regions with an extraordinary empathy and an ethnographic curiosity opened to all cultures. This woman artist seeks to express in her portraits the intimate link between beauty and psychology of her models, men and women.
Irma visits Zanzibar for the first time in 1939. The Muslim life is a perfect theme in her quest. She embeds her portraits in sumptuous frames inspired by the local style.
On March 19 in London, Bonhams sells the close-up portrait of a well dressed woman maintaining a shy reserve despite an undeniable desire to communicate with the artist. This oil on canvas 61 x 52 cm is estimated £ 1M, lot 15 in the catalog.
Irma Stern will make a second trip to Zanzibar in 1945. The psychological portrait of a young seated woman, 87 x 71 cm, was sold for £ 2.37 million including premium by Bonhams on October 26, 2010.
POST SALE COMMENT
The result, £ 1.08M including premium, is consistent with the estimate.
Born in Transvaal to German parents, Irma Stern first divides her time between the two continents. Permanently installed afterwards in South Africa, she develops her artistic career with local scenes inspired by the Expressionist style.
Her personal life changes from her divorce in 1934. Passionate about traveling, she meets the inhabitants of the visited regions with an extraordinary empathy and an ethnographic curiosity opened to all cultures. This woman artist seeks to express in her portraits the intimate link between beauty and psychology of her models, men and women.
Irma visits Zanzibar for the first time in 1939. The Muslim life is a perfect theme in her quest. She embeds her portraits in sumptuous frames inspired by the local style.
On March 19 in London, Bonhams sells the close-up portrait of a well dressed woman maintaining a shy reserve despite an undeniable desire to communicate with the artist. This oil on canvas 61 x 52 cm is estimated £ 1M, lot 15 in the catalog.
Irma Stern will make a second trip to Zanzibar in 1945. The psychological portrait of a young seated woman, 87 x 71 cm, was sold for £ 2.37 million including premium by Bonhams on October 26, 2010.
POST SALE COMMENT
The result, £ 1.08M including premium, is consistent with the estimate.
1939 The Island of the Muslims
2015 SOLD for £ 840K including premium
Divorced in 1934 in South Africa, Irma Stern was left lonesome to face the world. She traveled extensively and observed customs, clothing and ethnic features. She loved the spirituality of men and the beauty of women. Immigrants including Malays and Arabs opened to her an idealized exotic vision of the other continents.
Originally trained in the German Expressionism, she realized stereotypical portraits but in a perfect artistic technique with bright colors. Her characters communicate intensely with the viewer, possibly hiding some difficulty of the artist to define her own social position.
Her trip to Dakar in 1938 linked her to a group of Arab ethnicity. In 1939, her first stay in Zanzibar meets a desire of a deep immersion inside a similar community. The population of the island is almost exclusively Muslim. She had the ingenious idea to create her own frames by recuperating or imitating the carved panelings which are a spectacular local art.
Young men are authoritarian and inflexible. The beard is black and turbans are brightly colored. A double portrait in a frame 75 x 97 cm was sold for ZAR 21M including premium by Strauss on September 26, 2011.
The old priest has a thick white beard. His figure was sold for ZAR 17,3M including premium by Strauss on 11 June 2012. A slightly sulky young woman with a straight gaze fetched £ 1,08M (ZAR 19,3M) including premium on March 19, 2014 at Bonhams.
On September 9 in London, Bonhams sells another oil on canvas of the same year, 61 x 51 cm, also within a Zanzibar frame, entitled Arab in black, lot 12 estimated £ 700K. At the lower edge of the image, the hand of the young bearded man is holding the hild of his dagger.
Around 1960 through an auction in Johannesburg, the sister in law of the anti-apartheid activist Helen Suzman donated the painting to the benefit of the defendants in the trial of the signers of the Freedom Charter, among whom history retains the names of Luthuli, Sisulu, Mandela and Tambo.
Originally trained in the German Expressionism, she realized stereotypical portraits but in a perfect artistic technique with bright colors. Her characters communicate intensely with the viewer, possibly hiding some difficulty of the artist to define her own social position.
Her trip to Dakar in 1938 linked her to a group of Arab ethnicity. In 1939, her first stay in Zanzibar meets a desire of a deep immersion inside a similar community. The population of the island is almost exclusively Muslim. She had the ingenious idea to create her own frames by recuperating or imitating the carved panelings which are a spectacular local art.
Young men are authoritarian and inflexible. The beard is black and turbans are brightly colored. A double portrait in a frame 75 x 97 cm was sold for ZAR 21M including premium by Strauss on September 26, 2011.
The old priest has a thick white beard. His figure was sold for ZAR 17,3M including premium by Strauss on 11 June 2012. A slightly sulky young woman with a straight gaze fetched £ 1,08M (ZAR 19,3M) including premium on March 19, 2014 at Bonhams.
On September 9 in London, Bonhams sells another oil on canvas of the same year, 61 x 51 cm, also within a Zanzibar frame, entitled Arab in black, lot 12 estimated £ 700K. At the lower edge of the image, the hand of the young bearded man is holding the hild of his dagger.
Around 1960 through an auction in Johannesburg, the sister in law of the anti-apartheid activist Helen Suzman donated the painting to the benefit of the defendants in the trial of the signers of the Freedom Charter, among whom history retains the names of Luthuli, Sisulu, Mandela and Tambo.
1939 Rivera and the Future of Mexico
2012 unsold
PRE SALE DISCUSSION
The art of Diego Rivera had a revolutionary goal. His large murals are calling for a new social order for his country, Mexico, just out the failures of the civil wars.
Mexicans have a strong cultural and ethnic identity, and its future is in the hands of the children. Diego looks theindigenous children growing up, and Juanita became his favorite model.
In 1939, she is ten years old. She stands barefoot, in long skirt, at the corner of an empty room that reflects herhumble social condition. Innocent and pensive, almost worried, she is preparing for her day's work, with a heavy basket of laundry in one hand and a bale in the other.
This oil on canvas, 121 x 91 cm, is a very good psychological portrait and one of the artist's preferred works.Estimated $ 4M, it is for sale by Sotheby's in New York on May 23. Here is the link to the catalog.
The art of Diego Rivera had a revolutionary goal. His large murals are calling for a new social order for his country, Mexico, just out the failures of the civil wars.
Mexicans have a strong cultural and ethnic identity, and its future is in the hands of the children. Diego looks theindigenous children growing up, and Juanita became his favorite model.
In 1939, she is ten years old. She stands barefoot, in long skirt, at the corner of an empty room that reflects herhumble social condition. Innocent and pensive, almost worried, she is preparing for her day's work, with a heavy basket of laundry in one hand and a bale in the other.
This oil on canvas, 121 x 91 cm, is a very good psychological portrait and one of the artist's preferred works.Estimated $ 4M, it is for sale by Sotheby's in New York on May 23. Here is the link to the catalog.
1939 SOVIET FLOWERS
2010 UNSOLD
PRE SALE DISCUSSION
Among the artists who began their careers before the October Revolution, some went into exile but others remained in their country. Of these, Piotr Petrovich Konchalovsky is probably the best known. His portraits are arranged in the style of Soviet Realism.
An admirer of Cézanne, he was a specialist of flowers and still lifes. In 1939, on the order of a Soviet office, he made a large oil on canvas, 165 x 229 cm, designed to be widely exhibited in Moscow and Leningrad.
Definitely a masterpiece of the artist, this painting shows four bouquets of flowers, a watering can and a table. It is on sale on August 19 in Deauville, and is shown in the catalog shared by the auction house, Artcurial Deauville. It is estimated 1 million €.
Artcurial Deauville is the Fine Arts department of the Arqana group, whose core business is the auction of racehorses.Indeed the art sale is held immediately after the sale of yearlings managed by Arqana in Deauville from 13 to 16 August.
Among the artists who began their careers before the October Revolution, some went into exile but others remained in their country. Of these, Piotr Petrovich Konchalovsky is probably the best known. His portraits are arranged in the style of Soviet Realism.
An admirer of Cézanne, he was a specialist of flowers and still lifes. In 1939, on the order of a Soviet office, he made a large oil on canvas, 165 x 229 cm, designed to be widely exhibited in Moscow and Leningrad.
Definitely a masterpiece of the artist, this painting shows four bouquets of flowers, a watering can and a table. It is on sale on August 19 in Deauville, and is shown in the catalog shared by the auction house, Artcurial Deauville. It is estimated 1 million €.
Artcurial Deauville is the Fine Arts department of the Arqana group, whose core business is the auction of racehorses.Indeed the art sale is held immediately after the sale of yearlings managed by Arqana in Deauville from 13 to 16 August.
